The Window

"A gripping tale of suspense, secrets, and the unbreakable bonds of sisterhood." —Karen M. McManus, #1 New York Times bestselling author of One of Us Is Lying If you loved The Twin and One of Us Is Lying, get ready for a heart-wrenching psychological thriller about a girl who knows her twin sister better than anyone . . . or does she? Taut and atmospheric, The Window will keep you guessing until the end. Secrets have a way of getting out. . . . Anna is everything her identical twin is not. Outgoing and athletic, she is the opposite of quiet introvert Jess. The same on the outside, yet so completely different inside—it's hard to believe the girls are sisters, let alone twins. But they are. And they tell each other everything. Or so Jess thought. After Anna falls to her death while sneaking out her bedroom window, Jess's life begins to unravel. Everyone says it was an accident, but to Jess, that doesn't add up. Where was Anna going? Who was she meeting? And how long had Anna been lying to her? Jess is compelled to learn everything she can about the sister she thought she knew. At first it's a way to stay busy and find closure . . . but Jess soon discovers that her twin kept a lot of secrets. And as she digs deeper, she learns that the answers she's looking for may be truths that no one wants her to uncover. Because Anna wasn't the only one with secrets. "Layered and compelling, The Window is a fast-paced mystery anchored by a bold and intriguing protagonist, and you won’t want to put it down until you’ve uncovered every last one of its secrets!" —Caleb Roehrig, author of Last Seen Leaving "Lyrical and haunting, with plenty of twists that kept me reading long into the night.” —Kara Thomas, author of The Darkest Corners

What happens when having it all proves too much to handle? In this “fresh, funny take on the age-old struggle to have it all” (People) a wife and mother of three leaps at the chance to fulfill her professional destiny—only to learn every opportunity comes at a price. “A winning, heartfelt debut” (Good Housekeeping), A Window Opens introduces Alice Pearse, a compulsively honest, longing-to-have-it-all, sandwich generation heroine for our social-media-obsessed, lean in (or opt out) age. Like her fictional forebears Kate Reddy and Bridget Jones, Alice plays many roles (which she never refers to as “wearing many hats” and wishes you wouldn’t, either). She is a (mostly) happily married mother of three, an attentive daughter, an ambivalent dog-owner, a part-time editor, a loyal neighbor and a Zen commuter. She is not: a cook, a craftswoman, a decorator, an active PTA member, a natural caretaker, or the breadwinner. But when her husband makes a radical career change, Alice is ready to lean in—and she knows exactly how lucky she is to land a job at Scroll, a hip young start-up which promises to be the future of reading. The Holy Grail of working mothers―an intellectually satisfying job and a happy personal life―seems suddenly within reach. Despite the disapproval of her best friend, who owns the local bookstore, Alice is proud of her new “balancing act” (which is more like a three-ring circus) until her dad gets sick, her marriage flounders, her babysitter gets fed up, her kids start to grow up, and her work takes an unexpected turn. In the midst of her second coming of age, Alice realizes the question is not whether it’s possible to have it all but, what does she really want the most? “Smart and entertaining…with refreshing straight-forwardness and humor” (The Washington Post), “fans of I Don’t Know How She Does It and Where’d You Go, Bernadette will adore A Window Opens” (Booklist, starred review).

Mandy survived the terrible accident that killed her mother, but she was left blind and alone. Now she lives with relatives she doesn't know, attends a new school, and tries to make friends--all the while struggling to function without sight. Her unpredictable life takes its strangest turn when she begins to hear the oddest things through the window of her attic room. In fact, what she hears--and seems to "see"--are events that happened years ago, before she was even born. . . .

In this funny and clever middle grade mystery reminiscent of Rear Window and perfect for fans of the Mysterious Benedict Society series, Sophie Young and Grace Yang are best friends, seventh graders, and spies. Sophie and Grace have made a game out of spying on their neighbors. On one of their midnight stakeouts, they witness a terrifying scene at the home of their bizarre middle-school counselor Dr. Charlotte Agford (also known as Dr. Awkward). At least, they think they do. When the girls are proven wrong, they are still convinced that Dr. Agford is hiding a terrible secret—and they're determined to find out what it is. Soon the girls are breaking secret codes, being followed by a strange blue car, and tailing strangers with unibrows and Texas accents. But as their investigation heats up, Sophie and Grace start to crack under the pressure. Will solving the case destroy their friendship?

'I promised that I would one day write a book and tell the world about the home for unmarried mothers. I have at last kept my promise.' In Ireland, 1951, the young June Goulding took up a position as midwife in a home for unmarried mothers run by the Sacred Heart nuns. What she witnessed there was to haunt her for the next fifty years. It was a place of secrets, lies and cruelty. A place where women picked grass by hand and tarred roads whilst heavily pregnant. Where they were denied any contact with the outside world; denied basic medical treatment and abused for their 'sins'; where, after the birth, they were forced into hard labour in the convent for three years. But worst of all was that the young women were expected to raise their babies during these three years so that they could then be sold - given up for adoption in exchange for a donation to the nuns. Shocked by the nuns' inhumane treatment of the frightened young women, June risked her job to bring some light into their dark lives. June's memoir tells the story of twelve women's experiences in this home and of the hardships they endured, but also the kindness she offered them, and the hope she was able to bring.

An exceptional guide to window coverings featuring more than 1000 photographs and illustrations, The Window Decorating Book is both unique and compelling in covering the scope of window products available on the market today. You will be encouraged to explore and consider all of your options, including sections on specifications and fabric quantities, should you wish to do so. The Window Decorating Book not only provides an inspiring visual catalog of ways to use draperies, blinds, shades, and shutters imaginatively, but also delves into the details; providing vital information on the pros and cons of various products, and how to choose fabrics and treatments that create the right atmosphere for any room of the house.

“Gutsy, funny, risky and wise, full of dazzling late-night insight, in-the-middle-of-everything epiphanies, moments of sheer honesty blooming into gut truths.” —Marlon James, Booker Prize–winning author Aminatta Forna is one of our most important literary voices, and her novels have won the Windham Campbell Prize and the Commonwealth Writers’ Prize for Best Book. In this elegantly rendered and wide-ranging collection of new and previously published essays, Forna writes intimately about displacement, trauma and memory, love, and how we coexist and encroach on the non-human world. Movement is a constant here. In the title piece, “The Window Seat,” she reveals the unexpected enchantments of commercial air travel. In “Obama and the Renaissance Generation,” she documents how, despite the narrative of Obama’s exceptionalism, his father, like her own, was one of a generation of gifted young Africans who came to the United Kingdom and the United States for education and were expected to build their home countries anew after colonialism. In “The Last Vet,” time spent shadowing Dr. Jalloh, the only veterinarian in Sierra Leone, as he works with the street dogs of Freetown, becomes a meditation on what a society’s treatment of animals tells us about its principles. In “Crossroads,” she examines race in America from an African perspective, and in “Power Walking” she describes what it means to walk in the world in a Black woman’s body and in “The Watch” she explores the raptures of sleep and sleeplessness the world over. Deeply meditative and written with a wry humor, The Window Seat confirms that Forna is “a compelling essayist . . . her voice direct, lucid, and fearless” (Claire Messud, Harper’s Magazine).

#1 New York Times Bestseller – Soon to be a Major Motion Picture starring Amy Adams, Julianne Moore, and Gary Oldman – Available on Netflix on May 14, 2021 “Astounding. Thrilling. Amazing.” —Gillian Flynn “Unputdownable.” —Stephen King “A dark, twisty confection.” —Ruth Ware “Absolutely gripping.” —Louise Penny For readers of Gillian Flynn and Tana French comes one of the decade’s most anticipated debuts, to be published in thirty-six languages around the world and already in development as a major film from Fox: a twisty, powerful Hitchcockian thriller about an agoraphobic woman who believes she witnessed a crime in a neighboring house. It isn’t paranoia if it’s really happening . . . Anna Fox lives alone—a recluse in her New York City home, unable to venture outside. She spends her day drinking wine (maybe too much), watching old movies, recalling happier times . . . and spying on her neighbors. Then the Russells move into the house across the way: a father, a mother, their teenage son. The perfect family. But when Anna, gazing out her window one night, sees something she shouldn’t, her world begins to crumble—and its shocking secrets are laid bare. What is real? What is imagined? Who is in danger? Who is in control? In this diabolically gripping thriller, no one—and nothing—is what it seems. Twisty and powerful, ingenious and moving, The Woman in the Window is a smart, sophisticated novel of psychological suspense that recalls the best of Hitchcock.

A girl’s scary dream may come true in this “fast moving” story starring “a likable and believable heroine” (School Library Journal). Meg’s nightmare about a thin, gray-haired man who beckons her to follow him through a dark doorway will no doubt come true. That’s the way it is with all of her “real” dreams, the ones that her grandmother calls “a secret window into the future.” Meg suspects that her dream is about sixteen-year-old Caleb Larsen’s father, who died in a car crash after allegedly stealing $50,000 from a local bank. Could Mr. Larsen be trying to reach Caleb and his mother through Meg’s dreams? Is he trying to reveal the truth about what happened? As Meg’s nightmare begins to come true, she learns to cope with her own past as well as Caleb’s, and to see the present in a different, more positive light.