The Strathmore Quality Price & Agent List
Author | : Strathmore Paper Company |
Publisher | : |
Total Pages | : 140 |
Release | : 1915 |
Genre | : Paper |
ISBN | : |
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Author | : Strathmore Paper Company |
Publisher | : |
Total Pages | : 140 |
Release | : 1915 |
Genre | : Paper |
ISBN | : |
Author | : Strathmore Paper Company |
Publisher | : |
Total Pages | : 42 |
Release | : 194? |
Genre | : Paper industry |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 22 |
Release | : 1955* |
Genre | : Paper industry |
ISBN | : |
Author | : Quinn McDonald |
Publisher | : Penguin |
Total Pages | : 128 |
Release | : 2011-06-24 |
Genre | : Art |
ISBN | : 1440319014 |
Meaning in life is made, not found. In a raw-art journal, you don't need to know how to draw; you don't need to know how to write well. You don't need worry about messing up techniques you've never attempted before inside your raw-art journal. You just need to be you because raw art is you and it thrives on creative play, on experimentation and even on making mistakes. Raw Art Journaling will teach you how to embrace your art, confront negative self-talk (a.k.a., your gremlin) and make meaning with your words and with your art. Inside Raw Art Journaling you'll discover how to: • Write meaningful thoughts with a single sentence • Create thought-provoking poems through found poetry • Uncover images hidden in your photos • Make personal meaning with the simplest of lines • Finally feel free to make mistakes • Use clever techniques to keep your secrets secret Quiet your gremlin, grab your permission slip (it's on page 19) and start making meaning in your own raw-art journal today!
Author | : Charlie O'Shields |
Publisher | : Doodlewash Books |
Total Pages | : 281 |
Release | : 2018-11-22 |
Genre | : Biography & Autobiography |
ISBN | : 0960021922 |
Charlie O'Shields is the creator of Doodlewash®, founder of World Watercolor Month in July, and host of the Sketching Stuff podcast. Every single day, for over three years, he created a watercolor illustration and wrote a short essay about whatever came to mind that day and posted it on his blog. These are some of the collected favorites along with some brand new musings. With over 180 illustrations, this book is part personal memoir and sometimes just a randomly fun romp through the sillier bits of this crazy world we all inhabit. Written to take on the impossible task of inspiring creativity, unleashing your inner child, and instilling hope, it will, at the very least, make you smile and touch your heart.
Author | : Mittineague Paper Company |
Publisher | : |
Total Pages | : 366 |
Release | : 1906 |
Genre | : Paper |
ISBN | : |
Author | : Albert Shaw |
Publisher | : |
Total Pages | : 1126 |
Release | : 1907 |
Genre | : |
ISBN | : |
Author | : Mittineague Paper Company (Mittineague, Mass.) |
Publisher | : |
Total Pages | : 46 |
Release | : 1906 |
Genre | : Paper |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 462 |
Release | : 1908 |
Genre | : Architecture |
ISBN | : |
Author | : CATHERINE V. HOLMES |
Publisher | : |
Total Pages | : 240 |
Release | : 2020-10-29 |
Genre | : |
ISBN | : 9781732888821 |
"How to Draw Cool Stuff: Basics, Shading, Texture, Pattern and Optical Illusions" is the second book in the How to Draw Cool Stuff series. Inside you will find simple illustrations that cover the necessities of drawing cool stuff. Specific exercises are provided that offer step-by-step guidelines for drawing a variety of subjects. Each lesson starts with an easy-to-draw shape that will become the basic structure of the drawing. From there, each step adds elements to that structure, allowing the artist to build on their creation and make a more detailed image. Starting with the basic forms, the artist is provided a guide to help see objects in terms of simplified shapes. Instructions for shading to add depth, contrast, character and movement to a drawing are then covered. The varieties of texture and pattern that can be included in an artwork offer another layer of interest and depth to a design. These elements are necessary to indicate the way something looks like it feels in a work (texture) or creating the repetition of shapes, lines or colors (patterns). Illustrated optical illusions involve images that are sensed and perceived to be different from what they really are, showing examples of how the mind and the eyes can play tricks on each other. All you need is a piece of paper, a pencil and an eraser and you are ready to draw cool stuff. Once the drawing is complete, it can be colored, shaded or designed in any way you like to make it original. Following these exercises is a great way to practice your craft and begin seeing things in terms of simple shapes within a complex object.