The Third Book Of Virgil Finlay

Virgil Finlay left behind thirty-five years of fantasy and science-fiction art-work - and a reputation as the most meticulous pulp magazine illustrator of his generation. Finlay sold his first professional drawings to Weird Tales magazine in 1935 and within a year he had established himself as the finest artist in his field. Throughout the 1930's, 40s and 50s, Finlay reigned supreme as the acknowledged master of black-and-white fantasy, science fiction and horror illustration. Women of the Ages offers the best of Finlay's artwork - exquisite line drawings, which display the jewel-like rendering of Finlay's painstaking technique. Women of the Ages features ravishing illustrations from the pages of Weird Tales, Famous Fantastic Mysteries, Startling Stories, American Weekly and many others. This lavish cornerstone collection showcases the work of a unique 20th century artist.

The Citadel of Fear, an anthology showcasing the work of Gertrude Barrows Bennett, who wrote under the pseudonym Francis Stevens, is a cornerstone in the foundation of science fiction literature. Within its pages, readers will discover an array of speculative narratives that transcend time and space, weaving together elements of fantasy, horror, and early science fiction. The collection encapsulates the diverse and groundbreaking storytelling techniques of its era, offering a splendid display of Stevens' pioneering imagination and mastery over the speculative. Its standout pieces not only explore the unknown but also delve into the complexities of human emotion and the interplay between fear and curiosity, making it a significant contribution to the genre's evolution. The authors behind these narratives, particularly Stevens, are considered trailblazers in science fiction. Bennett, an unsung heroine of her time, effectively laid the groundwork for future generations of writers within these genres. Through her unique lens, readers are offered a glimpse into the early 20th century's burgeoning fascination with the speculative and the fantastic. The anthology aligns with pivotal moments in literary history, where the boundaries of reality are pushed, and new worlds are conceived, cementing its place within the pantheon of science fiction classics. This collection is recommended for those intrigued by the roots of science fiction and the remarkable breadth of themes it encompasses. It offers a unique opportunity to experience the visionary work of Gertrude Barrows Bennett, whose contributions have significantly shaped the landscape of speculative fiction. The Citadel of Fear serves not only as a portal to imaginative realms but also as a critical resource for understanding the evolution of science fiction. Readers, scholars, and enthusiasts alike will find value in this anthology, for it fosters a greater appreciation of the genre's complexities and the diverse perspectives that have contributed to its enduring legacy.

“I have not tried to paint the portrait of a man, but merely to present a personality and hazard a guess as to the motivation that makes Santa Claus the wondrous figure he is — a figure who more than any other exemplifies the beauty of selflessness.” — Seabury Quinn ​Drawing upon the original Christian legends that coalesced over centuries into the familiar, jolly form of Saint Nicholas, pulp fiction pioneer Seabury Quinn weaves a spellbinding new origin for this most beloved of children’s icons in his classic novella Roads.

Collection of works by artists who published psychedelic posters with Big O Posters Features hundreds of works by 19 artists, including Martin Sharp, Roger Dean, and H.R. Giger Posters and art for glam rock, hippie music, counterculture literature, film, and more

"Science Fiction & Fantasy Book Review" was founded in 1979 to provide comprehensive coverage of all the major and minor books being released in the genre at that time. This was the golden era of SF publishing, with a thousand titles (old and new) hitting the stands and the bookshelves each and every year. From the older classics to the newest speculative fiction, this was the period when the best and the brightest shined forth their talents. SF&FBR included reviews by writers in the field, by amateur critics, and by littérateurs and University professors. Over a thousand books were covered during the single year of publication, many of them having been reviewed no where else, before or since. The January 1980 issue includes a comprehensive index of all the works featured during the preceding year. This reprint will be a welcome addition to the literature of science fiction and fantasy criticism. Neil Barron is a retired bibliographer and literary critic, editor of the acclaimed "Anatomy of Wonder" series. Robert Reginald was the publisher for twenty-five years of Borgo Press, and has authored over 110 books of his own.