The Van Helsing Legacy We Shall Not Sleep

The Great War is over, its fires quenched. The guns are silent. The Dead are waking. Meg van Helsing grew up with a book in one hand and a wooden stake in the other, a crucifix always around her neck. But the world has changed, and the monsters she hunts with her friends are less frightening than gas burns and shell shock. The ghost of the War looms darker than Dracula’s shadow. Until the night one of her friends disappears. Now, they are under constant attack, beset by the blood-hungry corpses of un-dead soldiers at exactly the moment another monster appears: an incubus, lethally attractive. The young man offers help, and Meg wants to believe him. If only she could convince her friends she is immune to his spell. Someone wants them dead at any cost. The answer lies in old books, dark sorcery, and a secret kept for twenty-five years, written in blood. If Meg wants her friends to live, she’ll have to open her eyes.

The Great War is over, its fires quenched. The guns are silent. The Dead are waking. Meg van Helsing grew up with a book in one hand and a wooden stake in the other, a crucifix always around her neck. But the world has changed, and the monsters she hunts with her friends are less frightening than gas burns and shell shock. The ghost of the War looms darker than Dracula

A murder. A betrayal. A war. Jadwiga Dąbrowska, dream-eater, wakes from her own murder in a bizarre mirror world, chained body and soul to a terrible being, the Shadow’s Face. With no choice but to obey the Shadow, she must contend with forces outside her understanding, fighting in a war that will never end. Was her freedom a fair price for her life? Kim Reed spent years searching for a lost friend, but her search is interrupted by war. An ancient wizards’ Circle is reaching for power, backed by black magic. With her own magic atrophied and her past making her an object of suspicion, she is not ready for politics, war, or spies manipulating her dreams. All she wants is her friend back, but the Rules of reality are breaking, and there are Shadows standing in her way.

One wrong step. One unbreakable Rule. One fading hope. The world is governed by certain Rules. A medium cannot kill. A medium must not kill. Even if he has become a vampire. It begins with the breaking of a gentle monster. Lenny played human, kept his head down, never took a life, until Sebastian came. Torn away from his comfortable life, he is plunged into an endless night of manipulation, death, and blood. The only light in the dark is Kim, a young wizard tasked with destroying Sebastian. She is determined to save Lenny from the monster controlling him, but the monster growing inside him may be harder to kill.

What if the myths about vampires had a real origin? Legacy (blood Bond, #1) Ivan could not have known that one day the strange family inheritance would knock at his door and that, what he believed to be his grandfather's ravings, contained a bond beyond blood, beyond family, beyond time. What to do with a legacy in the form of an ancestor more than 3,000 years old? Velkan woke up in a new century, in a new society, with a new family, but with the same bloodlust, an instinct that kept him alive since he was born and that even Van Helsing could not defeat. Tired of seeing how all his life they had killed and desecrated the bodies of his family because of his nature, tired of the struggles for his protection, unable to see himself loved and fed up of being called a monster, strigoi, vampire or dracul, he decided to put an end to his existence, without getting it. When Velkan and Ivan meet, something more than the inherited family bond is created between them and they begin to trust each other. Velkan will tell you about his time in history by telling you about the age of metals in which he was born, about Vlad III, the Impaler, and will show you what really happened in London in the years of Bram Stoker's Dracula. Will Velkan finally be able to find his place? Can he stop them from thinking he's a vampire? An original and different revision of the legends of vampires, the folklore that exists about them and archaeology, a twist on the myth that will surprise you.

Surrealist writer André Breton praised hysteria for being the greatest poetic discovery of the nineteenth century, but many physicians have since viewed it as the "wastebasket of medicine," a psychosomatic state that defies attempts at definition and cure and that can be easily mistaken for other pathological conditions. In light of a resurgence of critical interest in hysteria, leading feminist scholar Elisabeth Bronfen reinvestigates medical writings and cultural performance to reveal the continued relevance of a disorder widely thought to be a romantic formulation of the past. Through a critical rereading, she develops a new concept of hysteria, one that challenges traditional gender-based theories linking it to dissatisfied feminine sexual desire. Bronfen turns instead to hysteria's traumatic causes, particularly the fear of violation, and shows how the conversion of psychic anguish into somatic symptoms can be interpreted today as the enactment of personal and cultural discontent. Tracing the development of cultural formations of hysteria from the 1800s to the present, this book explores the writings of Freud, Charcot, and Janet together with fictional texts (Radcliffe, Stoker, Anne Sexton), opera (Mozart, Wagner), cinema (Cronenberg, Hitchcock, Woody Allen), and visual art (Marie-Ange Guilleminot, Cindy Sherman). Each of these creative works attests to a particular relationship between hysteria and self-fashioning, and enables us to read hysteria quite literally as a language of discontent. The message broadcasted by the hysteric is one of vulnerability: vulnerability of the symbolic, of identity, and of the human body itself. Throughout this work, Bronfen not only offers fresh approaches to understanding hysteria in our culture, but also introduces a new metaphor to serve as a theoretical tool. Whereas the phallus has long dominated psychoanalytical discourse, the image of the navel--a knotted originary wound common to both genders--facilitates discussion of topics relevant to hysteria, such as trauma, mortality, and infinity. Bronfen's insights make for a lively, innovative work sure to interest readers across the fields of art and literature, feminism, and psychology. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The exciting conclusion to SOUL CHASER… Enemies make strange bedfellows… especially the dead kind. And you know you should never trust a vampire. When Jacques appears at the PI’s door, Reece cannot believe his eyes. They watched him burn in the sun, so how is he standing in the doorway of Double D Investigations offering to help resurrect Andre from the realm of the dead? Reece wants his best friend back, and if getting into bed with Jacques, so to speak, will make that happen he’s prepared to go against his gut instinct and do whatever it takes. Bad decision? Definitely. Does he have a choice? No. The vampire wants something in return. Something Reece and his team haven’t been able to pull off so far. Something the PI isn’t sure they can deliver. Jacques knows what he’s asking could get the private eye killed. Is that his intention?

Soon to be a major motion picture starring Ewan McGregor! From master storyteller Stephen King, his unforgettable and terrifying sequel to The Shining—an instant #1 New York Times bestseller that is “[a] vivid frightscape” (The New York Times). Years ago, the haunting of the Overlook Hotel nearly broke young Dan Torrance’s sanity, as his paranormal gift known as “the shining” opened a door straight into hell. And even though Dan is all grown up, the ghosts of the Overlook—and his father’s legacy of alcoholism and violence—kept him drifting aimlessly for most of his life. Now, Dan has finally found some order in the chaos by working in a local hospice, earning the nickname “Doctor Sleep” by secretly using his special abilities to comfort the dying and prepare them for the afterlife. But when he unexpectedly meets twelve-year-old Abra Stone—who possesses an even more powerful manifestation of the shining—the two find their lives in sudden jeopardy at the hands of the ageless and murderous nomadic tribe known as the True Knot, reigniting Dan’s own demons and summoning him to battle for this young girl’s soul and survival...

Powers of Darkness is an incredible literary discovery: In 1900, Icelandic publisher and writer Valdimar à?smundsson set out to translate Bram Stoker’s world-famous 1897 novel Dracula. Called Makt Myrkranna (literally, “Powers of Darkness†?), this Icelandic edition included an original preface written by Stoker himself. Makt Myrkranna was published in Iceland in 1901 but remained undiscovered outside of the country until 1986, when Dracula scholarship was astonished by the discovery of Stoker’s preface to the book. However, no one looked beyond the preface and deeper into à?smundsson’s story.In 2014, literary researcher Hans de Roos dove into the full text of Makt Myrkranna, only to discover that à?smundsson hadn’t merely translated Dracula but had penned an entirely new version of the story, with all new characters and a totally re-worked plot. The resulting narrative is one that is shorter, punchier, more erotic, and perhaps even more suspenseful than Stoker’s Dracula. Incredibly, Makt Myrkranna has never been translated or even read outside of Iceland until now.Powers of Darkness presents the first ever translation into English of Stoker and à?smundsson’s Makt Myrkranna. With marginal annotations by de Roos providing readers with fascinating historical, cultural, and literary context; a foreword by Dacre Stoker, Bram Stoker’s great-grandnephew and bestselling author; and an afterword by Dracula scholar John Edgar Browning, Powers of Darkness will amaze and entertain legions of fans of Gothic literature, horror, and vampire fiction.

Sensual, dark and thrilling, Bram Stoker's Dracula remains the seminal work of Gothic fiction, and in this elegant edition, which includes an illuminating afterword by Jonty Claypole, readers can experience the horror and excitement as never before. Part of the Macmillan Collector’s Library; a series of stunning, pocket-sized classics bound in real cloth with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover When Jonathan Harker is summoned to Transylvania to finalize a property deal for the mysterious Count Dracula, he stumbles upon an ancient evil he is unprepared to face. When that evil escapes to England, the entire nation is suddenly under threat and only an aged vampire hunter, Professor Abraham Van Helsing, can put a stop to the bloodshed.