The World Famous Iverson Movie Ranch

The World Famous IVERSON MOVIE RANCH was the most filmed location in movie history with an estimated 2,000 movies and television shows filmed on the property from about 1912 to well into the 1970s when the ranch land was sold off and redeveloped. While mostly used in Western movies, a large number of A pictures of all types utilized the land of the ranch, including ?The Fighting Seabees?, ?Wee Willie Winkie?, and ?The Flying Dueces?. NOTE: This Special Edition includes 10 pages of nude photoshoots.

The World Famous IVERSON MOVIE RANCH was the most filmed location in movie history with an estimated 2,000 movies and television shows filmed on the property from about 1912 to well into the 1970s when the ranch land was sold off and redeveloped. While mostly used in Western movies, a large number of A pictures of all types utilized the land of the ranch, including ?The Fighting Seabees?, ?Wee Willie Winkie?, and ?The Flying Dueces?. This is the Regular Edition without nude photos.

A photographic history of "B" Western movie location ranches in Chatsworth, California. More than 350 photos of scenes lensed in the Santa Susana Mountains. Come ride with author Jerry England as he takes you on a photographic tour of famous Chatsworth area movie ranches. Witness Tom Mix, Roy Rogers, Gene Autry, John Wayne, Allan Lane, Bill Elliott, Charles Starrett, the Lone Ranger, Buster Crabbe, Tim McCoy, Lash LaRue, and many other six-gun heroes as they ride the pony trails of the gone, but not forgotten Iverson Movie Location Ranch, Brandeis Movie Ranch, Bell Moving Picture Ranch, Corriganville Movie Ranch, Spahn Ranch, and Burro Flats. View action scenes filmed at Chatsworth's reservoir, train depot, and railroad tunnels. Then follow your favorite Hollywood cowboy through the western streets, outlaw shacks, stagecoach stops, and ranch houses you've seen in hundreds of "B" Westerns.

Over 160 western movie locations in the Southern California area are detailed in this book by location expert Jerry L. Schneider. With over 2,000 maps, aerial photographs, illustrations, stills, and film captures, this is the most lavishly illustrated book about the western movie locations ever published. Histories of each location along with extensive filmographies of each location is included.

"Radical, before it meant a person who advocates strong political reform, meant getting to the root of things, the origin. It comes from the Latin radix, radicis,, meaning radish, a root vegetable."—BK Loren These meditative essays range in subjects from a transcendental encounter with a pack of coyotes ironically juxtaposed with her neighbor's claim that nature "has gone out of vogue," to Loren's mother's slow yet all–encompassing deterioration from Parkinson's, and the unexpected way the Loma Prieta earthquake eroded her depression by offering the author a sense of her small place in a wild and worthwhile world. Loren has an empathetic and gentle approach to the world. In detailing the intricacies of human relationships and consciousness—fear of death and time, cooperation born of clashing viewpoints, tradition's beauty even when destructive, a love of language, a sense of loss amid the fast–paced materialistic world—she peels back the film of popular thinking in order to expose herself to the secrets so few of us ever see.

The Jewel of Seven Stars is aHorrornovel by Irish writer Bram Stoker, first published by Heinemann in 1903. The story is a first-person narrative of a young man pulled into an archaeologist's plot to revive Queen Tera, an ancient Egyptian mummy. It explores common fin de siècle themes such as imperialism, the rise of the New Woman and feminism, and societal progress.

Immensely popular and prolific, Harold Lloyd sold more movie tickets during the Golden Age of Comedy than any other comedian. From Coney Island to Catalina Island, and from Brooklyn to Beverly Hills, Lloyd’s movies captured visions of silent-era America unequaled on the silver screen. A stunning work of cinematic archeology, Silent Visions describes the historical settings found in such Lloyd classics as Safety Last!, Girl Shy, and Speedy, and matches them with archival photographs, vintage maps, and scores of then-and-now comparison photographs, illuminating both Lloyd’s comedic genius, and the burgeoning Los Angeles and Manhattan landscapes preserved in the background of his films. The book represents John Bengtson’s completion of his trilogy of works focusing on the three great geniuses of silent film comedy (Keaton, Chaplin, and Lloyd) in what Oscar-winning historian Kevin Brownlow calls “a new art form.”

In 1979, Florida Seminoles opened the first tribally operated high-stakes bingo hall in North America. At the time, their annual budget stood at less than $2 million. By 2006, net income from gaming had surpassed $600 million. This dramatic shift from poverty to relative economic security has created tangible benefits for tribal citizens, including employment, universal health insurance, and social services. Renewed political self-governance and economic strength have reversed decades of U.S. settler-state control. At the same time, gaming has brought new dilemmas to reservation communities and triggered outside accusations that Seminoles are sacrificing their culture by embracing capitalism. In High Stakes, Jessica R. Cattelino tells the story of Seminoles’ complex efforts to maintain politically and culturally distinct values in a time of new prosperity. Cattelino presents a vivid ethnographic account of the history and consequences of Seminole gaming. Drawing on research conducted with tribal permission, she describes casino operations, chronicles the everyday life and history of the Seminole Tribe, and shares the insights of individual Seminoles. At the same time, she unravels the complex connections among cultural difference, economic power, and political rights. Through analyses of Seminole housing, museum and language programs, legal disputes, and everyday activities, she shows how Seminoles use gaming revenue to enact their sovereignty. They do so in part, she argues, through relations of interdependency with others. High Stakes compels rethinking of the conditions of indigeneity, the power of money, and the meaning of sovereignty.