The Tree Of Ecstasy And Unbearable Sadness

The Tree of Ecstasy and Unbearable Sadness is a groundbreaking, large-scale multi-modal project weaving together the worlds of literature, music and visual art in the poignant story of one boy's journey into mental illness. Readers and listeners are offered a mesmerising visual and auditory tour de force about beauty and resilience, society and belief, that at its heart expresses hope for a greater understanding and embracing of difference. The narrative unfolds around the metaphor of a tree, growing within the boy, whose flower is ecstasy and whose fruit is sadness. This luminous, multi-faceted work is inspired by the experiences of its award-winning creator, Matt Ottley, who has lived with bipolar disorder all his life and been hospitalised on numerous occasions in mental health facilities. Having personally experienced the prejudices and challenges that come from suffering a mental illness, Matt's aim is to offer a sensory insight through words, music and images into the experiences of those who suffer from such debilitating illnesses, particularly psychosis. A masterful allegorical tale for the 21st century.

The Tree of Ecstasy and Unbearable Sadness is a masterful allegorical tale for the 21st century, weaving together the worlds of literature, music and visual art in the poignant story of one boy's journey into mental illness. Audiences are offered a mesmerising visual and auditory tour de force about beauty and resilience, society and belief, that at its heart expresses hope for a greater understanding and embracing of difference.The narrative unfolds around the metaphor of a tree growing within the boy, whose flower is ecstasy and whose fruit is sadness. This luminous, multi-faceted work is inspired by the experiences of its award-winning creator, Matt Ottley, who has lived with bipolar disorder all his life and been hospitalised on numerous occasions in mental health facilities. Having personally experienced the prejudices and challenges that come from suffering a mental illness, Matt's aim is to offer a sensory insight through words, music and images into the experiences of those who suffer from such debilitating illnesses, particularly psychosis.At the heart of the work is a 50-minute orchestral composition by Matt Ottley, performed by the Brno Philharmonic Orchestra, the Czech Philharmonic Choir Brno, tenor Ben Reynolds and narrated by Tina Wilson.This book comes with a CD recording and download link of the musical work, which forms part of this multi-modal work.

A stunning picture book that addresses life’s big journeys with hope, beauty, and reassurance School Library Journal [STARRED REVIEW!] “[A] moving, allegorical tale… inspiring reflection and empathy” Kirkus Reviews [STARRED REVIEW!] “A potent discussion starter… Enchanting, beautiful, and full of hope. “ Booklist [STARRED REVIEW!] “A lyrical tale of leaving home and finding a new one…Thought-provoking and arrestingly beautiful.” A boy must leave his home and find another. He brings with him a teacup full of earth from the place where he grew up, and sets off to sea. Some days, the journey is peaceful, and the skies are cloudless and bright. Some days, storms threaten to overturn his boat. And some days, the smallest amount of hope grows into something glorious. At last, the boy finds land, but it doesn't feel complete . . . until another traveler joins him, bearing the seed to build a new home. With lyrical text and gorgeous artwork, this poignant picture book is perfect for discussing all of life’s toughest challenges—a big move, a divorce, long-distance separation, or even the current refugee crisis—in a way that’s reassuring and inspiring for children and adults alike.

To make a bird, you'll need hundreds of tiny, hollow bones, so light you can barely feel them on your palm, so light they can float on air. Next you'll need feathers, for warmth and lift. There will be more besides - perhaps shells and stones for last touches - but what will finally make your bird tremble with dreams of open sky and soaring flight? This picture book shows how even the smallest of things, combined with wonder and a steady heart, can transform into works of magic.

“Far more than a conventional novel. It is a meditation on life, on the erotic, on the nature of men and women and love . . . full of telling details, truths large and small, to which just about every reader will respond.” — People In The Unbearable Lightness of Being, Milan Kundera tells the story of two couples, a young woman in love with a man torn between his love for her and his incorrigible womanizing, and one of his mistresses and her humbly faithful lover. In a world in which lives are shaped by irrevocable choices and by fortuitous events, a world in which everything occurs but once, existence seems to lose its substance, its weight. Hence, we feel "the unbearable lightness of being" not only as the consequence of our pristine actions but also in the public sphere, and the two inevitably intertwine. This magnificent novel is a story of passion and politics, infidelity and ideas, and encompasses the extremes of comedy and tragedy, illuminating all aspects of human existence.

Vivian Gornick’s Fierce Attachments—hailed by the New York Times for the renowned feminist author’s “mesmerizing, thrilling” truths within its pages—has been selected by the publication’s book critics as the #1 Best Memoir of the Past 50 Years. In this deeply etched and haunting memoir, Vivian Gornick tells the story of her lifelong battle with her mother for independence. There have been numerous books about mother and daughter, but none has dealt with this closest of filial relations as directly or as ruthlessly. Gornick’s groundbreaking book confronts what Edna O’Brien has called “the principal crux of female despair”: the unacknowledged Oedipal nature of the mother-daughter bond. Born and raised in the Bronx, the daughter of “urban peasants,” Gornick grows up in a household dominated by her intelligent but uneducated mother’s romantic depression over the early death of her husband. Next door lives Nettie, an attractive widow whose calculating sensuality appeals greatly to Vivian. These women with their opposing models of femininity continue, well into adulthood, to affect Gornick’s struggle to find herself in love and in work. As Gornick walks with her aged mother through the streets of New York, arguing and remembering the past, each wins the reader’s admiration: the caustic and clear-thinking daughter, for her courage and tenacity in really talking to her mother about the most basic issues of their lives, and the still powerful and intuitively-wise old woman, who again and again proves herself her daughter’s mother. Unsparing, deeply courageous, Fierce Attachments is one of the most remarkable documents of family feeling that has been written, a classic that helped start the memoir boom and remains one of the most moving examples of the genre. “[Gornick] stares unflinchingly at all that is hidden, difficult, strange, unresolvable in herself and others—at loneliness, sexual malice and the devouring, claustral closeness of mothers and daughters...[Fierce Attachments is] a portrait of the artist as she finds a language—original, allergic to euphemism and therapeutic banalities—worthy of the women that raised her.”—The New York Times

Mum is a rehab counselor for people with alcohol problems. Grandma Raynor lives next door. Dad is a driver for Elgas. Then there s me, fifteen, into a lot of different stuff. Music, surfing, animals, tennis, swimming, computer games. And my sister, Claire, and brother Toby. We re a typical Australian family. Barbeques, footy, gardening, school, Holden Commodores Then one day things change. April 26, Dad burns the toast, yells at Toby, thanks me for cleaning the cab of the truck, kisses Mum and Toby, then he s gone April 27, the war starts May 21, the city s in ruins, blackouts nearly all the time, food is hard to find September 13, Dad s hears news of a boat. We might get out of here yet September 28, it's just after dawn. A boat from their Navy has found us. We wave and cry and cheer. But then, slowly, we realise they are shouting at us, telling us to go away September 30, we are in a huge prison, with razor wire all around us. The government says there s no room for us. The Prime Minister says that if they let us out into the community it ll just encourage other illegal immigrants. The Deputy Prime Minister says we re not genuine refugees. The Minister for Immigration says we should have gone through the proper procedures and applied to come here the prescribed way. Apparently there was a queue or a waiting list or something, and we were meant to find an Immigration Office and put our names down to be considered. I guess they re right. I feel terrible about the trouble we ve caused them.

From "one of South Korea's best and most worldly writers" (NPR): An electric collection that captivates and provokes in equal measure, exploring what it means to be on the edge--between life and death, good and evil

Bad luck could be Faust's middle name. His family decide to go on a holiday and lave poor Faust behind. Then, out of the blue, Faust's friends (the troublesome aliens) come to visit him and take him to their planet. Find out what sort of trouble Faust manages to get himself into in outer space!