The Zig Zag Girl

Investigating a murder committed in the style of a famous magic trick, Detective Inspector Edgar Stephens reconnects with an illusionist friend from World War II to uncover links to their special ops service.

The fifth book in the Magic Men series,Now You See Themis a wild mystery with detective Edgar Stephens and the magician Max Mephisto, as they investigate a string of presumed kidnappings in the swinging 1960s. The new decade is going well for Edgar Stephens and his good friend the magician Max Mephisto. Edgar is happily married, with children, and promoted to Superintendent. Max has found fame and stardom in America, though is now back in England for a funeral, and a prospective movie job. Edgar's new wife, though--former detective Emma--is restless and frustrated at home, knowing she was the best detective on the team. But when an investigation into a string of disappearing girls begins, Emma sees her chance to get back in the action. She begins her own hunt, determined to prove, once and for all that she's better than the boys. Though she's not the only one working toward that goal--there's a new woman on the force, and she's determined to make detective. When two more girls go missing, both with ties to the group, the stakes climb ever higher, and Max finds himself drawn into his own search. Who will find the girls first? And will they get there in time?

"Grief is not a feeling but a neighborhood. This is where I come from. Everyone I love still lives there." Widely known for her performance poetry, author Brenna Twohy offers an intimate portrait of loss, abuse, and the messy ways that we heal. Often funny and always honest, Zig-Zag Girl is about grief, strength, and the magic of holding on.

A summer disappointment turns into a cross-country discovery. Robin can't believe it when her boyfriend, Chris, tells her that his parents have enrolled him in a summer program in Rome. It's their last summer together before he goes away to college, and now they won't even have that time together. It feels like the worst thing that's ever happened to her. Since Chris is leaving, Robin agrees to join her aunt and cousins on a cross-country road trip, in spite of her reservations -- she and her younger cousins have never really gotten along, and since their father's death they've become even more problematic than before. Soon the four of them are zigzagging through the West on an eye-opening journey. They explore parts of the country Robin never dreamed existed -- and she discovers inner resources she never imagined she had.

With some help from a group of field mice, an odd-looking doll--named Zigzag for his crooked mouth--searches for a child to love him.

In a nail-biting hunt for a missing loved one, DI Edgar Stephens and the magician Max Mephisto discover once again that the line between art, life, and death is all too easily blurred. It's the holiday season and Max Mephisto and his daughter Ruby have landed a headlining gig at the Brighton Hippodrome, the biggest theater in the city, an achievement only slightly marred by the less-than-savory supporting act: a tableau show of naked "living statues." But when one of the girls goes missing and turns up dead not long after, Max and Ruby realize there's something far more sinister than obscenity afoot in the theater. DI Edgar Stephens is on the case. As he searches for the killer, he begins to suspect that her fatal vanishing act may very well be related to another case, the death of a quiet local florist. But just as he's narrowing in on the missing link, Ruby goes missing, and he and Max must team up once again to find her.

“Another great series.” — San Jose Mercury News “A dazzlingly tricky mystery.” — Kirkus Reviews “A tremendous skein of red herrings, sharp and thorough police work, [and] mysterious connections.” — Bookgasm It’s Christmastime in Brighton, and the city is abuzz about magician Max Mephisto’s star turn in Aladdin. But the holiday cheer is lost on DI Edgar Stephens. He’s investigating the murder of two children, Annie and Mark, who were found in the woods alongside a trail of candy—a horrifying scene eerily reminiscent of “Hansel and Gretel.” Edgar has plenty of leads. Annie, a dark child, wrote gruesome plays based on the Grimms’ fairy tales. Does the key to the case lie in her final script? Or does the macabre staging of the bodies point to the theater and the capricious cast of Aladdin? Edgar enlists Max’s help in penetrating the shadowy world of the theater. But is this all just classic misdirection? “Excellent . . . Evoking both the St. Mary Mead of Agatha Christie and the theater world of Ngaio Marsh.” — Booklist

Newly minted PI Emma Holmes and her partner Sam Collins are chosen for a high-profile case: retired music-hall star Verity Malone hires them to find out who poisoned her husband, a theater impresario. Verity herself has been accused of the crime. Soon Emma realizes that Verity's life intersects closely with her own. The team of female PIs circle closer to the killer, with the Brighton police hot on their tail. The clues suggest they're looking for a criminal targeting the old music-hall crew. How long will it be before that trail leads straight back to Max? Print run 3,000.

When the Timpanzi Tigers challenge the Zigzag Zebras to a race, Gina worries because she knows she is not a fast runner, but the whole school seems to be counting on her to win.

A young American in Mexico discovers his family’s past—and a present-day danger—in this “elegant, exquisite” novel of suspense (Elle). Eric is a newly minted historian just out of graduate school, plagued by self-doubt over both his past choices and his future options. With no clear direction, he follows his lover, Em, when she travels to the Yucatan for her scientific research, but ends up alone in this foreign place. And so he pursues his own private quest, tracing his family’s history to a Mexican ghost town, where, a hundred years earlier, young Cornish miners—among them Eric’s grandparents—toiled to the death. Now, in place of the Cornish workers, the native Huichol Indians suffer the cruelty of the mines. When he inquires into their lives, Eric provokes the ire of their self-appointed savior, Dona Vera. Known as the “Queen of the Sierra,” Dona Vera is the widow of a mining baron who has dedicated her fortune to preserving the Huichol culture. But her formidable presence belies a dubious past. The zigzag paths of these characters converge on the Day of the Dead, bringing together past and present in a moment of powerful epiphany. Haunting and atmospheric, with splashes of exuberant color and darker violence, The Zigzag Way is “a beautifully rendered combination of history, folklore, and modern fiction” (Entertainment Weekly), from a Booker Prize finalist. “Long before Jhumpa Lahiri . . . long before Monica Ali . . . another novelist was offering us exquisitely detailed portraits of bodies in transit [and] classes in the art of sly and sensuous fiction . . . Anita Desai was a global, migrant writer before such a thing was fashionable.” —Time “Almost unbearably suspenseful.” —The Boston Globe “A hypnotic journey.” —San Jose Mercury News