The Tao Of Writing

This book in the series applies Eastern philosophies to writing exercises. By tapping into the true flow of their creativity, writers can discover and develop their talents. The author uses the connection between teaching, writing and the tenets of the tao to help writers hone their craft from a new perspective.

The acclaimed author explores the greatest travel writing by literary adventurers from Freya Stark and James Baldwin to Nabokov and Hemmingway. Paul Theroux celebrates fifty years of wandering the globe with this meditative journey through the books that shaped him as a reader and traveler. Part philosophical guide, part miscellany, part reminiscence, The Tao of Travel enumerates “The Contents of Some Travelers’ Bags” and exposes “Writers Who Wrote about Places They Never Visited”; tracks extreme journeys in “Travel as an Ordeal” and highlights some of “Travelers’ Favorite Places.” Excerpts from the best of Theroux’s own work are interspersed with selections from travelers both familiar and unexpected, including J.R.R. Tolkien, Samuel Johnson, Eudora Welty, Evelyn Waugh, Isak Dinesen, Charles Dickens, Henry David Thoreau, Pico Iyer, Mark Twain, Anton Chekhov, Bruce Chatwin, John McPhee, Peter Matthiessen, Graham Greene, Paul Bowles, and many more.

This book will help those wishing to teach a course in technical writing, or who wish to write themselves.

The creative process doesn’t have to be torturous—with The Tao of Writing, it can be glorious! Invoking the principles of the Tao allows you to do your best work ever. By tapping into the true flow of your creativity, you can discover and develop your true talents and abilities. Author Ralph Wahlstrom uses the connection between teaching, writing, and the tenets of the Tao to help you learn to write from a new perspective, enhancing your work and your creative journey. With The Tao of Writing as your guide, you can overcome “writer’s rigor mortis,” and become a better, happier, more productive writer.

In a startling change of direction, cult favourite Tao Lin presents a dark and brooding tale of illicit love that is his most sophisticated and mesmerising yet. Named after the real-life writer Richard Yates, but, having nothing to do with him, Lin tracks the illicit affair between a very young writer and his underage lover. As the writer seeks to balance work and love, his young lover becomes ever more self-destructive in a play for his undivided attention. Lin's trademark minimalism takes on a new sharp-edged suspense here, zeroing in on a lacerating narrative.

Creative Writing, like Tao, can be the "way with a heart." Viewed as a psychotechnology and not as a skill, writing can serve as a channel to self-transcendence. the process begins when the writer, in stillness, observes the physical world. As s/he connects with that world, the distractions of self and ego drop away. the writer becomes one with all-there-is, achieving what Maslow has termed a "peak-experience." the words used to capture that experience become the experience itself. the poem, therefore, is not about something but is the thing itself. Nothing stands between the reader and the experience. If there is to be a poem, primary creativeness (or raw writing) must precede secondary creativeness (or revision). If primary creativeness is to be nurtured, writing must be seen as process rather than product. Writing, as process, is a journey of self-discovery. the products that result are markers on that journey. As such, writing products are the threshold of literature, the starting place. to get going on that journey, one can gain confidence in writing through a series of exercises based on free association and triggering techniques. These techniques break down barriers between spoken and written expression. Through writing one discovers himself or herself and what the personal journey is. the writer-teacher can accompany students along the way, lending encouragement, but the journey must be alone. It is a journey that begins in silence and, finally, ends in silence--at the point where words have led to inner knowing and recognition of the true self.

From the acclaimed author of Taipei, a bold portrait of a writer working to balance all his lives—artist, son, loner—as he spins the ordinary into something monumental. An engrossing, hopeful novel about life, fiction, and where the two blur together. In 2014, a novelist named Li leaves Manhattan to visit his parents in Taipei for ten weeks. He doesn't know it yet, but his life will begin to deepen and complexify on this trip. As he flies between these two worlds--year by year, over four years--he will flit in and out of optimism, despair, loneliness, sanity, bouts of chronic pain, and drafts of a new book. He will incite and temper arguments, uncover secrets about nature and history, and try to understand how to live a meaningful life as an artist and a son. But how to fit these pieces of his life together? Where to begin? Or should he leave society altogether? Exploring everyday events and scenes--waiting rooms, dog walks, family meals--while investigatively venturing to the edges of society, where culture dissolves into mystery, Lin shows what it is to write a novel in real time. Illuminating and deeply felt, as it builds toward a stunning, if unexpected, romance, Leave Society is a masterly story about life and art at the end of history. A VINTAGE ORIGINAL

This classic guide contains four essays on writing mathematical books and papers at the research level and at the level of graduate texts. The authors are all well known for their writing skills, as well as their mathematical accomplishments. The first essay, by Steenrod, discusses writing books, either monographs or textbooks. He gives both general and specific advice, getting into such details as the need for a good introduction. The longest essay is by Halmos, and contains many of the pieces of his advice that are repeated even today: In order to say something well you must have something to say; write for someone; think about the alphabet. Halmos's advice is systematic and practical. Schiffer addresses the issue by examining four types of mathematical writing: research paper, monograph, survey, and textbook, and gives advice for each form of exposition. Dieudonne's contribution is mostly a commentary on the earlier essays, with clear statements of where he disagrees with his coauthors. The advice in this small book will be useful to mathematicians at all levels.

The basis for the movie High Resolution From one of this generation's most talked about and enigmatic writers comes a deeply personal, powerful, and moving novel about family, relationships, accelerating drug use, and the lingering possibility of death. Taipei by Tao Lin is an ode--or lament--to the way we live now. Following Paul from New York, where he comically navigates Manhattan's art and literary scenes, to Taipei, Taiwan, where he confronts his family's roots, we see one relationship fail, while another is born on the internet and blooms into an unexpected wedding in Las Vegas. Along the way—whether on all night drives up the East Coast, shoplifting excursions in the South, book readings on the West Coast, or ill advised grocery runs in Ohio—movies are made with laptop cameras, massive amounts of drugs are ingested, and two young lovers come to learn what it means to share themselves completely. The result is a suspenseful meditation on memory, love, and what it means to be alive, young, and on the fringe in America, or anywhere else for that matter.