The University Of Missouri

Winner, 2022 Society of Midland Authors award for Biography/Memoir Evan S. Connell (1924–2013) emerged from the American Midwest determined to become a writer. He eventually made his mark with attention-getting fiction and deep explorations into history. His linked novels Mrs. Bridge (1959) and Mr. Bridge (1969) paint a devastating portrait of the lives of a prosperous suburban family not unlike his own that, more than a half century later, continue to haunt readers with their minimalist elegance and muted satire. As an essayist and historian, Connell produced a wide range of work, including a sumptuous body of travel writing, a bestselling epic account of Custer at the Little Bighorn, and a singular series of meditations on history and the human tragedy. This first portrait and appraisal of an under-recognized American writer is based on personal accounts by friends, relatives, writers, and others who knew him; extensive correspondence in library archives; and insightful literary and cultural analysis of Connell’s work and its context. It also illuminates aspects of American publishing, Hollywood, male anxieties, and the power of place.

At the height of the cocaine-fueled 1980s, Carolyn Wilkins left a disastrous marriage in Seattle and, hoping to make it in the music business, moved with her four-year-old daughter to a gritty working-class town on the edge of Boston. They Raised Me Up is the story of her battle to succeed in the world of jam sessions and jazz clubs—a man’s world where women were seen as either sex objects or doormats. To survive, she had to find a way to pay the bills, overcome a crippling case of stage fright, fend off a series of unsuitable men, and most important, find a reliable babysitter. Alternating with Carolyn’s story are the stories of her ancestors and mentors—five musically gifted women who struggled to realize their dreams at the turn of the twentieth century: Philippa Schuyler, whose efforts to “pass” for white inspired Carolyn to embrace her own black identity despite her “damn near white” appearance and biracial child; Marjory Jackson, the musician and single mother whose dark complexion and flamboyant lifestyle raised eyebrows among her contemporaries in the snobby, color-conscious world of the African American elite; Lilly Pruett, the daughter of an illiterate sharecropper whose stunning beauty might have been her only ticket out of the “Jim Crow” South; Ruth Lipscomb, the country girl who dreamed, against all odds, of becoming a concert pianist and realized her improbable ambition in 1941; Alberta Sweeney, who survived a devastating personal tragedy by relying on the musical talent and spiritual stamina she had acquired growing up in a rough-and-tumble Kansas mining town. They Raised Me Up interweaves memoir with family history to create an entertaining, informative, and engrossing read that will appeal to anyone with an interest in African American or women’s history or to readers simply looking for an intriguing story about music and family.

Although their ancestors came from the Great Lakes region and they now live in several midwestern states, the Ioway (Baxoje) people claim a rich history in Missouri dating back to the eighteenth century. Living alongside white settlers while retaining their traditional way of life, the tribe eventually had to make difficult choices in order to survive—choices that included unlikely alliances, resistance, and even violence. This is the first book on the Ioway to appear in thirty years and the first to focus on their role in Missouri’s colonial and early statehood periods. Greg Olson tells how the Ioway were attracted to the rich land between the Mississippi and Missouri rivers as a place in which they could peacefully reside. But it was here that they ended up facing the greatest challenges to their survival as a people, with leaders like White Cloud and Great Walker rising to meet those demands. Olson draws on interviews with contemporary tribal members to convey an understanding of Ioway beliefs, practices, and history, and he incorporates reports of Indian agents and speeches of past Ioway leaders to illuminate the changes that took place in the tribe’s traditional ways of life. He tells of their oral traditions and creation stories, their farming and hunting practices, and their alliances with neighboring Indians, incoming settlers, and the U.S. government. In describing these alliances, he shows that the Ioway did not always agree among themselves on the direction they should take as they navigated the crosscurrents of a changing world, and that the attempts of some Ioway leaders to adapt to white society did not prevent the tribe’s descent into poverty and despair or their ultimate removal from their lands. As modern Ioway in Kansas and Oklahoma work to recover the history of their people—and as local historians recognize their important place in Missouri history—Olson’s book offers a balanced account of the profound effects on the Ioway of other tribes, explorers, and settlers who began to move into their homelands after the Louisiana Purchase. Written for a general audience, it is a useful, accessible introduction to the changing fortunes of the Ioway people in the era of exploration, colonialism, and early statehood.

"This book, planned as the first of two volumes, aims to explore the Missouri Crisis and the many reverberations and ramifications thereof. The volumes are offered as part of the University of Missouri and the Kinder Institute on Constitutional Democracy's contribution to the state's 2021 bicentennial commemoration"--

In 1987 Judge Russell Clark mandated tax increases to help pay for improvements to the Kansas City, Missouri, School District in an effort to lure white students and quality teachers back to the inner-city district. Yet even after increasing employee salaries and constructing elaborate facilities at a cost of more than $2 billion, the district remained overwhelmingly segregated and student achievement remained far below national averages. Just eight years later the U.S. Supreme Court began reversing these initiatives, signifying a major retreat from Brown v. Board of Education. In Kansas City, African American families opposed to the district court's efforts organized a takeover of the school board and requested that the court case be closed. Joshua Dunn argues that Judge Clark's ruling was not the result of tyrannical "judicial activism" but was rather the logical outcome of previous contradictory Supreme Court doctrines. High Court decisions, Dunn explains, necessarily limit the policy choices available to lower court judges, introducing complications the Supreme Court would not anticipate. He demonstrates that the Kansas City case is a model lesson for the types of problems that develop for lower courts in any area in which the Supreme Court attempts to create significant change. Dunn's exploration of this landmark case deepens our understanding of when courts can and cannot successfully create and manage public policy.

The Mormon presence in nineteenth-century Missouri was uneasy at best and at times flared into violence fed by misunderstanding and suspicion. By the end of 1838, blood was shed, and Governor Lilburn Boggs ordered that Mormons were to be “exterminated or driven from the state.” The Missouri persecutions greatly shaped Mormon faith and culture; this book reexamines Mormon-Missourian history within the sociocultural context of its time. The contributors to this volume unearth the challenges and assumptions on both sides of the conflict, as well as the cultural baggage that dictated how their actions and responses played on each other. Shortly after Joseph Smith proclaimed Jackson County the site of the “New Jerusalem,” Mormon settlers began moving to western Missouri, and by 1833 they made up a third of the county’s population. Mormons and Missourians did not mix well. The new settlers were relocated to Caldwell County, but tensions still escalated, leading to the three-month “Mormon War” in 1838—capped by the Haun’s Mill Massacre, now a seminal event in Mormon history. These nine essays explain why Missouri had an important place in the theology of 1830s Mormonism and was envisioned as the site of a grand temple. The essays also look at interpretations of the massacre, the response of Columbia’s more moderate citizens to imprisoned church leaders (suggesting that the conflict could have been avoided if Smith had instead chosen Columbia as his new Zion), and Mormon migration through the state over the thirty years following their expulsion. Although few Missourians today are aware of this history, many Mormons continue to be suspicious of the state despite the eventual rescinding of Governor Boggs’s order. By depicting the Missouri-Mormon conflict as the result of a particularly volatile blend of cultural and social causes, this book takes a step toward understanding the motivations behind the conflict and sheds new light on the state of religious tolerance in frontier America.

NEW YORK TIMES BESTSELLER FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD “A beautifully crafted memoir, rich with humor and wisdom.” —Will Schwalbe, author of The End of Your Life Book Club “The idea of a cultured gay man leaving New York City to care for his aging mother in Paris, Missouri, is already funny, and George Hodgman reaps that humor with great charm. But then he plunges deep, examining the warm yet fraught relationship between mother and son with profound insight and understanding.” —Alison Bechdel, author of Fun Home When George Hodgman leaves Manhattan for his hometown of Paris, Missouri, he finds himself—an unlikely caretaker and near-lethal cook—in a head-on collision with his aging mother, Betty, a woman of wit and will. Will George lure her into assisted living? When hell freezes over. He can’t bring himself to force her from the home both treasure—the place where his father’s voice lingers, the scene of shared jokes, skirmishes, and, behind the dusty antiques, a rarely acknowledged conflict: Betty, who speaks her mind but cannot quite reveal her heart, has never really accepted the fact that her son is gay. As these two unforgettable characters try to bring their different worlds together, Hodgman reveals the challenges of Betty’s life and his own struggle for self-respect, moving readers from their small town—crumbling but still colorful—to the star-studded corridors of Vanity Fair. Evocative of The End of Your Life Book Club and The Tender Bar, Hodgman’s New York Times bestselling debut is both an indelible portrait of a family and an exquisitely told tale of a prodigal son’s return.