The Two Faces Of January

The award-winning “classic psychological thriller” by the author of Strangers on a Train and The Talented Mr. Ripley (USA Today). In a grubby Athens hotel, Rydal Keener is bored and killing time with petty scams. But when he runs into another American, Chester MacFarland, dragging a man’s body down the hotel hall, Rydal impulsively agrees to help, perhaps because Chester looks like his father. Then Rydal meets Collete, Chester’s younger wife, and captivated, becomes entangled in their sordid lives, as the drama marches to a shocking climax at the ruins of the labyrinth at Knossos. A winner of a Crime Writers of America award, The Two Faces of January was the basis of a film starring Viggo Mortensen, Kirsten Dunst, and Oscar Isaac. “An offbeat, provocative and absorbing suspense novel.” —The New York Times “Patricia Highsmith is one of the few suspense writers whose work transcends genre.” —The Austin American-Statesman

By the mid-21st Century, technology had become much too complicated for humans to handle -- and the computer network that had grown up to keep civilization from tripping over its own shoelaces was also beginning to be overwhelmed. Something Had To Be Done.As a solution, Raymond Dyer's project developed the first genuinely self-aware artificial intelligence -- code name: Spartacus. But could Spartacus be trusted to obey its makers? And if it went rogue, could it be shut down? As an acid test, Spartacus was put in charge of a space station and programmed with a survival instinct. Dyer and his team had the job of seeing how far the computer would go to defend itself when they tried to pull the plug. Dyer didn't expect any serious problems to arise in the experiment.Unfortunately, he had built more initiative into Spartacus than he realized....And a superintelligent computer with a high dose of initiative makes a dangerous guinea pig.

The Two Faces of American Freedom boldly reinterprets the American political tradition from the colonial period to modern times, placing issues of race relations, immigration, and presidentialism in the context of shifting notions of empire and citizenship. Today, while the U.S. enjoys tremendous military and economic power, citizens are increasingly insulated from everyday decision-making. This was not always the case. America, Aziz Rana argues, began as a settler society grounded in an ideal of freedom as the exercise of continuous self-rule—one that joined direct political participation with economic independence. However, this vision of freedom was politically bound to the subordination of marginalized groups, especially slaves, Native Americans, and women. These practices of liberty and exclusion were not separate currents, but rather two sides of the same coin. However, at crucial moments, social movements sought to imagine freedom without either subordination or empire. By the mid-twentieth century, these efforts failed, resulting in the rise of hierarchical state and corporate institutions. This new framework presented national and economic security as society’s guiding commitments and nurtured a continual extension of America’s global reach. Rana envisions a democratic society that revives settler ideals, but combines them with meaningful inclusion for those currently at the margins of American life.

A young nobleman confronts a specter from the past that could threaten his family’s legacy. A brash young aristocrat, Lucius Antonius anticipates Emperor Augustus Caesar will support his lofty ambitions to serve as a praetor in the Roman justice system in 2 BC Rome. As the son of the distinguished politician and poet, Iullus Antonius, Lucius prays to Janus, the two-faced god of beginnings, to open the door for him to rise politically. But he is unaware of the political firestorm ready to erupt in the imperial family. Augustus must confront evidence that his daughter, Julia, has behaved scandalously in public and that Iullus is her lover. The prospect that Julia might want to marry Iullus—the only surviving son of Marcus Antonius—threatens to redirect the glory from Augustus to his most hated rival beyond the grave. Caught in the political crossfire, Lucius must demonstrate his loyalty to Augustus by meeting all of his demands or face the destruction of his family’s legacy and possibly his own life. Will Lucius ultimately choose to betray and abandon his disgraced father?

A research professor of nuclear physics explores the mysterious essence of time in its two aspects---one of accurate measurement, the other of human sensation---as it is found in the concepts of modern physics and major religions.

Since its formation in 1932, Saudi Arabia has been ruled by two interdependent families. The Al Sa’uds control politics and the descendants of Ibn Abd al-Wahhab impose Wahhabism—a violent, fanatical perversion of the pluralistic Islam practiced by most Muslims. Stephen Schwartz argues that Wahhabism, vigorously exported with the help of Saudi oil money, is what incites Palestinian suicide bombers, Osama bin Laden, and other Islamic terrorists throughout the world. Schwartz reveals the hypocrisy of the Saudi regime, whose moderate facade conceals state-sponsored repression and terrorism. He also raises troubling questions about Wahhabi infiltration of America’s Islamic community and about U.S. oil companies sanitizing Saudi Arabia’s image for the West. This sharp analysis and eye-opening expose illuminates the background to the September 11th terrorist attacks and offers new approaches for U.S. policy toward its closest ally in the Middle East.

This book is the first full-length study to focus on the various film adaptations of Patricia Highsmith’s novels, which have been a popular source for adaptation since Alfred Hitchcock’s Strangers on a Train (1952). The collection of essays examines films such as The Talented Mr. Ripley, The Two Faces of January, and Carol, includes interviews with Highsmith adaptors and provides a comprehensive filmography of all existing Highsmith adaptations. Particular attention is paid to queer subtexts, mythological underpinnings, philosophical questioning, contrasting media environments and formal conventions in diverse generic contexts. Produced over the space of seventy years, these adaptations reflect broad cultural and material shifts in film production and critical approaches to film studies. The book is thus not only of interest to Highsmith admirers but to anyone interested in adaptation and transatlantic film history.

"[A] future cult classic." —The New York Times Book Review "There’s Borges and Bolaño, Kafka and Cortázar, Modiano and Murakami, and now Laura van den Berg." —The Washington Post Finalist for the NYPL Young Lions Award. Named a Best Book of 2018 by The Boston Globe, Huffington Post, Electric Literature and Lit Hub. An August 2018 IndieNext Selection. Named a Summer 2018 Read by The Washington Post, Vulture, Nylon, Elle, BBC, InStyle, Refinery29, Bustle, O, the Oprah Magazine, Entertainment Weekly, Harper's Bazaar, Conde Nast Traveler, Southern Living, Lit Hub, and Vol. 1 Brooklyn. In Havana, Cuba, a widow tries to come to terms with her husband’s death—and the truth about their marriage—in Laura van den Berg’s surreal, mystifying story of psychological reflection and metaphysical mystery. Shortly after Clare arrives in Havana, Cuba, to attend the annual Festival of New Latin American Cinema, she finds her husband, Richard, standing outside a museum. He’s wearing a white linen suit she’s never seen before, and he’s supposed to be dead. Grief-stricken and baffled, Clare tails Richard, a horror film scholar, through the newly tourist-filled streets of Havana, clocking his every move. As the distinction between reality and fantasy blurs, Clare finds grounding in memories of her childhood in Florida and of her marriage to Richard, revealing her role in his death and reappearance along the way. The Third Hotel is a propulsive, brilliantly shape-shifting novel from an inventive author at the height of her narrative powers.

The Double Headed Eagle, the symbol of the Late Byzantine Empire, speaks eloquently to the worldview of the Byzantines, whose Empire looked both to the East and to the West, but never wasor isreally part of either. At its apogee, the Byzantine Empire was the highest civilization in Europethe Center. This Double Headed Eagle is cherished by the Balkan Orthodox successors to Byzantium, and versions of it grace the national flags of Serbia, Montenegro, and even Albania. Encroached upon by both the Muslim East and the Catholic West, the Byzantine Eagle succumbed, only to emerge, in a state of arrested development, after several hundred years of Turkish or Western Catholic rule. This stunted progression emerges time and again in the civic culture, architecture, economics, and politics of the region, and has direct relevance on political and economic issues today, including Greeces present financial malaise, and the breakup of Yugoslavia in the 1990s. Traveling through this Ex-Byzantine zone, Billinis offers history, architecture, personal experiences, and numerous anecdotes to expound on key central themes. First, that the Balkan Orthodox nations form a common culture and virtual commonwealth, while still maintaining ethnic, geographical, and linguistic diversity. Without understanding this common Byzantine base, it is impossible to appreciate and to understand the region. Second, the common experience of Turkish rule, while preserving Byzantine culture and insulating the Orthodox religion from Catholic encroachment, did so by cutting off Byzantine Europe from economic, political, cultural, and civic development in progress in Western Europe. The states that emerged from this condition wereand areill prepared to contribute and to compete in modern Europe, and in a globalized world. Finally, throughout, there is a sense that history, rather than linear, runs in a circular form, and that history once again encroaches on the lands of the Double Headed Eagle.

What will you do, when you wake up with no memory, a new face, and discover you have a family you don't recognize? Anjali Mehta has to piece together her life after a terrible accident. Her husband is cold and indifferent towards her. Will she be able to convince him that she is not a manipulative and selfish person? How will she handle the attraction between them? Will her life be the same again if she gets her memory back? Ashish Mehta, an aloof and handsome businessman, has given up on love and wants no second chances with his estranged wife. Why does he then feel compelled to help her? Are the changes he sees in her real, or is it all an act? Can he turn away from his attraction to her? How long can he hold the secret he carries from her? An unexpected twist throws them in jeopardy. Will they be able to fight the danger they face? Two Faces of a Coin is the journey of Anjali and Ashish, as they struggle with both their past and present to define their future together.