The View From Here

On hearing that his wife is pregnant with their sixth child, a father in a black rural family in Mississippi announces he will give the child to his sister as he cannot feed more mouths. This is bad news for the mother because the sister is an abusive and dishonest woman. It is also bad news for the girl in the mother's womb who narrates the story.

From the acclaimed author of Sailing Lessons and Mystic Summer—a “charming gem of a novel” (Elin Hilderbrand, #1 New York Times bestselling author)—an evocative and moving tale about what it means to be a family, set over the course of one unforgettable Connecticut summer. Siblings Perry, Jake, and Phoebe Goodwin were raised on the shore of a beautiful Connecticut lake in a close-knit family. The eldest of the family, forty-two-year-old Perry has long craved order as surely as his charismatic younger brother, Jake, has avoided it. Phoebe, their baby sister, courts both. As adults, the Goodwin siblings could not be more different. Perry is as married to his career in New York as a risk analyst as Phoebe is to her college sweetheart, but both have returned to Connecticut to raise their young families. Charismatic Jake, however, has spent his years living away wanderlust and unable to settle. The three have not spent much time together…until this summer. On the afternoon of their grandmother’s ninety-seventh birthday party, the siblings reunite at the lake house where Jake stuns the family with a stranger on his arm and an announcement. Olivia Cossette, daughter of a French chef, does not share the traditional Goodwin New England upbringing or sense of family. What she does share is parenthood, as the single mother of a little girl who does not speak. While the Goodwin family struggle to welcome the newcomers over the course of the summer, a series of bad choices made by each family member finally unravels, leaving them all to question just what truly makes a family. Can one fateful moment on a July afternoon undo a lifetime of good intentions? Only one thing is for certain—this extraordinary summer has irrevocably changed the Goodwin family and all that remains is the uncertain future. With Hannah McKinnon’s signature “enticing and refreshing” (Nancy Thayer, New York Times bestselling author) prose, this is a warm-hearted novel that is perfect for fans of Mary Alice Monroe’s the Beach House series and the works of Elin Hilderbrand.

Must we always later regret actions that were wrong for us to perform at the time? Can there ever be good reason to affirm things in the past that we know were unfortunate? In this original work of moral philosophy, R. Jay Wallace shows that the standpoint from which we look back on our lives is shaped by our present attachments-to persons, to the projects that imbue our lives with meaning, and to life itself. Through a distinctive "affirmation dynamic", these attachments commit us to affirming the necessary conditions of their objects. The result is that we are sometimes unable to regret events and circumstances that were originally unjustified or otherwise somehow objectionable. Wallace traces these themes through a range of examples. A teenage girl makes an ill-advised decision to conceive a child - but her love for the child once it has been born makes it impossible for her to regret that earlier decision. The painter Paul Gauguin abandons his family to pursue his true artistic calling (and eventual life project) in Tahiti--which means he cannot truly regret his abdication of familial responsibility. The View from Here offers new interpretations of these classic cases, challenging their treatment by Bernard Williams and others. Another example is the "bourgeois predicament": we are committed to affirming the regrettable social inequalities that make possible the expensive activities that give our lives meaning. Generalizing from such situations, Wallace defends the view that our attachments inevitably commit us to affirming historical conditions that we cannot regard as worthy of being affirmed--a modest form of nihilism.

"The View From Here" is a poetry collection. The unique aspect of this collection is an appendix, which offers explanations of the source for each poem and the considerations given to the form. In addition, a teacher's guide with suggested study questions will be made available, making the book an instant poetry lesson. These lessons are intended to be "ready-made" so a teacher may use them on short notice (such as for a substitute) or as part of a larger poetry unit.

John Waters, Gus Van Sant, and beyond: gay and lesbian filmmakers, in their own words.

Katie Sinclair climbed up a loblolly pine just to see if she could. And then she stayed, creating a media sensation and more than a little trouble for the folks in Jones County, North Carolina. There is a lot of speculation about why the state employee took to the tree. Some think she is making a political statement about the destruction of forests for urban development. Others believe her recent divorce has driven her to a nervous breakdown. But the truth is she’s living in a tree because she needs a new perspective. She needs a wider view of a life that had somehow become tedious and small. From her perch high above, Katie deals with the deputy who keeps being sent to try and talk her down, a brutal spring storm, well-meaning environmentalists, odd and interesting townspeople, a pair of protective horned owls, a mysterious reporter, and even some dangerous "boys" sent by a local developer whose plans demand removal of her tree. There is plenty for Katie to take in while living in a tree. The View From Here is her story. Author Lynne Hinton’s elegant, effortless prose shows us as if we were on the landing beside Katie what Katie is seeing and learning about birds, sky, wind, her neighbors and other people. But she -- and us with her, her reader -- is changed primarily by what she discovers about herself, about grief and forgiveness, and about the true love that has been in front of her for most of her life. No reader will be unmoved by the imaginative conceit of this novel or its wise, lyrical, and empathetic telling crafted by a master writer.

A story about friendships and commitment to one another so incredible you wouldn't believe it if it wasn't true. Kevan is just one of the guys. It's impossible to know him and not become a little more excited about life. He is an inspiring man permeated by joy, unafraid of sorrow, full of vitality and life! His sense of humor is infectious and so is his story. He grew up, he says, at "belt-buckle level" and stayed there until Kevan's beloved posse decided to leave his wheelchair at the Atlanta airport, board a plane for France, and have his friends carry him around Europe to accomplish their dream to see the world together! Kevan's beloved posse traveled to Paris, England, and Ireland where, in the climax of their adventure, they scale 600 feet up to the 1,400-year-old monastic fortress of Skellig Michael. In WE CARRY KEVAN the reader sits with Kevan, one head-level above everyone else for the first time in his life and enjoys camaraderie unlike anything most people ever experience. Along the way they encounter the curiosity and beauty of strangers, the human family disarmed by grace, and the constant love of God so rich and beautiful in the company of good friends. WE CARRY KEVAN displays the profound power of friendship and self-sacrifice.

"Sam and Asha. Asha and Sam. Their friendship is so long established, they take it for granted. Just as Asha takes for granted that Donnybrooke, the mansion that sits on the highest hill in Coreville, is the best house in town. But when Sam is accepted into snobbish Castleton Academy as an autistic 'Miracle Boy,' he leaves Asha, who is also autistic, to navigate middle school alone. He also leaves her wondering if she can take anything for granted anymore. Because soon Sam is spending time with Prestyn, Asha's nemesis, whose family owns Donnybrooke and, since a housewarming party gone wrong, has forbidden Asha to set foot inside. Who is Asha without Sam? And who will she be when it becomes clear that Prestyn's interest in her friend isn't so friendly?"--Provided by publishe