The Sublime

In The Sublime in Modern Philosophy: Aesthetics, Ethics, and Nature, Emily Brady takes a fresh look at the sublime and shows why it endures as a meaningful concept in contemporary philosophy. In a reassessment of historical approaches, the first part of the book identifies the scope and value of the sublime in eighteenth-century philosophy (with a focus on Kant), nineteenth-century philosophy and Romanticism, and early wilderness aesthetics. The second part examines the sublime's contemporary significance through its relationship to the arts; its position with respect to other aesthetic categories involving mixed or negative emotions, such as tragedy; and its place in environmental aesthetics and ethics. Far from being an outmoded concept, Brady argues that the sublime is a distinctive aesthetic category which reveals an important, if sometimes challenging, aesthetic-moral relationship with the natural world.

This volume offers readers a unique and comprehensive overview of different theoretical and interdisciplinary perspectives on 'the sublime'.

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"Gripping and breathless, Into the Sublime is equal parts terrifying, claustrophobic, psychological, and cunning." —Wendy Heard, author of She's Too Pretty to Burn and Dead End Girls A new YA psychological thriller from Kate A. Boorman, author of What We Buried, about four teenage girls who descend into a dangerous underground cave system in search of a lake of local legend, said to reveal your deepest fears. When the cops arrive, only a few things are clear: - Four girls entered a dangerous cave. - Three of them came out alive. - Two of them were rushed to the hospital. - And one is soaked in blood and ready to talk. Amelie Desmarais' story begins believably enough: Four girls from a now-defunct thrill-seeking group planned an epic adventure to find a lake that Colorado locals call "The Sublime." Legend has it that the lake has the power to change things for those who risk—and survive—its cavernous depths. They each had their reasons for going. For Amelie, it was a promise kept to her beloved cousin, who recently suffered a tragic accident during one of the group’s dares. But as her account unwinds, and the girls’ personalities and motives are drawn, things get complicated. Amelie is hardly the thrill-seeking type, and it appears she’s not the only one with the ability to deceive. Worse yet, Amelie is covered in someone's blood, but whose exactly? And where's the fourth girl? Is Amelie spinning a tale to cover her guilt? Or was something inexplicable waiting for the girls down there? Amelie's the only one with answers, and she's insisting on an explanation that is more horror-fantasy than reality. Maybe the truth lies somewhere in between? After all, strange things inhabit dark places. And sometimes we bring the dark with us.

Often labelled as ‘indescribable’, the sublime is a term that has been debated for centuries amongst writers, artists, philosophers and theorists. Usually related to ideas of the great, the awe-inspiring and the overpowering, the sublime has become a complex yet crucial concept in many disciplines. Offering historical overviews and explanations, Philip Shaw looks at: the legacy of the earliest, classical theories of the sublime through the romantic to the postmodern and avant-garde sublimity the major theorists of the sublime such as Kant, Burke, Lyotard, Derrida, Lacan and Zizek, offering critical introductions to each the significance of the concept through a range of literary readings including the Old and New testaments, Homer, Milton and writing from the romantic era how the concept of the sublime has affected other art forms such as painting and film, from abstract expressionism to David Lynch’s neo-noir. This remarkably clear study of what is, in essence, a term which evades definition, is essential reading for students of literature, critical and cultural theory.

American Technological Sublime continues the exploration of the social construction of technology that David Nye began in his award-winning book Electrifying America. Here Nye examines the continuing appeal of the "technological sublime" (a term coined by Perry Miller) as a key to the nation's history, using as examples the natural sites, architectural forms, and technological achievements that ordinary people have valued intensely. Technology has long played a central role in the formation of Americans' sense of selfhood. From the first canal systems through the moon landing, Americans have, for better or worse, derived unity from the common feeling of awe inspired by large-scale applications of technological prowess. American Technological Sublime continues the exploration of the social construction of technology that David Nye began in his award-winning book Electrifying America. Here Nye examines the continuing appeal of the "technological sublime" (a term coined by Perry Miller) as a key to the nation's history, using as examples the natural sites, architectural forms, and technological achievements that ordinary people have valued intensely. American Technological Sublime is a study of the politics of perception in industrial society. Arranged chronologically, it suggests that the sublime itself has a history - that sublime experiences are emotional configurations that emerge from new social and technological conditions, and that each new configuration to some extent undermines and displaces the older versions. After giving a short history of the sublime as an aesthetic category, Nye describes the reemergence and democratization of the concept in the early nineteenth century as an expression of the American sense of specialness. What has filled the American public with wonder, awe, even terror? David Nye selects the Grand Canyon, Niagara Falls, the eruption of Mt. St. Helens, the Erie Canal, the first transcontinental railroad, Eads Bridge, Brooklyn Bridge, the major international expositions, the Hudson-Fulton Celebration of 1909, the Empire State Building, and Boulder Dam. He then looks at the atom bomb tests and the Apollo mission as examples of the increasing ambivalence of the technological sublime in the postwar world. The festivities surrounding the rededication of the Statue of Liberty in 1986 become a touchstone reflecting the transformation of the American experience of the sublime over two centuries. Nye concludes with a vision of the modern-day "consumer sublime" as manifested in the fantasy world of Las Vegas.

This volume presents a close reading of Kant's "Critique of Judgment" looking specifically at the complex paragraphs 23-29: "The Analytic of the Sublime."

Philosophic attention shifted after Hegel from Kant’s emphasis on sensibility to criticism and analyses of the fine arts. The arts themselves seemed as ample as nature; a disciplined science could devote as much energy to one as the other. But then the arts began to splinter because of new technologies: photography displaced figurative painting; hearing recorded music reduced the interest in learning to play it. The firm interiority that Hegel assumed was undermined by the speed, mechanization, and distractions of modern life. We inherit two problems: restore quality and conviction in the arts; cultivate the interiority—the sensibility—that is a condition for judgment in every domain. What is sensibility’s role in experiences of every sort, but especially those provoked when art is made and enjoyed?

The first in-depth treatment of the major theories of the sublime from Longinus to Kant.