The Three Voices Of Poetry

"Of the three voices of poetry, here defined by T.S. Eliot, the first voice is that of the poet talking to himself, directly expressing his own thoughts. His first obligation is to achieve absolute clarity for himself, often through the most painful effort and at the cost of being termed consciously unintelligible. The second voice is that of the poet adressing an audience, offering a message, as in the poem intended to instruct or to persuade, or the poem written to amuse. The third voice is that of the poet when he is creating a character, as in a poetic drama. It is Mr Eliot's belief that in every poem, from the private meditation to the epic or the drama, more than one voice is to be heard; these he challenges us to distinguish"--Front jacket flap.

A radio play in verse, comprised of three intertwining monologues by women in a maternity ward.

Three Poems, Hannah Sullivan’s debut collection, which won the 2018 T. S. Eliot Prize, reinvents the long poem for a digital age. “You, Very Young in New York” paints the portrait of a great American city, paying close attention to grand designs as well as local details, and coalescing in a wry and tender study of romantic possibility, disappointment, and the obduracy of innocence. “Repeat Until Time” shifts the scene to California and combines a poetic essay on the nature of repetition with an enquiry into pattern-making of a personal as well as a philosophical kind. “The Sandpit After Rain” explores the birth of a child and death of a father with exacting clarity.

The incomprehensible nature of the sublime emerges through a cast of personalities including Eartha Kitt, Geordi LaForge, Immanuel Kant, W. E. B. Du Bois, Malcolm X and the book's central character, Lacy Neva Igga, an American Studies professor who lives as a minstrel character trapped inside the head of a nameless woman. Kocher uses what T. S. Eliot called the "third voice" of lyric drama as a means for characters to address and interrogate literary culture. Third Voice asserts lyric beyond personal expression and drama beyond the stage, using the spectacle of minstrelsy as a deformation of mastery in an audaciously conceptual yet visceral performance.--Provided by publisher.

James Applewhite integrates personal experience with his wide historical, literary, and scientific knowledge to trace the transformation from an older South to a new; from the segregated, small-town world of his grandparents’ chickenyard and garden to the contemporary reality of Stealth technology and the Oklahoma City bombing. Applewhite’s insights alternate between subtle and stark as he meditates on three interrelated themes: the World War II–era absent father; the legacy of racism; and the shift from an agrarian society to a technological one. In clear and lyrical language, the poet moves with ease between his own life, politics, historical change, and the natural world. Representing a lineage that includes slaveholders, tobacco farmers, and a great-grandfather wounded at Chancellorsville, he deconstructs racist mythologies and identifies the leading and misleading of the nation into military triumph, space flight, and tragedy by such problematic father figures as Henry Ford, Franklin D. Roosevelt, and Wernher von Braun. Applewhite also reimagines the flawed past as a basis for more livable future—the restoration of a missing voice in the harmonizing of opposed elements in the South’s historical consciousness. As described in the book’s pivotal poem, “The Deed,” after selling his father’s farm, he lays to rest the guilt of inheritance and relocates “rootedness” to a home shared with his wife beside the Eno River in northern Durham County.

Puerto Rican poets Anita Velez-Mitchell, daughter Gloria Vando, and granddaughter Anika Paris are featured in this poetry anthology edited by Linda Rodriguez.

From the Newbery Medal-winning author of Seedfolks, Paul Fleischman, Joyful Noise is a collection of irresistible poems that celebrates the insect world. Funny, sad, loud, and quiet, each of these poems resounds with a booming, boisterous, joyful noise. The poems resound with the pulse of the cicada and the drone of the honeybee. They can be fully appreciated by an individual reader, but they're particularly striking when read aloud by two voices, making this an ideal pick for classroom use. Eric Beddows′s vibrant drawings send each insect soaring, spinning, or creeping off the page in its own unique way. With Joyful Noise, Paul Fleischman created not only a fascinating guide to the insect world but an exultant celebration of life.

This Book Is The Outcome Of The Author S Continued Study And Research In T.S. Eliot Literature, Demonstrating As It Does His Valid Critical Insight And Sound Judgement. There Are Scholars Who Might Initially Differ With Him In Regard To His Formulations About Eliot S Indebtedness To Indian Thought And Tradition, But They Will Have To Accept Them Ultimately In The Presence Of Well-Researched And Well-Documented Internal And External Evidences. Even Established Western Scholars Like Grover Smith Of The Duke University And Charles M. Holmes Of The Transylvania University, U.S.A., Besides A Host Of Indian Professors And Scholars, Have Acknowledged The Truth.The Book Comprising Eighteen Papers Present A Comprehensive View Of Eliot And Bring Out His Multi-Pronged Genius.Eliot Was An American By Birth And Education, An Anglo-Catholic By Religion, A Britisher By Way Of Naturalized Citizenship , A Deep-Rooted European By Sense Of Culture, A Universal Poet And An International Hero By Means Of His Creative Talent And Art.The Book Highlightes Eliot S Literary Personality And The Different Aspects Of His Creative Art. These Papers Undoubtedly Broaden The Scope Of Approach To Eliot. The Book Is Designed In Such A Way That It Will Attract Both Common And Specialist Readers.