The White Widows

Merlin's1953 science fiction novel in which a chemist researching hemophilia becomes a pawn for 'The White Widows, ' a group of women who intend to take over the world -- and eliminate all men

The thrilling conclusion to Ferals, a fantasy trilogy that’s part Batman, part The Graveyard Book, and all high-stakes adventure. Caw has defeated the dreaded Spinning Man and vanquished the Mother of Flies. But a new feral has appeared—one who intends to uphold the Spinning Man’s dark legacy. Known as the White Widow, this spider feral is determined to destroy Caw and bring Blackstone back into an era of crime and fear. Now everyone Caw holds dear is in danger. And this time Caw may not be able to protect them.

Some bus drivers never meet a "white widow"--a wild card, a woman traveling alone who can change the course of a driver's life, and not always for the best. In this subtle, poignant novel, based on the true experiences of the anchor of PBS's News Hour with Jim Lehrer, Jack T. Oliver, who drives the Houston to Corpus Christi run for the Great Western Trailways bus line, is about to meet his.

Ferals is the first book in a dark, action-packed trilogy that’s part The Graveyard Book, part Batman, and all high-octane adventure. Blackstone was once a thriving metropolis. But that was before the Dark Summer—a wave of violence and crime that swept through the city eight years ago, orchestrated by the fearsome Spinning Man. Now the Spinning Man is on the move again, and a boy named Caw is about to be caught in his web. Caw has never questioned his ability to communicate with crows. But as the threat of a new Dark Summer looms, Caw discovers the underground world of Blackstone’s ferals—those with the power to control animals. Caw is one of them. And to save his city, he must quickly master abilities he never knew he had . . . and prepare to defeat a darkness he never could have imagined.

Set against the backdrop of an eerie island town in the dead of winter, The Wife and the Widow is a mystery/thriller told from two perspectives: Kate, a widow whose grief is compounded by what she learns about her dead husband’s secret life; and Abby, an island local whose world is turned upside down when she’s forced to confront the evidence that her husband is a murderer. But nothing on this island is quite as it seems, and only when these women come together can they discover the whole story about the men in their lives. Brilliant and beguiling, The Wife and the Widow takes you to a cliff edge and asks the question: how well do we really know the people we love?

A 25th anniversary edition of the enchanting story of a widow who finds herself in possession of an extraordinary broom after a witch falls into her garden. Some of Minna Shaw's neighbors don't trust her clever broom. "It's dangerous," they say. But Minna appreciates the broom's help. She enjoys its quiet company. But one day two children get taught a well-deserved lesson by the broom. For her neighbors, this is proof of the broom's evil spirit. Minna is obligated to give up her dear companion. Chris Van Allsburg, master of the mysterious, brings this tale to life with moody and memorable pictures that will haunt readers long after the book's covers are closed—now in a new edition to celebrate this beloved book's twenty-fifth anniversary.

Many early-nineteenth-century slaveholders considered themselves "masters" not only over slaves, but also over the institutions of marriage and family. According to many historians, the privilege of mastery was reserved for white males. But as many as one in ten slaveholders--sometimes more--was a widow, and as Kirsten E. Wood demonstrates, slaveholding widows between the American Revolution and the Civil War developed their own version of mastery. Because their husbands' wills and dower law often gave women authority over entire households, widowhood expanded both their domestic mandate and their public profile. They wielded direct power not only over slaves and children but also over white men--particularly sons, overseers, and debtors. After the Revolution, southern white men frequently regarded powerful widows as direct threats to their manhood and thus to the social order. By the antebellum decades, however, these women found support among male slaveholders who resisted the popular claim that all white men were by nature equal, regardless of wealth. Slaveholding widows enjoyed material, legal, and cultural resources to which most other southerners could only aspire. The ways in which they did--and did not--translate those resources into social, political, and economic power shed new light on the evolution of slaveholding society.

In Chappaqua, New York, two elderly widows who look like grandmothers with nothing more exciting on their daily agendas than mopping the kitchen floor, are not who they seem. Originally from Afghanistan and Palestine, the widows are hiding a secret of monumental proportions. From a back room in a small secondhand bookstore attached to their house, Mrs. Abramowitz and Mrs. Silverman control the Black Widows, a worldwide terrorist organization created with a dual purposeto destabilize the Western world and to wage a personal vendetta of their own. As soon as Zach Dayanan NYPD detective and former Israeli policemantakes the case, he faces a series of apparently random murders with identical wounds slashed in the victims chests. Desperate for answers, he seeks help from his ex-lover and expert pathologist, Dr. Jayanti Joshi. After examining the hearts, Dr. Joshi quickly discovers the common thread of the murders. Unfortunately, the clue leads nowhere. Zachs search for the murderer leads him to the hidden caves of an impenetrable ancient desert city, where he is soon swept into the heart of an evil plot. Only time will tell if he can save the Western world from another Holocaust.