The Virago Book Of Witches

Beware the women who are called witches, or those who claim the name for themselves... Banshees - a howling night-witch and harbinger of death; She-devils - Lilith and her daughters; or Bitches - Hecate, whose chariot is drawn by dogs. Alluring women, enchantresses, seekers of revenge, wise old women and badly-behaved girls. As Shahrukh Husain says, witches are 'womanhood in all its complexity'. Over fifty stories of crones and nixies, shape shifters and beauties are here, including the loving fox witch of Japan; Italy's Witch-Bea-Witch; Scotland's Goodwife of Laggan; Biddy Earl and the terrifying Kali and Baba Yaga who comes in many forms to haunt, entice, possess, transform and challenge. From every corner of the globe, with tom-foolery, fun, strife and victory, these folklore and legends celebrate women who step out of line.

Stories from around the world of banshees, nixies, crones, and beauties in disguise.

Once upon a time fairy tales weren't meant just for children, and neither is Angela Carter's Book of Fairy Tales. This stunning collection contains lyrical tales, bloody tales and hilariously funny and ripely bawdy stories from countries all around the world- from the Arctic to Asia - and no dippy princesses or soppy fairies. Instead, we have pretty maids and old crones; crafty women and bad girls; enchantresses and midwives; rascal aunts and odd sisters. This fabulous celebration of strong minds, low cunning, black arts and dirty tricks could only have been collected by the unique and much-missed Angela Carter. Illustrated throughout with original woodcuts.

Constructing Adolescence in Fantastic Realism examines those fundamental themes which inform our understanding of "the teenager"—themes that emerge in both literary and cultural contexts. Models of adolescence do not arise solely from discourses of psychology, sociology, and education. Rather, these models—frameworks including developmentalism, identity formation, social agency, and subjectivity in cultural space—can also be found represented symbolically in fantastic tropes such as metamorphosis, time-slip, hauntings, doppelgangers, invisibility, magic gifts, and witchcraft. These are the incredible, supernatural, and magical elements that invade the everyday and diurnal world of fantastic realism. In this original study, Alison Waller proposes a new critical term to categorize a popular and established genre in literature for teenagers: young adult fantastic realism. Though fantastic realism plays a crucial part in the short history of young adult literature, up until now this genre has typically been overlooked or subsumed into the wider class of fantasy. Touching on well-known authors including Robert Cormier, Melvin Burgess, Gillian Cross, Margaret Mahy, K.M. Peyton and Robert Westall, as well as previously unexamined writers, Waller explores the themes and ideological perspectives embedded in fantastic realist novels in order to ask whether parallel realities and fantastic identities produce forms of adolescence that are dynamic and subversive. One of the first studies to deal with late twentieth-century fantastic literature for young adults, this book makes a valuable contribution to our understanding of adult attitudes toward adolescent identity.

'Thealogy and Embodiment' both analyses and contributes to spiritural feminism's postmodern construction of the female body as a metaphor and medium of divine generativity. Addressing religious studies and women's studies students and all those interested in contemporary spirituality, Raphael counters reformist feminism's recurrent criticism of goddess feminism as naively essentialist and sub-political. She presents spiritual feminism as a set of religio-political manoeuvres that powerfully resist such patriarchal degradations of female/natural generativity as environmental destruction, weight-reducing diets, and menstrual taboos.

From Ellen Datlow (“the venerable queen of horror anthologies” (New York Times) comes a new entry in the series that has brought you stories from Stephen King and Neil Gaiman comes thrilling stories, the best horror stories available. For more than three decades, Ellen Datlow has been at the center of horror. Bringing you the most frightening and terrifying stories, Datlow always has her finger on the pulse of what horror readers crave. Now, with the eleventh volume of the series, Datlow is back again to bring you the stories that will keep you up at night. Encompassed in the pages of The Best Horror of the Year have been such illustrious writers as: Neil Gaiman, Kim Newman, Stephen King, Linda Nagata, Laird Barron, Margo Lanagan, and many others. With each passing year, science, technology, and the march of time shine light into the craggy corners of the universe, making the fears of an earlier generation seem quaint. But this light creates its own shadows. The Best Horror of the Year chronicles these shifting shadows. It is a catalog of terror, fear, and unpleasantness as articulated by today’s most challenging and exciting writers.

The only English-language anthology by Pakistani women published in the United States, And the World Changed goes beyond the sensational headlines to reveal the stories of Pakistani women. Immigrants and refugees, travelers and explorers, seasoned authors and fresh voices, the twenty-five writers in this volume are as dynamic and diverse as their stories. Sixty years have passed since the Partition of India, and it’s clear that Pakistani writers have established their own literary tradition to record the stories of their communities. Famed novelist Bapsi Sidhwa portrays a Pakistani community in Houston, Texas, still struggling to heal from the horrors of Partition. In Uzma Aslam Khan’s tale, a man working in a Karachi auto body shop falls in love with the magical woman painted on a bus cabin. Bushra Rehman introduces us to a Pakistani girl living in Corona, Queens, who becomes painfully aware of the tensions between established Italian immigrants and their new Pakistani neighbors. And during the anti-Muslim sentiment following 9/11, a young woman in newcomer Humera Afridi’s story searches Manhattan’s rubble-filled streets for a mosque. Filled with nostalgic memories of Pakistan, critical commentary about the world’s current political climate, and inspirational hope for the future, the stories in And the World Changed weave an intricate, enlightening view of Pakistan, its relation to the West, and the women who travel between the two regions. Featuring: Talat Abbasi, Humera Afridi, Aamina Ahmad, Rukhsana Ahmad, Feryal Ali Gauhar, Sara Suleri Goodyear, Shahrukh Husain, Sabyn Javeri Jillani, Sonia Kamal, Fawzia Afzal Khan, Sorayya Khan, Uzma Aslam Khan, Maniza Naqvi, Tahira Naqvi, Nayyara Rahman, Hima Raza, Bushra Rehman, Fahmida Riaz, Roshni Rustomji, Sehba Sarwar, Bina Shah, Qaisra Shahraz, Kamila Shamsie, Muneeza Shamsie, and Bapsi Sidwa.

From the dawn of the human race, the idea of a Mother Goddess has been an archetype found in every culture and every era--and this fascinating study explores all of her many faces and multitude of roles