The Tarot Cards Painted By Bonifacio Bembo For The Visconti Sforza Family

The Cary-Yale Visconti Tarocchi Deck is comprised of 22 Major Arcana and 64 Minor Arcana cards. The deck includes reproductions of tarocchi cards from the Cary Collection of Playing Cards, now housed at Yale University. Nineteen cards have been recreated to replace missing originals. In addition to the King and Queen, each suit in the Minor Arcana contains both male and female Knights and Pages.

The Visconti-Sforza Tarot Cards" contains a commentary by Michael Dummett and full size, color reproductions of Tarot cards from the Pierpont-Morgan Library in New York City, and the Accademia Carrara in Bergamo, Italy. In his introduction, Dummett refers to the cards as a masterpiece of mid-fifteenth-century Italian art in the International Gothic style. The Visconti-Sforza Tarot deck, named for the two great ducal families for whom they were made, is a fine example of the 78 card Tarot lineage (consisting of 56 suit cards and 22 picture cards). The suits of this deck are Swords, Batons, Cups and Coins. The four court cards are King, Queen, Knight and Jack.

The enigmatic and richly illustrative tarot deck reveals a host of strange and iconic mages, such as The Tower, The Wheel of Fortune, The Hanged Man and The Fool: over which loom the terrifying figures of Death and The Devil. The 21 numbered playing cards of tarot have always exerted strong fascination, way beyond their original purpose, and the multiple resonances of the deck are ubiquitous. From T S Eliot and his 'wicked pack of cards' in "The Waste Land" to the psychic divination of Solitaire in Ian Fleming's "Live and Let Die"; and from the satanic novels of Dennis Wheatley to the deck's adoption by New Age practitioners, the cards have in modern times become inseparably connected to the occult. They are now viewed as arguably the foremost medium of prophesying and foretelling. Yet, as the author shows, originally the tarot were used as recreational playing cards by the Italian nobility in the Renaissance. It was only much later, in the 18th and 19th centuries, that the deck became associated with esotericism before evolving finally into a diagnostic tool for mind, body and spirit. This is the first book to explore the remarkably varied ways in which tarot has influenced culture. Tracing the changing patterns of the deck's use, from game to mysterious oracular device, Helen Farley examines tarot's emergence in 15th century Milan and discusses its later associations with astrology, kabbalah and the Age of Aquarius.

The Tarot is one of the few books that cuts through conventional misperceptions to explore the Tarot deck as it really developed in the Middle Ages and Renaissance Europe-not, as some would suggest, in the far reaches of Egyp-tian antiquity. Mining the Hermetic, alchemical, and Neoplatonic influences behind the evolution of the deck, author Robert M. Place provides a historically grounded and compelling portrait of the Tarot's true origins, without overlooking the deck's mystical dimensions. Indeed, Place uncommonly weds reliable historiography with a practical understanding of the intuitive help and divinatory guidance that the cards can bring. He presents techniques that offer new and valuable ways to read and interpret the cards. Based on a simple three-card spread, Place's approach can be used by either the seasoned practitioner or the new inquirer.

Gnostic Tarot presents an exciting new path for people who want to use the tarot as a guide for spiritual development. Lee Irwin synthesizes the more traditional forms of interpretation with a new esoteric method based on the contemporary theories of Hermetic and Gnostic spirituality. He has developed ten Mandalas (akin to tarot spreads) for you to use as meditative structures for contemplating the interconnection between the natural elements and consciousness as reflected by the imagery of the cards. Irwin provides a detailed discussion of the esoteric history and structure of the tarot, and explores the symbolism of the Four Suits, The Inner (Minor) Court Cards, and the Major Arcana Cards as illustrated by the Ravenswood and Waite decks. His wellwritten and deeply insightful interpretations of tarot imagery will inspire you to see the sacred in everything surrounding you. By using Irvins Mandalas, mediations, and visualization exercises, you can learn to align your physical, mental, and emotional life with your spiritual growth, to affect an alchemical transformation through the realization of your souls purpose.

Tarot cards have been around since the Renaissance and have become increasingly popular in recent years, often due to their prevalence in popular culture. While Tarot means many different things to many different people, the cards somehow strike universal chords that can resonate through popular culture in the contexts of art, television, movies, even comic books. The symbolism within the cards, and the cards as symbols themselves, make Tarot an excellent device for the media of popular culture in numerous ways. They make horror movies scarier. They make paintings more provocative. They provide illustrative structure to comics and can establish the traits of television characters. The Cards: The Evolution and Power of Tarot begins with an extensive review of the history of Tarot from its roots as a game to its supposed connection to ancient Egyptian magic, through its place in secret societies, and to its current use in meditation and psychology. This section ends with an examination of the people who make up today’s tarot community. Then, specific areas of popular culture—art, television, movies, and comics—are each given a chapter in which to survey the use of Tarot. In this section, author Patrick Maille analyzes such works as Deadpool, Books of Magic by Neil Gaiman, Disney's Haunted Mansion, Sherlock Holmes: Game of Shadows, The Andy Griffith Show, Buffy the Vampire Slayer, and King of the Hill. The cards are evocative images in their own right, but the mystical fascination they inspire makes them a fantastic tool to be used in our favorite shows and stories.

That the Tarot originated in ancient Egypt as a divinatory tool is a romantic misconception. Ron Decker’s meticulous scholarship will surprise practitioners and academics alike, revealing the Tarot’s true evolution and meanings as its inventor(s) understood it. The Tarot consists of the Minor Arcana, four suits of cards similar to our modern deck, and the Major Arcana, twenty-two allegorical or “trump” cards. Decker says the four-suit deck was invented in Asia Minor before AD 1000; Italian courtiers added the trumps in the 1400s. But Tarot was first used as a game. Tarot divination was only created in the 1700s by a Parisian fortuneteller who based the trump images on Hermeticism, which merges Greco-Egyptian alchemy, astrology, numerology, magic, and mysticism. Today, the suit-cards are often traced to the ancient Jewish Cabala. But, says Decker, they, too, acquired their meanings only in the 1700s, and he cites a lost numerical system based on Cabala at that time. Decker’s interpretation integrates three whole systems-astrological, arithmological, mystagogical (concerning initiation rites into the Mysteries). His depth of knowledge makes the book a must-have for serious students of Tarot and esotericism.