The War Between The United States And Mexico Illustrated

This book explores the work of some great Mexican artists from the first half of the twentieth century in the area of illustrations and posters. Based on an exhibition held in 2010 at the Museo Valenciano de la Ilustración y la Modernidad (MuVIM) in Valencia, Spain, Mexico Illustrated offers a selection of the best illustrations from books, magazines, and posters published from 1920 to 1950.

The War Between the United States and Mexico, Illustrated, originally published in 1851, was easily the most beautiful nineteenth-century publication relating to the early history of Texas. It was also one of the most historically significant because of its widespread dissemination and because of the reputation of George Wilkins Kendall, editor of the New Orleans Picayune and first American war correspondent. It contains a brief history of the war and twelve hand-colored lithographs based on paintings by artist Carl Nebel. This handsome full-color facsimile of the original reproduces this rare and valuable volume, and enhances it with a scholarly introduction by Ron Tyler. Kendall was a nineteenth-century Renaissance man—involved in and successful at many things. He was fascinated with early Texas and sought to have it admitted to the Union. He frequently wrote about Texas in the Picayune, participated in the Texan expedition to Santa Fe in 1841, and was taken prisoner there. He wrote Narrative of the Texan Santa Fe Expedition as a result of the experience. When the war with Mexico broke out five years later, Kendall rushed to Texas where he joined the U.S. Army as it marched into Mexico. He wrote numerous dispatches from the front lines which appeared in the Picayune before government couriers could get the information to Washington. Kendall was on hand for most of the important battles of the war. Dissatisfied with what was written after the war, Kendall began to write a history himself. He contracted with Carl Nebel, a talented German artist he had met in Mexico, and got him to paint pictures of the major battles to illustrate his text. Producing this exquisite book took several years and involved the printing talents of Lemercier, one of the finest lithographers in Paris. The quality of the production was second to none. One of the pictures depicts the Battle of Palo Alto, which took place on Texas soil, and others show the battles of Monterrey, Buena Vista, and the southern campaign. Perhaps best known is the picture of General Scott's entrance into the zocalo, the main plaza, in Mexico City. This facsimile reprint is as important as it is beautiful. It tells, in succinct prose by one who was there, the story of the war that confirmed Texas's membership in the Union and added vast parts of the West to the United States. Ron Tyler's scholarly introduction places the work in its historical and artistic context, and adds to its value. This reasonably priced facsimile of the rare and expensive original is a must for students, scholars, and libraries.

This monograph provides a scholarly and comprehensive record of the history of Mexican Los Angeles, founded as a Spanish pueblo in 1781. Two centuries of history are covered from both a social and cultural perspective and are highlighted with more than 150 illustrations, photographs, and maps. Chapters focus on the city's Native American prehistory, early exploration, varied accounts of the founding of the city in 1781, and family portraits and chronology of the early years. Other chapters detail the growth, prosperity, and conflict of the Mexican national years; initial accommodations enabling cultural maintenance and community isolation; and development of the 20th-century Spanish press and new barrios of the early 1900s. Chapters also discuss changes during the depression and war years and the recent assertion of the city's Mexican community as a cultural and political force. Facts are carefully documented in each chapter and sources are cited in a 256-item bibliography. (NEC)