The Talk Show Murders

The third book in the Morning Show Murders series by bestselling author and iconic news personality Al Roker, The Talk Show Murders finds Billy Blessing with a plate full of danger as secrets from his past threaten to make a comeback. Before Billy Blessing was a five-star celebrity chef from New York City, before he was ever on TV, he lived another life under another name: Billy Blanchard, wily con man of the Windy City. Billy did time for his crimes, reinventing himself when he got out and leaving that part of his life far behind—or so he thought. But when he and Eddie Patton, a nosy ex-cop, are both guests on a popular Chicago talk show, the off-camera banter turns to blackmail. But this is Chicago, and secrets have a way of getting out—and getting people killed. When Patton is found dead in his apartment hours after trying to shake Billy down, America’s beloved TV host finds himself scrambling to prove his innocence, before he becomes the next poster child for celebrity scandal. Throw in a bit of romance, and Billy may have found himself in one sticky situation not even he can talk his way out of. Fast-paced, funny, and bubbling with the inside scoop on a business they call show, The Talk Show Murders is Al Roker at his best.

After an ex-cop threatens to expose his past as a con man--and ends up dead--celebrity chef BIlly Blessing must find the true killer before the media and public run him out of Chicago on a rail. By the author of The Midnight Show Murders.

BONUS: This edition contains an excerpt from Al Roker and Dick Lochte's The Talk Show Murders. Professional chef turned amateur sleuth Billy Blessing finds himself in hot water when a brutal killing cancels a TV show—and its host—during its debut. Billy has reluctantly agreed to fly westward and play second banana on a new late-night talk show hosted by comic Desmond O’Day in Los Angeles, a city that brings up bad memories. Twenty years ago, Billy had accused obnoxious chef Roger Charbonnet of murder there. A tricked-up alibi freed Roger, who vowed vengeance—and Billy’s arrival in the City of Angels just may give Roger his chance. When a deadly explosion during a TV taping kills more than Desmond’s chance at high ratings, Billy is convinced that he was the intended target. With politics, infidelity, and high finance sprinkled in, the case turns out to have more ingredients than Billy could ever have imagined. And when a beautiful female TV producer convinces Billy to find the culprit himself—on camera—the table’s set for a conspiracy with too many cooks and far too many killers.

#1 NEW YORK TIMES BESTSELLER • LOOK FOR THE NETFLIX ORIGINAL DOCUMENTARY SERIES • “Both an American tragedy and [Grisham’s] strongest legal thriller yet, all the more gripping because it happens to be true.”—Entertainment Weekly John Grisham’s first work of nonfiction: a true crime masterpiece that tells the story of small town justice gone terribly awry. In the Major League draft of 1971, the first player chosen from the state of Oklahoma was Ron Williamson. When he signed with the Oakland A’s, he said goodbye to his hometown of Ada and left to pursue his dreams of big league glory. Six years later he was back, his dreams broken by a bad arm and bad habits. He began to show signs of mental illness. Unable to keep a job, he moved in with his mother and slept twenty hours a day on her sofa. In 1982, a twenty-one-year-old cocktail waitress in Ada named Debra Sue Carter was raped and murdered, and for five years the police could not solve the crime. For reasons that were never clear, they suspected Ron Williamson and his friend Dennis Fritz. The two were finally arrested in 1987 and charged with capital murder. With no physical evidence, the prosecution’s case was built on junk science and the testimony of jailhouse snitches and convicts. Dennis Fritz was found guilty and given a life sentence. Ron Williamson was sent to death row. If you believe that in America you are innocent until proven guilty, this book will shock you. If you believe in the death penalty, this book will disturb you. If you believe the criminal justice system is fair, this book will infuriate you. Don’t miss Framed, John Grisham’s first work of nonfiction since The Innocent Man, co-authored with Centurion Ministries founder Jim McCloskey.

When Elmo Finstetter is murdered on national television in the middle of the talk show on which he was appearing, it is merely the beginning of a series of bizarre crimes

2023 EDGAR AWARD NOMINEE, LILIAN JACKSON BRAUN AWARD "An absolute joy to read. Funny, entertaining, and beautifully written." —B. A. Paris, New York Times bestselling author A delightfully clever new mystery from creator of BBC One's hilarious murder mystery series Death in Paradise Meet Judith: a seventy-seven-year-old whiskey drinking, crossword puzzle author living her best life in a dilapidated mansion on the outskirts of Marlow. Nothing ever happens in Marlow. That is, until Judith hears her neighbor shot while skinny-dipping in the Thames. The local police don't believe her story. It's an open and shut case, of course. Ha! Stefan can't be left for dead like that. Judith investigates and picks up a crew of sidekicks: Suzie the dogwalker and Becks the vicar's wife. Together, they are the Marlow Murder Club. When another body turns up, they realize they have a real-life serial killer on their hands. And the puzzle they set out to solve has become a trap from which they might never escape... Robert Thorogood, has turned the Christie-mystery on its head with this ever-so-sly cozy perfect for readers who love Richard Osmond's Thursday Murder Club and An Elderly Lady is Up to No Good. "Lightweight but no-nonsense and genuinely brainy"—Kirkus Reviews "Damn right funny and heartwarming...great fun"—Crime Time "I love Robert Thorogood's writing."—Peter James, international bestselling author

In the bitter cold of 1985, two buddies embark on a hunting trip from suburban Detroit to rural Michigan, unaware they would soon become the hunted. Darker than Night tells the chilling true story of the mystery that haunted a community and baffled the police for two decades. The eerie silence surrounding their sudden disappearance is broken after nearly two decades when a relentless investigator inspires a terrified witness to break her silence. The witness narrates a haunting scene that had unfolded years back, pointing fingers at the prime suspects–the Duvall brothers. With no bodies unearthed, the justice system is riveted by the startling revelations during an electrifying trial in 2003. The brothers, Raymond and Donald Duvall, had bragged about the murders, evocatively explaining how they dismembered their victims and fed them to pigs. Despite the shocking confession, the case holds its ground purely on a single witness's account, taking the courtroom through a labyrinth of dark secrets and sinister acts. This gripping thriller presents a vivid tale of crime that reveals the devastating power of evil.

A seminal work and examination of the psychopathology of journalism. Using a strange and unprecedented lawsuit by a convicted murder againt the journalist who wrote a book about his crime, Malcolm delves into the always uneasy, sometimes tragic relationship that exists between journalist and subject. Featuring the real-life lawsuit of Jeffrey MacDonald, a convicted murderer, against Joe McGinniss, the author of Fatal Vision. In Malcolm's view, neither journalist nor subject can avoid the moral impasse that is built into the journalistic situation. When the text first appeared, as a two-part article in The New Yorker, its thesis seemed so radical and its irony so pitiless that journalists across the country reacted as if stung. Her book is a work of journalism as well as an essay on journalism: it at once exemplifies and dissects its subject. In her interviews with the leading and subsidiary characters in the MacDonald-McGinniss case -- the principals, their lawyers, the members of the jury, and the various persons who testified as expert witnesses at the trial -- Malcolm is always aware of herself as a player in a game that, as she points out, she cannot lose. The journalist-subject encounter has always troubled journalists, but never before has it been looked at so unflinchingly and so ruefully. Hovering over the narrative -- and always on the edge of the reader's consciousness -- is the MacDonald murder case itself, which imparts to the book an atmosphere of anxiety and uncanniness. The Journalist and the Murderer derives from and reflects many of the dominant intellectual concerns of our time, and it will have a particular appeal for those who cherish the odd, the off-center, and the unsolved.