Theobaldi Physiologus Edited With Introduction Critical Apparatus Translation And Commentary By P T Eden

The Modernist Bestiary centres on Le Bestiaire ou Cortège d’Orphée (1911), a multimedia collaborative work by French-Polish poet Guillaume Apollinaire and French artist Raoul Dufy, and its homonym, The Bestiary or Procession of Orpheus (1979), by British artist Graham Sutherland. Rather than reconstructing the lineage of these two compositions, the book uncovers the aesthetic and intellectual processes involved that operate in different times, places and media. The Apollinaire and Dufy Bestiary is an open-ended collaboration, a feature that Sutherland develops in his re-visiting, and this book shows how these neglected works are caught up in many-faceted networks of traditions and genres. These include Orphic poetry from the past, contemporary musical settings, and bestiary writing from its origins to the present. The nature of productive dialogue between thought and art, and the refracted light they throw on each other are explored in each of the pieces in the book, and the aesthetic experience emerges as generative rather than reductive or complacent. The contributors’ encounters with these works take the form of poetry and essays, all moving freely between different disciplines and practices, humanistic and posthumanist critical dimensions, as well as different animals and art forms. They draw on disciplines ranging from music, art history, translation, Classical poetry and French poetry, and are nurtured by approaches including phenomenology, cultural studies, sound studies, and critical animal studies. Collectively the book shows that the aesthetic encounter, by nature affective, is by nature also interdisciplinary and motivating, and that it spurs the critical in addressing the complex issues of 'humananimality'.

This book presents for the first time a panorama of about 85 neo-latin epics composed in France during the 16th and 17th centuries; the collection includes historical, biblical and hagiographic poems, ranging from a few hundred to thirty thousand hexameters. A full account is given of the contents and composition of every poem, the historical, biblical and hagiographic background is explored, and the poets' debt to classical poetry is analyzed with as a clear result the growing influence of Vergil and, during the 17th century, of Tasso as well. The repertorium is intended as a sort of guide, which provides the reader interested in Neo-Latin, Classics or the literary history of France conveniently with well-founded information on this literary genre.

The Libellus of the Carolingian monk Walahfrid presents a first history of the Eucharistic liturgy, with special reference to topics such as fasting, frequency of communion, and arrangement of sections of the mass. Walahfrid also examines the origins of certain liturgical actions in baptism, traces the development of hymnography, and considers the etymology of various terms for church architecture. Walahfrid's unusually explicit citation of sources makes his work of particular value to the modern historian. This translation is the first into modern English. The commentary establishes the place of the language and argument in the development of early writings on the liturgy, while also relating it to the wider context of non-liturgical writings from the Fathers to mid-ninth century. The author's detailed examinations of Walahfrid's sources—historical, legislative and literary—show the lines of transmission of texts and their availability in the Carolingian period.

This volume contains the first translation into English of all the major love poetry of the Renaissance neo-Latin poet Johannes Secundus and the first detailed critical appreciation of the first two books of his Elegies and the Elegiae Sollemnes. The book consists of an introduction (on the poet's life and works, characters in and dating of the amatory elegies, literary background etc.), facing Latin text and English translation of the Elegies, brief explanatory notes and full essays of appreciation, an appendix with a translation into English of the "Basia" and "Epithalamium," and an index. This work contains extensive amounts of valuable information about Secundus' models, wit, style, sound, diction, placement, structure, manipulation of characters and themes, generic innovation etc. and facilitates a complete reappraisal of this major Renaissance love poet.

First multi-year cumulation covers six years: 1965-70.

This book elucidates the significance of glosses on Prudentius’ Psychomachia in the German or Weitz manuscript tradition. It redirects attention away from the philological concerns of conventional scholarship toward those of mainstream Carolingian and Ottonian intellectual history.

Elias of Thriplow, a village near Cambridge, was a schoolmaster in the thirteenth century. Apart from his complete Serium Senectutis, he wrote several works that have survived only as extracts, many of which are extensive. Elias seemingly wrote what has been called Petronius Rediuiuus, a collection of tales and of essays about knights, merchants, women, and farmers. This collection frequently reflects the influence of spicy Petronius, rarely read in the Middle Ages. Elias is important for his criticisms of medieval society, for the history of narrative literature, and for the history of English humanism. This new book offers the first critical edition of all the extracts from Elias and publishes many of these for the first time, with commentary indicating sources for the ideas and language.

A collection of essays written by pupils, friends and colleagues of Professor Peter Dronke, to honour him on his retirement. The essays address the question of the relationship between poetry and philosophy in the Middle Ages. Contributors include Walter Berschin, Charles Burnett, Stephen Gersh, Michael Herren, Edouard Jeauneau, David Luscombe, Paul Gerhardt Schmidt, Joe Trapp, Jill Mann, Claudio Orlandi and John Marenbon. It is an important collection for both philosophical and literary specialists; scholars, graduate students and under-graduates in Medieval Literature and in Medieval Philosophy.