The Villanelle Collection

Today, the villanelle is accepted to be a nineteen-line poem consisting of five tercets and a final quatrain using two rhymes in a specified order. Throughout the poem there are two repeated lines, called the refrain. The beauty of the villanelle lies in its song-like nature and their refrains impart this musical quality. This book is a small collection of twenty villanelles written by Kim Leighton and Ferrick Gray.

Following the wildly popular BBC America adaption of Codename Villanelle, a high-stakes, addictive installment of Jennings's acclaimed Killing Eve series. Though the cat and mouse chase between these two lethal adversaries has seemingly ended, the sophisticated, deadly thrill of Eve and Villanelle's relationship is far from over. Told in Jennings's stylish prose, Killing Eve: Endgame is another page-turning chapter in the espionage exploits of Eve and Villanelle.

Eve and Villanelle plan for a high-stakes showdown in this sophisticated follow-up to the spy thriller that inspired the hit TV series Killing Eve. "If you want us to remain silent -- if you want to retain your freedom, your job, and your reputation -- you need to tell us everything, and I mean everything. . ." We last saw Eve and Villanelle in a spy vs. spy race around the world, crossing powerful criminal organizations and dangerous governments, each trying to come out on top. But they aren't finished yet. In this sequel to Killing Eve: Codename Villanelle, former M16 operativeEve reveals a new side to her strengths, while coming ever closer to a confrontation with Villanelle, the evasive and skilled assassin.

The basis for KILLING EVE, now a major BBC TV series, starring Sandra Oh, written by Phoebe Waller-Bridge 'Gloriously exciting' Metro She is the perfect assassin. A Russian orphan, saved from the death penalty for the brutal revenge she took on her gangster father's killers. Ruthlessly trained. Given a new life. New names, new faces - whichever fits. Her paymasters call themselves The Twelve. But she knows nothing of them. Konstantin is the man who saved her, and the one she answers to. She is Villanelle. Without conscience. Without guilt. Without weakness. Eve Polastri is the woman who hunts her. MI5, until one error of judgment costs her everything. Then stopping a ruthless assassin becomes more than her job. It becomes personal. Originally published as ebook singles: Codename Villanelle, Hollowpoint, Shanghai and Odessa. Villanelle: No Tomorrow is available for pre-order now! Praise for Killing Eve TV series 'A dazzling thriller . . . mightily entertaining' Guardian 'Entertaining, clever and darkly comic' New York Times

The first of its kind--a comprehensive collection of the best of the villanelle, a delightful poetic form whose popularity ranks only behind that of the sonnet and the haiku. With its intricate rhyme scheme and dance-like pattern of repeating lines, its marriage of recurrence and surprise, the villanelle is a form that has fascinated poets since its introduction almost two centuries ago. Many well-known poets in the past have tried their hands at the villanelle, and the form is enjoying a revival among poets writing today. The poems collected here range from the classic villanelles of the nineteenth century to such famous and memorable examples as Dylan Thomas's "Do not go gentle into that good night," Elizabeth Bishop's "One Art," and Sylvia Plath's "Mad Girl's Love Song." Here too are the cutting-edge works of contemporary poets, including Sherman Alexie, Lorna Dee Cervantes, Rita Dove, Seamus Heaney, Paul Muldoon, and many others whose poems demonstrate the dazzling variety that can be found within the parameters of a single, strict form.

Today, the villanelle is accepted to be a nineteen-line poem consisting of five tercets and a final quatrain using two rhymes in a specified order. Throughout the poem there are two repeated lines, called the refrain. The beauty of the villanelle lies in its song-like nature and their refrains impart this musical quality.

In a hotel room in Venice, where she's just completed a routine assassination, Villanelle receives a late-night call. Eve Polastri has discovered that a senior MI5 officer is in the pay of the Twelve, and is about to debrief him. As Eve interrogates her subject, desperately trying to fit the pieces of the puzzle together, Villanelle moves in for the kill. The duel between the two women intensifies, as does their mutual obsession, and when the action moves from the high passes of the Tyrol to the heart of Russia, Eve finally begins to unwrap the enigma of her adversary's true identity.

A beautiful collection of verse––both light and dark, elegiac and affirmative––from one of our most admired poets. The title Nothing by Design is taken from Salter’s villanelle “Complaint for Absolute Divorce,” in which we’re asked to entertain the thought of a no-fault universe. The wary search for peace, personal and public, is a constant theme in poems as varied as “Our Friends the Enemy,” about the Christmas football match between German and British soldiers in 1914; “The Afterlife,” in which Egyptian tomb figurines labor to serve the dead; and “Voice of America,” where Salter returns to the Saint Petersburg of her exiled friend, the late Joseph Brodsky. A section of charming light verse serves as counterpoint to another series entitled “Bed of Letters,” in which Salter addresses the end of a long marriage. Artfully designed, with a highly intentional music, these poems movingly give form to the often unfathomable, yet very real, presence of nothingness and loss in our lives.

As a child in the 1960s, Luke Jennings was fascinated by the rivers and lakes around his Sussex home. Beneath their surfaces, it seemed to him, waited alien and mysterious worlds. With library books as his guide, he applied himself to the task of learning to fish. His progress was slow, and for years he caught nothing. But then a series of teachers presented themselves, including an inspirational young intelligence officer, from whom he learnt stealth, deception, and the art of the dry fly. So began an enlightening but often dark-shadowed journey of discovery. It would lead to bright streams and wild country, but would end with his mentor's capture, torture, and execution by the IRA. Blood Knots is about angling, about great fish caught and lost, but it is also about friendship, honor, and coming of age. As an adult Jennings has sought out lost and secretive waterways, probing waters "as deep as England" at dead of night in search of giant pike. The quest, as always, is for more than the living quarry. For only by searching far beneath the surface, Jennings suggests in this most moving and thought-provoking of memoirs, can you connect with your own deep history.

Come-Hither Honeycomb is the eclectic fifth book of poems from the visionary mind of Erin Belieu. Whether it’s the relatable humiliation of the doctor’s office morphing into a meditation on mortality, a scathing condemnation of abuse provoked by the image of a fifteenth-century woodcut, or a villanelle evoking the tension of hostage situation, Belieu finds inspiration far and wide, casting her sardonic gaze on the world. In what is her most personal book to date, Belieu faces―with courage and candor―her life pattern of brutal relationships, until she painfully breaks free of them.