The United States And Fascist Italy

Originally published in Italian in 1980, Migone covers the relationship between the United States and Italy during the interwar years.

A comprehensive analysis of American foreign policy and Mussolini's Italy. Schmitz argues that the U.S. desire for order, interest in Open Door trade, and concern about left-wing revolution led American policymakers to welcome Mussolini's coming to power and to support fascism in Italy for most of the interwar period. Originally published in 1988. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

Racial Theories in Fascist Italy examines the role played by race and racism in the development of Italian identity during the fascist period. The book examines the struggle between Mussolini, the fascist hierarchy, scientists and others in formulating a racial persona that would gain wide acceptance in Italy. This book will be of interest to historians, political scientists concerned with the development of fascism and scholars of race and racism.

Seminar paper from the year 2003 in the subject Politics - Region: USA, grade: 2 (B), University of Bonn (Political Science), course: Proseminar, language: English, abstract: The view of the United States of America concerning Italy after Benito Mussolini’s “March on Rome” was important for the whole of Europe. The political course of the fascist country also affected the surrounding European states. In the primary phase of the fascist regime, the U.S. government was in the position to alter parts of Italy’s policy course, by applying political pressure. Thus America’s foreign policy towards Italy did not only concern this one country. It also had consequences for the rest of Europe, and the start of the Second World War. This work is concerned with the view of the successive American administrations towards Italy after Mussolini’s ascension to power. Questions being answered are: How did the U.S. government react after the fascist ruler took over Italy? Did the administration valuate Mussolini as a positive or a negative change for the European country? Was a thread visible in the U.S. attitude concerning Italy? What were the government’s reactions to Italy’s cooperation with Hitler? And: Could a different American political strategy concerning Italy have hindered Hitler’s war efforts? To answer those questions, the work is structured along three main parts. The first part is addressed with the U.S. government’s position after Benito Mussolini’s soaring to power. This part is divided into a description of America’s characterization of the new leader and an account of the first times the U.S. questioned their view on Italy. Following this evaluation, the second part deals with the American view in the times of The Great Depression. The third part is concerned with the administrations view after Hitler’s rise to power. Finally the conclusion marks the end of this work. Mainly four books were used: David F Schmitz’ “The United States and fascist Italy, 1922 – 1940” gives a well structured and informative overview of the American – Italian relations from Mussolini’s ascension to power, until the begin of The Second World War. Another useful book, in the first parts handling this topic, is H. Stuart Hughes’ “The United States and Italy”1. John P. Diggins’ work “ Mussolini and Fascism: The view from America”2 is mainly concerned with the public opinion in the U.S. toward Italy and very informative. Another well written and informative book dealing with America’s foreign policy is William L. Langer’s and S. Everett Gleason’s book “The challenge to isolation: The world crisis of 1937 – 1940 and American foreign policy”.

A historical look at the American fascination with Italian fascism during the interwar period In the interwar years, the United States grappled with economic volatility, and Americans expressed anxieties about a decline in moral values, the erosion of families and communities, and the decay of democracy. These issues prompted a profound ambivalence toward modernity, leading some individuals to turn to Italian fascism as a possible solution for the problems facing the country. The Machine Has a Soul delves into why Americans of all stripes sympathized with Italian fascism, and shows that fascism’s appeal rested in the image of Mussolini’s regime as “the machine which will run and has a soul”—a seemingly efficient and technologically advanced system that upheld tradition, religion, and family. Katy Hull focuses on four prominent American sympathizers: Richard Washburn Child, a conservative diplomat and Republican operative; Anne O’Hare McCormick, a distinguished New York Times journalist; Generoso Pope, an Italian-American publisher and Democratic political broker; and Herbert Wallace Schneider, a Columbia University professor of moral philosophy. In fascism’s violent squads they saw youthful glamour and impeccable manners, in the megalomaniacal Mussolini they perceived someone both current and old-fashioned, and in the corporate state they witnessed a politics that could revive addled minds. They argued that with the right course of action, the United States could use fascism to take the best from modernity while withstanding its harmful effects. Investigating the motivations of American fascist sympathizers, The Machine Has a Soul offers provocative lessons about authoritarianism’s appeal during times of intense cultural, social, and economic strain.

An internationally acclaimed novelist and journalist movingly chronicles her childhood in Rome during World War II, providing a rare account by a Catholic of Jewish persecution and Papal responsibility In 1937, Rosetta Loy was a privileged five-year-old growing up in the heart of the well-to-do Catholic intelligentsia of Rome. But her childhood world of velvet and lace, airy apartments, indulgent nannies, and summers in the mountains was also the world of Mussolini's fascist regime and the increasing oppression of Italian Jews. Loy interweaves the two Italys of her early years, shifting with powerful effect from a lyrical evocation of the many comforts of her class to the accumulation of laws stipulating where Jews were forbidden to travel and what they were not allowed to buy, eat, wear, and read. She reveals the willful ignorance of her own family as one by one their neighbors disappeared, and indicts journalists and intellectuals for their blindness and passivity. And with hard-won clarity, she presents a dispassionate record of the role of the Vatican and the Catholic leadership in the devastation of Italy's Jews. Written in crystalline prose, First Words offers an uncommon perspective on the Holocaust. In the process, Loy reveals one writer's struggle to reconcile her memories of a happy childhood with her adult knowledge that, hidden from her young eyes, one of the world's most horrifying tragedies was unfolding.

Mussolini, in the thousand guises he projected and the press picked up, fascinated Americans in the 1920s and the early '30s. John Diggins' analysis of America's reaction to an ideological phenomenon abroad reveals, he proposes, the darker side of American political values and assumptions. Originally published in 1972. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This fascinating account of Ezra Pound and Italian Fascism allows the reader to understand the causes and results of Pound's ideology and actions.

Looks at the ways Mussolini's government attempted to control music, describes the reactions of individual composers and musicians, and examines Mussolini's own musical pretenstions