The Ten Holy Horrors

What, exactly, makes us afraid? Is it monsters, gore, the unknown? Perhaps it's a biblical sense of malice, lurking unnoticed in the corners of horror films. Holy Writ attempts to ward off aliens, ghosts, witches, psychopaths and demons, yet it often becomes a source of evil itself. Looking first at Psycho (1960) and continuing through 2017, this book analyzes the starring and supporting roles of the Good Book in horror films, monster movies and thrillers to discover why it incites such fear. In a culture with high biblical awareness and low biblical literacy, horrific portrayals can greatly influence an audience's canonical beliefs.

In 1583 in Vienna, a 16-year-old girl suffered stomach cramps. A team of Jesuits exorcized her for eight weeks. The priests announced that they had expelled 12,652 demons from her, demons that her grandmother had kept as flies in glass jars. The grandmother was tortured into confessing that she was a witch who had engaged in sex with Satan. She was then burned at the stake. This was one of perhaps one million such executions during three centuries of witch-hunts. In 1989 in Moradabad, India, a pig caused hundreds of people to kill one another when the animal walked through a Muslim holy ground. Muslims, who think pigs are an embodiment of Satan, accused Hindus of driving the pig into the sacred spot. Members of both faiths went on a rampage, stabbing and clubbing. The pig riot spread to a dozen cities and left two hundred dead. A squad of armed Islamic zealots raided a Christian church at Behawalpur, Pakistan, on October 28, 2001, killing the minister, fourteen worshipers, and the church's police guard. It is said that there is never enough religion in the world to make people love one another--just enough to make them hate one another. Incendiary blends of fundamentalist religion, politics, nationalism, and ethnic zealotry engender countless examples of atrocity in the name of faith and orthodoxy. If anything, religious persecution is more savage now than everbefore in the history of mankind. HOLY HORRORS chronicles the grim spectrum of religious persecution from ancient times to the present. Fully illustrated with drawings, woodcuts, and photographs, the book recounts such historic religious persecution as the Crusades, the Islamic jihads, the Catholic wars against heretics, the Inquisition, witch-hunts, and the Reformation. It also chronicles modern-day atrocities, including the Holocaust, the seemingly insoluble Catholic-Protestant schism in Northern Ireland, religious tribalism in in Lebanon, and the barbaric cruelty of the theocracy in Iran.

The author has chosen seventeen of the most important or representative British spy novelists to write about. He presents some basic literary analysis and criticism, trying both to place them in historical perspective and to describe and analyze the content and form of their fiction.

THE JEWISH BOOK OF HORROREdited by Josh SchlossbergHorror is part of the human condition, but few peoples across the ages know it quite like the Jews.From slavery to pogroms to the Holocaust to antisemitism, the "Chosen People" have not only endured hell on Earth, they've risen above it to share their stories with the world.Whether it's pirate rabbis or demon-slaying Bible queens, concentration camp vampires or beloved, fearless bubbies, THE JEWISH BOOK OF HORROR offers you twenty-two dark tales about the culture, history, and folklore of the Jewish people.TABLE OF CONTENTSAn Orchard of Terror: Scary Stories and the Jewish Tradition by Rabbi John CarrierOrigins of The Jewish Book of Horror by Josh SchlossbergTorah-Fying Tales: An Introduction to Jewish Horror by Molly AdamsOn Seas of Blood and Salt by Richard DanskyThe Last Plague by KD CaseyThe 38th Funeral by Marc MorgensternSame as Yesterday by Alter S. ReissHow to Build a Sukkah at the End of the World by Lindsay King-MillerDemon Hunter Vashti by Henry HerzThe Horse Leech Has Two Maws by Michael PiccoThe Rabbi's Wife by Simon RosenbergBa'alat Ov by Brenda TolianEighth Night by John BaltisbergerBread and Salt by Elana GomelIn the Red by Mike MarcusA Purim Story by Emily Ruth VeronaCatch and Release by Vivian KasleyPhinehas the Zealot by Ethan K. LeeThe Wisdom of Solomon by Ken GoldmanWelcome, Death by J.D. BlackroseForty Days Before Birth by Colleen HalupaThe Hanukkult of Taco Wisdom by Margret TreiberThe Divorce From God by Rami UngarThe Hand of Fire by Daniel BraumBar Mitzvah Lessons by Stewart Gisser

In 1860 Abraham Lincoln employed the proverb, Right makes might, (opposite of the more aggressive Might makes right) in his famed Cooper Union address. While Lincoln did not originate the proverb, his use of it in this critical speech indicates that the 14th century phrase had taken on new ethical and democratic connotations in the 19th century. In this collection, famed scholar of proverbs Wolfgang Mieder explores the multifaceted use and function of proverbs through the history of the United States, from their early beginnings up through their use by today's well-known politicians, including Barack Obama, Hillary Rodham Clinton, and Bernie Sanders. Building on previous publications and unpublished research, Mieder explores sociopolitical aspects of the American worldview as expressed through the use of proverbs in politics, women's rights, and the civil rights movement. By looking at the use of proverbial phrases, Mieder demonstrates how one traditional phrase can take on numerous expressive roles over time and how they continue to play a key role in our contemporary moment.

Wonder, Horror, Mystery is a dialogue between two friends, both notable arts critics, that takes the form of a series of letters about movies and religion. One of the friends, J.M. Tyree, is a film critic, creative writer, and agnostic, while the other, Morgan Meis, is a philosophy PhD, art critic, and practicing Catholic. The question of cinema is raised here in a spirit of friendly friction that binds the personal with the critical and the spiritual. What is film? What's it for? What does it do? Why do we so intensely love or hate films that dare to broach the subjects of the divine and the diabolical? These questions stimulate further thoughts about life, meaning, philosophy, absurdity, friendship, tragedy, humor, death, and God. The letters focus on three filmmakers who challenged secular assumptions in the late 20th century and early 21st century through various modes of cinematic re-enchantment: Terrence Malick, Lars von Trier, and Krzysztof Kieślowski. The book works backwards in time, giving intensive analysis to Malick's To The Wonder (2012), Von Trier's Antichrist (2009), and Kieślowski's Dekalog (1988), respectively, in each of the book's three sections. Meis and Tyree discuss the filmmakers and films as well as related ideas about philosophy, theology, and film theory in an accessible but illuminating way. The discussion ranges from the shamelessly intellectual to the embarrassingly personal. Spoiler alert: No conclusions are reached either about God or the movies. Nonetheless, it is a fun ride.