The Temptation To Exist

This collection of eleven essays originally appeared in France thirty years ago and created a literary whirlwind on the Left Bank. Cioran writes incisively about Western civilizations, the writer, the novel, mystics, apostles, and philosophers. The Temptation to Exist first introduced this brilliant European thinker twenty years ago to American readers, in a superb translation by Richard Howard. This literary mystique around Cioran continues to grow, and The Temptation to Exist has become an underground classic. In this work Cioran writes about Western civilizations, the writer, the novel, about mystics, apostles, philosophers. For those to whom the very word philosophy brings visions of arduous reading, be assured: Cioran is crystal-clear, his style quotable and aphoristic. “A sort of final philosopher of the Western world. His statements have the compression of poetry and the audacity of cosmic clowning”—The Washington Post

"A brilliant and original exponent of a rare genre, the philosophical essay. Once read, Cioran cannot fail to provoke reaction. New York Times Book...

Romanian-born E.M. Cioran moved to Paris at the age of 26, remaining there nearly six decades until his death in 1995. He was called "a sort of final philosopher of the Western world" and "the last worthy disciple of Nietzsche"; the bleak aphorisms of All Gall Is Divided make a strong case for either appellation. "With every idea born in us," he declares early on, "something in us rots." Throughout the book, he addresses the futile attempts of man to impose meaning on a meaningless existence--"That there should be a reality hidden by appearances is, after all, quite possible; that language might render such a thing would be an absurd hope"--and nurses an ongoing fascination with the possibilities death holds for release from life's madness. (When the Dead Kennedys sang, "I look forward to death / This world brings me down," they might as well have been taking notes from Cioran.) Grim stuff, but presented in brilliant, crystalline form--particularly in the translation by Richard Howard, which retains Cioran's cold, detached viewpoint.

"(Cioran's) statements have the compression of poetry and the audacity of cosmic clowning".--WASHINGTON POST. In TEARS AND SAINTS, Cioran touches on nearly all the themes that would preoccupy the writer over the course of his career. Self-consciously perverse, this collection will fascinate anyone interested in saints, mysticism, philosophy, the history of Christianity, or the ultimate strangeness of the sacred.

“Only a monster can allow himself the luxury of seeing things as they are,” writes E. M. Cioran, the Romanian-born philosopher who has rightly been compared to Samuel Beckett. In History and Utopia, Cioran the monster writes of politics in its broadest sense, of history, and of the utopian dream. His views are, to say the least, provocative. In one essay he casts a scathing look at democracy, that “festival of mediocrity”; in another he turns his uncompromising gaze on Russia, its history, its evolution, and what he calls “the virtues of liberty.” In the dark shadow of Stalin and Hitler, he writes of tyrants and tyranny with rare lucidity and convincing logic. In “Odyssey of Rancor,” he examines the deep-rooted dream in all of us to “hate our neighbors,” to take immediate and irremediable revenge. And, in the final essay, he analyzes the notion of the “golden age,” the biblical Eden, the utopia of so many poets and thinkers.

"Born of a terrible insomnia wchich E. M. Cioran called "a dizzying lucidity which would turn even paradise into hell," this book presents the youthful Cioran, a self-described "Nietzsche still complete with his Zarathustra, his poses, his mystical clown's tricks, a whole circus of the heights." On the Heights of Despair shows Cioran's first grappling with themes he would return to in his mature works: despair and decay, absurdity and alienation, futility and the irrationality of existence. It also presents Cioran as a connoisseur of apocalypse, a theoretician of despair, for whom writing and philosophy both share the "lyrical virtues" that alone lead to metaphysical revelations. An exorcism of despair, this book offers insights into the ironic anguish of Cioran's philosophic mind while providing fascinating information on his early development as a writer and thinker."

E. M. Cioran confronts the place of today's world in the context of human history—focusing on such major issues of the twentieth century as human progress, fanaticism, and science—in this nihilistic and witty collection of aphoristic essays concerning the nature of civilization in mid-twentieth-century Europe. Touching upon Man's need to worship, the feebleness of God, the downfall of the Ancient Greeks and the melancholy baseness of all existence, Cioran's pieces are pessimistic in the extreme, but also display a beautiful certainty that renders them delicate, vivid, and memorable. Illuminating and brutally honest, A Short History of Decay dissects Man's decadence in a remarkable series of moving and beautiful pieces.

In this volume, which reaffirms the uncompromising brilliance of his mind, Cioran strips the human condition down to its most basic components, birth and death, suggesting that disaster lies not in the prospect of death but in the fact of birth, "that laughable accident." In the lucid, aphoristic style that characterizes his work, Cioran writes of time and death, God and religion, suicide and suffering, and the temptation to silence. Through sharp observation and patient contemplation, Cioran cuts to the heart of the human experience. “A love of Cioran creates an urge to press his writing into someone’s hand, and is followed by an equal urge to pull it away as poison.”—The New Yorker “In the company of Nietzsche and Kierkegaard."—Publishers Weekly "No modern writer twists the knife with Cioran's dexterity. . . . His writing . . . is informed with the bitterness of genuine compassion."—Boston Phoenix

Vance Hale has everything. A ridiculous amount of money, an Ivy-league education, and a 1,000-watt smile that can charm the designer dress right off a girl. He’s also going to have a future that includes me—whether he wants it or not. I don’t care that he’s trying to reform his playboy ways, or that he made a bet to go 90 days without the touch of a woman. I’ve spent the last decade planning my revenge and I need a partner in crime. This gorgeous, cunning man should do fine. So, we strike a deal. I’ll help get him across the finish line and he’ll bring me into his world among the Cape Hill elite. Our relationship may be fake, but our chemistry is shockingly real. One innocent kiss and I’m struggling to hold up my end of the bargain. Wanting him wasn’t part of the plan when everything else I desire is within my grasp. The only problem? Neither of us is any good at resisting temptation.