The Supernormal Sleuthing Service 2 The Sphinxs Secret

The action-packed sequel to The Lost Legacy, which Booklist called “Monstrous fun!” Living in a hotel full of monsters isn’t always easy, especially when all the adults have fallen under an evil spell! Stephen and his friends have three days to undo a sorcerer’s magic before the spell becomes permanent and their parents are cursed forever. Hotel Transylvania meets Escape from Mr. Lemoncello’s Library. It’s only been a few weeks since Stephen started living in the New Harmonia—a hotel that caters to a supernormal clientele, including bigfeet, vampires, dragons, and talking gargoyles—and he still has a lot to learn. His latest discovery? The lions at the New York Public Library are actually sphinxes, guarding a secret underground collection of magical artifacts. But just as Stephen makes this discovery, a mysterious warlock named Edmund the Enchanter turns the sphinxes to stone and steals a powerful wand from the library’s collection. With the wand, Edmund could take control of the entire supernormal world. Stephen and his two best friends, Sofia and Ivan, have only three days to thwart Edmund’s evil intentions. The Sphinx’s Secret is an adventure-filled monstrous romp with a time-travel twist. This inventive and accessible mystery-adventure is full of friendship, humor, and a curious cast of characters perfect for fans of Pseudonymous Bosch and R. L. Stine’s Goosebumps series. Features black-and-white art by Glenn Thomas throughout.

The action-packed sequel to The Lost Legacy, which Booklist called “Monstrous fun!” Living in a hotel full of monsters isn’t always easy. Stephen is trying to adapt as quickly as he can, but there’s still a lot he doesn’t know. When a sorcerer casts a spell on the hotel and all its inhabitants, Stephen and his friends must find a way to undo the magic before their home is changed forever. This mystery-adventure with a time-travel twist is Hotel Transylvania meets Escape from Mr. Lemoncello’s Library. It’s only been a few weeks since Stephen started living at the New Harmonia—a hotel that caters to a supernormal clientele, including bigfeet, vampires, dragons, and talking gargoyles—and he still has a lot to learn. His latest discovery? The lions in front of the New York Public Library are actually sphinxes, guarding a secret treasure trove of magical objects. When a mysterious wizard steals a powerful wand from the collection and casts a spell on the entire supernormal world, Stephen and his friends must find a way to reverse the magic before it becomes permanent. This inventive and accessible mystery-adventure is full of friendship, humor, and a curious cast of characters perfect for fans of Pseudonymous Bosch and R.L. Stine’s Goosebumps series.

“Monstrous fun!”—Booklist Three kids. A hotel full of monsters. And a stolen magical artifact that could disrupt the balance between the humans and the supernatural. Welcome to life at Hotel Monster! Escape from Mr. Lemoncello’s Library meets Hotel Transylvania in the first book of this hilarious and spooky new series that blends mystery with monsters. Stephen’s dad has moved their two-person family across the country to New York City, where he is taking over as head chef in an exclusive hotel. A hotel that has the most elite of clientele: monsters (though they prefer to be called supernormals). Surprise! And an even bigger surprise? Stephen is part supernormal himself. When a magical family heirloom is stolen and Stephen is framed, he must work with two new friends to navigate this whole new world and clear his name. After all, consequences can be dire in the world of monsters. Spooky, funny, and full of monstrous hijinks, The Lost Legacy is an inventive and accessible mystery-adventure full of friendship and humor—perfect for fans of Pseudonymous Bosch and R. L. Stine’s Goosebumps series.

Could the story of mankind be far older than we have previously believed? Using tools as varied as archaeo-astronomy, geology, and computer analysis of ancient myths, Graham Hancock presents a compelling case to suggest that it is. Graham Hancock is featured in Ancient Apocalypse, a Netflix original docuseries. “A fancy piece of historical sleuthing . . . intriguing and entertaining and sturdy enough to give a long pause for thought.”—Kirkus Reviews In Fingerprints of the Gods, Hancock embarks on a worldwide quest to put together all the pieces of the vast and fascinating jigsaw of mankind’s hidden past. In ancient monuments as far apart as Egypt’s Great Sphinx, the strange Andean ruins of Tihuanaco, and Mexico’s awe-inspiring Temples of the Sun and Moon, he reveals not only the clear fingerprints of an as-yet-unidentified civilization of remote antiquity, but also startling evidence of its vast sophistication, technological advancement, and evolved scientific knowledge. A record-breaking number one bestseller in Britain, Fingerprints of the Gods contains the makings of an intellectual revolution, a dramatic and irreversible change in the way that we understand our past—and so our future. And Fingerprints of God tells us something more. As we recover the truth about prehistory, and discover the real meaning of ancient myths and monuments, it becomes apparent that a warning has been handed down to us, a warning of terrible cataclysm that afflicts the Earth in great cycles at irregular intervals of time—a cataclysm that may be about to recur. “Readers will hugely enjoy their quest in these pages of inspired storytelling.”—The Times (UK)

Goosebumps meets The Last Kids on Earth in the second action-packed adventure in a hilariously scary series about a secret society of monster-bashing babysitters. “This shining gem in the campy monster drama genre is a step up from R.L. Stine’s Goosebumps.” —School Library Journal Kelly’s been a celebrity ever since she defeated the Boogeyman and his army of nightmares on Halloween. But now all the other monsters want revenge. And if Kelly’s going to survive Babysitter Bootcamp, she’ll have to face the Spider Queen, whose wicked web turns her parents, BFF, and middle-school teachers into mindless minions. All in a night’s work!

Here, Elkins argues that alchemists and painters have similar relationships to the substances they work with. Both try to transform the substance, while seeking to transform their own experience.

Latin American Shakespeares is a collection of essays that treats the reception of Shakespeare in Latin American contexts. Arranged in three sections, the essays reflect on performance, translation, parody, and influence, finding both affinities to and differences from Anglo integrations of the plays. Bernice J. Kliman is Professor Emeritus at Nassau Community College. Rick J. Santos teaches at Nassau Community College.

First published in 2012, this catalogue presents fifty-six Etruscan, Greek, and Italic carved ambers from the Getty Museum's collection—the second largest body of this material in the United States and one of the most important in the world. The ambers date from about 650 to 300 BC. The catalogue offers full description of the pieces, including typology, style, chronology, condition, and iconography. Each piece is illustrated. The catalogue is preceded by a general introduction to ancient amber (which was also published in 2012 as a stand-alone print volume titled Amber and the Ancient World). Through exquisite visual examples and vivid classical texts, this book examines the myths and legends woven around amber—its employment in magic and medicine, its transport and carving, and its incorporation into jewelry, amulets, and other objects of prestige. This publication highlights a group of remarkable amber carvings at the J. Paul Getty Museum. This catalogue was first published in 2012 at museumcatalogues.getty.edu/amber/. The present online edition of this open-access publication was migrated in 2019 to www.getty.edu/publications/ambers/; it features zoomable, high-resolution photography; free PDF, EPUB, and Kindle/MOBI downloads of the book; and JPG downloads of the catalogue images.

The year 2008 marks the four hundredth anniversary of the first publication of King Lear, and for four centuries the play has remained a consummate bibliographical mystery. Winner of the 2007 Jay L. Halio prize for best manuscript in Shakespeare studies, Shakespeare in Shorthand demonstrates that many textual anomalies derive from the play's transcription in Elizabethan shorthand. The shorthand system of John Willis, Stenographie (1602), shows a high correlation with the unusual textual features found in the first quarto of Lear (1608). The patterns of variants in the quarto conform to Willis' rules regarding the reduction of diphthongs and digraphs and the omission of aspirated, doubled, or unsounded letters. In the past two decades the textual interrelation of quarto and folio (1623) Lear has proven one of the most contested issues in Shakespearean studies, and an examination of Stenographie reveals that some of these textual differences result not from authorial revision, but from transmission in abbreviated writing. Bibliographical evidence also indicates that some textual omissions from the folio version are neither authorial nor theatrical, but derive from the printing house.