The Wounds Of Possibility

Bringing together writers, translators, poets, and leading scholars of cultural theory, literary theory, comparative literature, philosophy, history, political science, music studies, and education, The Wounds of Possibility aims to offer an in-depth and wide-ranging study of George Steiner’s imposing body of work. This book is a timely volume of important essays on one of the most provocative thinkers, critics, and philosophers now writing. During an era in which the question of the ethical and of the status of the work of art, and its relation to the theological dimension, has returned with renewed urgency, Steiner’s work provides rich resources for reflection and it is hoped that the volume will stand on its own as a rich, nuanced accompaniment to the reading of Steiner’s work. With their broad range of thematic foci, theoretical approaches, and stunning constellations of quoted material from different backgrounds, all the essays in the book try to reflect upon the relation between human identity and language, ethics and literature, philosophy and art, and they all offer what we regard as being the most comprehensive engagement with Steiner’s work to date.

Winner of the 2021 Center for Fiction First Novel Prize Winner of the 2022 Rosenthal Family Foundation Award Finalist for the 2022 Andrew Carnegie Medal for Excellence in Fiction • Finalist for the 2022 PEN/Hemingway Award for Debut Novel • Finalist for the 2022 Aspen Words Literary Prize • Finalist for the 2022 Lambda Literary Award for Lesbian Fiction One of NPR's Best Books of the Year • A Publishers Weekly and Library Journal Best Book of the Year in Fiction • A Kirkus Reviews Best Fictional Family of the Year • A Booklist Top Ten Book-Group Book of the Year • A Goodreads Choice Awards Best Debut Novel Nominee From an award-winning storyteller comes a stunning debut novel about a New Mexican family’s extraordinary year of love and sacrifice. "Masterly…Quade has created a world bristling with compassion and humanity. The characters and the challenges they face are wholly realized and moving; their journeys span a wide spectrum of emotion and it is impossible not to root for [them]." —Alexandra Chang, New York Times Book Review It’s Holy Week in the small town of Las Penas, New Mexico, and thirty-three-year-old unemployed Amadeo Padilla has been given the part of Jesus in the Good Friday procession. He is preparing feverishly for this role when his fifteen-year-old daughter Angel shows up pregnant on his doorstep and disrupts his plans for personal redemption. With weeks to go until her due date, tough, ebullient Angel has fled her mother’s house, setting her life on a startling new path. Vivid, tender, funny, and beautifully rendered, The Five Wounds spans the baby’s first year as five generations of the Padilla family converge: Amadeo’s mother, Yolanda, reeling from a recent discovery; Angel’s mother, Marissa, whom Angel isn’t speaking to; and disapproving Tíve, Yolanda’s uncle and keeper of the family’s history. Each brings expectations that Amadeo, who often solves his problems with a beer in his hand, doesn’t think he can live up to. The Five Wounds is a miraculous debut novel from a writer whose stories have been hailed as “legitimate masterpieces” (New York Times). Kirstin Valdez Quade conjures characters that will linger long after the final page, bringing to life their struggles to parent children they may not be equipped to save.

Nigel Thrift explores recent changes in the British research university that threaten to erode the quality of these higher education institutions. He considers what a research university has now become by examining the quandaries that have arisen from a succession of misplaced strategies and false expectations.

Jesus Lara Sotelo ́s literary work, unique and heterogeneous at the same time, showa a tireless fervor and rich inspiration. Without setting limits between amenity and greatness, his lyrical power stands out in the middle of dense forest. Concentrated and austere at times, excessive in others, he takes over himself and others in body and soul and he projects himself as he truly is, while he meditates thoroughly and thinks over and over about the earthly and cosmogonist things, perceiving in them their most active principles, so his compositions are, at the same time, and an act of creation and an act revelation in teh knowledge of new lives, where all spiritual an earthly things are revealed and released. So, it seems that in this way, every moment and every place of nature are willing to welcome the invasion of his opinion, which brings about a confiscation of total condition of the man and his sorrounding, which recognizes him with great jubilation.

Includes the papers and/or proceedings of various surgical associations.

How do you make wound management decisions for your patients? In the most challenging situations where patient survival and limb salvage are considerations, it becomes apparent that wound management decisions be based on more than a wound's initial presentation. MasterMinding Wounds optimizes the evaluation, management, and prevention of wounds. This exciting text is organized into five parts, each integral to wound care, yet comprehensive enough to stand alone: I. Setting the stage (for wound care) II. Evaluation of wounds III. The strategic management of problem wounds IV. Evaluation and management of the "end-stage" wound V. Prevention of new and recurrent wounds The special features of this text include the use of a Master Algorithm to integrate and logically transition information, as well as a user friendly "Power of 10" scoring tool to objectively quantify wound seriousness, guide treatment, measure progress, predict potential for wound development, and assess patient function and motivation.

A versatile missive written from the intersections of gender, disability, trauma, and survival. “Some girls are not made,” torrin a. greathouse writes, “but spring from the dirt.” Guided by a devastatingly precise hand, Wound from the Mouth of a Wound—selected by Aimee Nezhukumatathil as the winner of the 2020 Ballard Spahr Prize for Poetry—challenges a canon that decides what shades of beauty deserve to live in a poem. greathouse celebrates “buckteeth & ulcer.” She odes the pulp of a bedsore. She argues that the vestigial is not devoid of meaning, and in kinetic and vigorous language, she honors bodies the world too often wants dead. These poems ache, but they do not surrender. They bleed, but they spit the blood in our eyes. Their imagery pulses on the page, fractal and fluid, blooming in a medley of forms: broken essays, haibun born of erasure, a sonnet meant to be read in the mirror. greathouse’s poetry demands more of language and those who wield it. “I’m still learning not to let a stranger speak / me into a funeral.” Concrete and evocative, Wound from the Mouth of a Wound is a testament to persistence, even when the body is not allowed to thrive. greathouse—elegant, vicious, “a one-girl armageddon” draped in crushed velvet—teaches us that fragility is not synonymous with flaw.

List of fellows in each vol.