The Trees Of Old England

Celebrates some of the oldest living trees on earth, from the redwoods in California to the banyan trees in China.

England has more ancient native oak trees than the rest of Europe combined. How did that come about? The reasons are all historical, and nothing to do with climate or soil factors. This story goes back to the Norman conquest of England in 1066. They created Royal Forests, chases and deer parks, where only the nobility could hunt or keep deer and it was forbidden to cut the trees. This was, if you like, an early form of nature conservation, but for the sake of privileged hunting. Preservation of these oaks further continued through a combination of private ownership of thousands of parks, conservatism of the landowners, overseas timber availability and the absence of ruining wars on the English landscape; the majority of which had been confined to the continent. Modernisation of forestry in England only took hold after 1920, and by that stage too late to destroy all of the old and worthless hollow trees. In contrast, modern forestry was introduced on the continent at least 200 years earlier, with devastating results for ancient trees. We owe the ancient oaks to all these circumstances which created a unique 'population' of ancient oaks, highly important for biodiversity and an asset unique to England. In this book Aljos Farjon combines history with science and tells the story of how ancient oaks have shaped the English landscape over the past 1000 years. The two native species of oak, pedunculate oak (Quercus robur) and sessile oak (Q. petraea) are among the longest living trees in England. And using data made available by 'citizen science' (data gathered by volunteers across the country) Aljos explains this remarkable situation by giving detailed evidence, enhanced with beautiful images of these stunning oaks as well as graphs and maps.

"A profound meditation on the human need for connection with nature, as one man seeks solace beneath the bows of an ancient oak tree."—Peter Wohlleben, author of The Hidden Life of Trees "James Canton knows so much, writes so well and understands so deeply about the true forest magic and the important place these trees have in it. Knowledge and joy."— Sara Maitland, author of How to Be Alone Joining the ranks of The Hidden Life of Trees and H is for Hawk, an evocative memoir and ode to one of the most majestic living things on earth—the oak tree—probing the mysteries of nature and the healing role it plays in our lives. Thrown into turmoil by the end of his long-term relationship, Professor James Canton spent two years meditating [PA1]beneath the welcoming shelter of the massive 800-year-old Honywood Oak tree in North Essex, England. While considering the direction of his own life, he began to contemplate the existence of this colossus tree. Standing in England for centuries, the oak would have been a sapling when the Magna Carta was signed in 1215. In this beautiful, transportive book, Canton tells the story of this tree in its ecological, spiritual, literary, and historical contexts, using it as a prism to see his own life and human history. The Oak Papers is a reflection on change and transformation, and the role nature has played in sustaining and redeeming us. Canton examines our long-standing dependency on the oak, and how that has developed and morphed into myth and legend. We no longer need these sturdy trees to build our houses and boats, to fuel our fires, or to grind their acorns into flour in times of famine. What purpose, then, do they serve in our world today? Are these miracles of nature no longer necessary to our lives? What can they offer us? Taking inspiration from the literary world—Henry David Thoreau, Leo Tolstoy, Katherine Basford’s Green Man, Thomas Hardy, William Shakespeare, and others—Canton ponders the wondrous magic of nature and the threats its faces, from human development to climate change, implores us to act as responsible stewards to conserve what is precious, and reminds us of the lessons we can learn from the world around us, if only we slow down enough to listen.

Robert Penn cut down an ash tree to see how many things could be made from it. After all, ash is the tree we have made the greatest and most varied use of over the course of human history. Journeying from Wales across Europe and Ireland to the USA, Robert finds that the ancient skills and knowledge of the properties of ash, developed over millennia making wheels and arrows, furniture and baseball bats, are far from dead. The book chronicles how the urge to understand and appreciate trees still runs through us all like grain through wood.

Excerpt from The Trees of Old England: Sketches of the Aspects, Associations, and Uses of Those Which Constitute the Forests, and Give Effect to the Scenery of Our Native Country The following chapters appeared originally in a Magazine which has for its chief aim the diffusion of moral and sacred truth, and is always glad to have this done through the medium of illustrations drawn from nature, - that second Book of God, which is everywhere a commentary upon the first and greatest. They make not the slightest preten sion to a scientific character, seeking, like their forerunners on the Little Things of Nature, sim ply to set forth, in a plain and easy manner, some few of the beautiful and refreshing truths connected with the foresters of Old England. If received in the kindly spirit which it is hoped they may aid in diffusing and encouraging, they may probably be followed by a second series. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Captivating black-and-white photographs of the world’s most majestic ancient trees. Beth Moon’s fourteen-year quest to photograph ancient trees has taken her across the United States, Europe, Asia, the Middle East, and Africa. Some of her subjects grow in isolation, on remote mountainsides, private estates, or nature preserves; others maintain a proud, though often precarious, existence in the midst of civilization. All, however, share a mysterious beauty perfected by age and the power to connect us to a sense of time and nature much greater than ourselves. It is this beauty, and this power, that Moon captures in her remarkable photographs. This handsome volume presents nearly seventy of Moon’s finest tree portraits as full-page duotone plates. The pictured trees include the tangled, hollow-trunked yews—some more than a thousand years old—that grow in English churchyards; the baobabs of Madagascar, called “upside-down trees” because of the curious disproportion of their giant trunks and modest branches; and the fantastical dragon’s-blood trees, red-sapped and umbrella-shaped, that grow only on the island of Socotra, off the Horn of Africa. Moon’s narrative captions describe the natural and cultural history of each individual tree, while Todd Forrest, vice president for horticulture and living collections at The New York Botanical Garden, provides a concise introduction to the biology and preservation of ancient trees. An essay by the critic Steven Brown defines Moon’s unique place in a tradition of tree photography extending from William Henry Fox Talbot to Sally Mann, and explores the challenges and potential of the tree as a subject for art.

From its earliest origins to the present day, this award-winning, beautifully written book describes the endlessly changing character of Britain's countryside. 'A classic' Richard Mabey Exploring the natural and man-made features of the land - fields, highways, hedgerows, fens, marshes, rivers, heaths, coasts, woods and wood pastures - he shows conclusively and unforgettably how they have developed over the centuries. In doing so, he covers a wealth of related subjects to provide a fascinating account of the sometimes subtle and sometimes radical ways in which people, fauna, flora, climate, soils and other physical conditions have played their part in the shaping of the countryside. 'One thing is certain: no one would be wise to write further on our natural history, or to make films about it, without thinking very hard about what is contained in these authoritative pages' COUNTRY LIFE