The Textile American

First published in 1984, this remains the definitive study of textiles as they were used in early American homes.

"This catalogue is published in conjunction with the exhibition An American Style: Global Sources for New York Textile and Fashion Design, 1915-1928 held at the Bard Graduate Center: Decorative Arts, Design History, Material Culture from September 27, 2013 through February 9, 2014."--Title page verso.

American Textile Colossus: The Story of Fall River, Massachusetts, its Cotton Manufacturing Industry, and its People is by Jay J. Lambert, president of the Board of Directors of the Fall River Historical Society. Jay devoted over a decade painstakingly researching and writing this major contribution to the history of the American textile industry. This book can be regarded as a definitive work on the subject. American Textile Colossus is a sweeping saga of Fall River's old cotton textile industry - the mills, the managerial hierarchy, the workforce, and the events and issues that shaped their lives. Documenting the cotton textile industry from the local perspective of Fall River, it is an unpretentious effort to understand the city's role in the industrialization of America.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A mother stitches a few lines of prayer into a bedcover for her son serving in the Union army during the Civil War. A formerly enslaved African American woman creates a quilt populated by Biblical figures alongside celestial events. A Diné women weaves a blanket for a U.S. Army soldier stationed in the Southwest. A quilted Lady Liberty, George Washington, and Abraham Lincoln mark the resignation of Richard Nixon. These are just a few of the diverse and sometimes hidden stories of the American experience told by quilts and bedcovers from the collection of the Museum of Fine Arts, Boston. Spanning more than four hundred years, the fifty-six works of textile art in this book express the personal narratives of their makers and owners and connect to broader stories of global trade, immigration, industry, marginalization, and territorial and cultural expansion. Made by Americans of European, African, Native, and Hispanic heritage, these engaging works of art range from family heirlooms to acts of political protest, each with its own story to tell.

This report describes the plight of America's textile industries threatened by imports from countries paying lower wages to workers. S/N 052-003-01064-0: $7.50.