The Undamned

During the Third Interplanetary War, atomic bombing sprang up, died, and then continued on a very strange nuisance-value basis. It became complex, and upon the 1327th Day of the Third Interplanetary War, interplanetary robombing assumed a most dangerous aspect. The swift action of a small group averted disaster, and from that day on, the course of the Third Interplanetary War was assured.

Fun, Punchy and to the point - Ratology offers a whole new way to remove the logjams and confusions about who and what you are from your life, and to replace it with clarity, wisdom and common sense.

The Undamned, a classical book, has been considered important throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.

THE CLASSLESS SOLUTION is not a classless re-run of Marxism even though it insists that classlessness is metaphysical and therefore only intelligible within the elemental context of metaphysics. Neither is it a re-run of Marxism in terms of its understanding and explanation of how civilization advances, which is here investigated for the first time in a way that will be taken up again in subsequent books, like the three with 'dialectics' in the title, and clarified or consummated, as the case may be.

THE DIALECTICS OF CIVILIZATION continues the dialectical analysis of civilization and of, in a broader sense, the evolutionary process from where it left off in 'The Dialectics of Synthetic Attraction', the author's previous book, and achieves not only enhanced certitude from a greater comprehensiveness of axial and other factors, but also embraces a well-nigh definitive insight into the distinctions between Space and Time which should leave the reader in no doubt as to the path that leads to Eternity and, hence, to the resolution of the historical process.

Offers a philosophical history of bridges—both literal bridges and their symbolic counterparts—and the acts of cultural connection they embody. “Always,” wrote Philip Larkin, “it is by bridges that we live.” Bridges represent our aspirations to connect, to soar across divides. And it is the unfinished business of these aspirations that makes bridges such stirring sights, especially when they are marvels of ingenuity. A rich compendium of myths, superstitions, and literary and ideological figurations, Of Bridges organizes a poetic and philosophical history of bridges into nine thematic clusters. Leaping in lucid prose between distant times and places, Thomas Harrison questions why bridges are built and where they lead. He probes links forged by religion between life’s transience and eternity as well as the consolidating ties of music, illustrated by the case of the blues. He investigates bridges in poetry, as flash points in war, and the megabridges of our globalized world. He illuminates real and symbolic crossings facing migrants each day and the affective connections that make persons and societies cohere. In readings of literature, film, philosophy, and art, Harrison engages in a profound reflection on how bridges form and transform cultural communities. Of Bridges is a mesmerizing, vertiginous tale of bridges both visible and invisible, both lived and imagined.

Being the first to outline the literary genre, Gothic-postmodernism, this book articulates the psychological and philosophical implications of terror in postmodernist literature, analogous to the terror of the Gothic novel, uncovering the significance of postmodern recurrences of the Gothic, and identifying new historical and philosophical aspects of the genre. While many critics propose that the Gothic has been exhausted, and that its significance is depleted by consumer society's obsession with instantaneous horror, analyses of a number of terror-based postmodernist novels here suggest that the Gothic is still very much animated in Gothic-postmodernism. These analyses observe the spectral characters, doppelgangers, hellish waste lands and the demonised or possessed that inhabit texts such as Paul Auster's City of Glass, Salman Rushdie's The Satanic Verses and Bret Easton Ellis's Lunar Park. However, it is the deeper issue of the lingering emotion of terror as it relates to loss of reality and self, and to death, that is central to the study; a notion of 'terror' formulated from the theories of continental philosophers and contemporary cultural theorists. With a firm emphasis on the sublime and the unrepresentable as fundamental to this experience of terror; vital to the Gothic genre; and central to the postmodern experience, this study offers an insightful and concise definition of Gothic-postmodernism. It firmly argues that 'terror' (with all that it involves) remains a connecting and potent link between the Gothic and postmodernism: two modes of literature that together offer a unique voicing of the unspeakable terrors of postmodernity.