The Story Of Chartres

The author is the world's foremost authority on Chartres, and is in residence there most of the year. He shows us the history of the cathedral and teaches us how to "read" the world-famous stained glass and sculpture, explaining the references to Scripture and the teachings of the Church. Chartres alone, of all the great medieval churches, has survived into the 20th century almost intact, not only architecturally but with its vast inconographic program in 12th-and 13th-century stained glass and sculpture. Medieval art was intended not just to embellish the church but to instruct the people, for there was no printing. Scholars could therefore teach their students, the clergy preach sermons and parents read the lives of the saints to their children using the 'texts' in stained glass and sculpture. The sister churches of Chartres have been sadly vandalized to varying degrees by Reform, revolution, war or natural disaster. Here in Chartres the 'text' is virtually complete. A concise glossary of symbolic images has been included as well as a complete plan of all the windows in the cathedral, and an index.

Details one of the greatest Gothic buildings in the world, the Cathedral of Notre Dame at Chartres, France, exploring its history, its structure, and its glass artistry.

Built around 1200 and now a UNESCO World Heritage Site that draws more than a million visitors and pilgrims each year, Chartres Cathedral is one of the jewels of Western Civilization. How Chartres Cathedral and its priceless stained glass (today the largest such collection in one location) survived World War II’s widespread destruction of cultural monuments is one of the great stories of recent history. Saving the Light at Chartres begins half a decade before World War II, when a young French architect developed a plan to save the cathedral’s precious stained glass. As war engulfed Europe in the fall of 1939, master glass artisans dismantled the hundreds of windows, and soldiers, tradesmen, and laborers with local volunteers crated thousands of glass panels, stowed them in the crypt, and months later—just before German invaders reached Chartres—hauled them across the country to an underground quarry. This effort to save the stained glass is but a prologue. By August 1944, the U.S. Army had broken out of Normandy and was racing across France toward Paris and the Seine. Chartres became a key battleground. Allied bombing blew out the cathedral’s temporary window coverings, and when the Americans—assisted by French Resistance fighters—entered the city in the face of unexpectedly heavy defiance and snipers in the cathedral, many soldiers believed German artillery spotters were occupying the cathedral’s spires. When Colonel Welborn Griffith Jr.—a senior operations officer of Twentieth Corps in Patton’s Third Army—arrived, some were pressing to countermand the army’s standing order to avoid the cathedral and threatened to destroy it to neutralize the German spotters. Griffith was skeptical. He inspected the cathedral himself, climbed its towers, but found no Germans, so he rang the bell, waved an American flag, and ordered that the cathedral be spared, saving it from destruction. Griffith would be killed later that day. Victor Pollak tells both stories—the rescue of the windows and Colonel Griffith’s fateful role—in a compelling narrative. Saving the Light at Chartres honors the government and local teams who saved the windows, the Resistance that performed a vital role in the liberation of Chartres, Welborn Griffith, and the enduring treasure that is Chartres Cathedral.

Reproduction of the original: The Story of Chartres by Cecil Headlam

This book explores the nature of creativity in engineering and technology, and how it relates to creativity in art or science. Lienhard has for ten years done a twice-weekly radio show, carried on about 35 NPR stations, consisting of 3-minute essays on technology. He uses the substance of selected segments of his radio program to create a continuous narrative presenting his insights on technological creativity. This book has the same title as his radio program, to further draw the attention of his one million listeners.

After the death of her longtime friend and flatmate, retired British history teacher Julia Garnet does something completely out of character: She takes a six-month rental on a modest apartment in Venice. She befriends a young Italian boy and English twins who are restoring a fourteenth-century chapel. And she falls in love for the first time in her life with an art dealer named Carlo. Juxtaposing Julia's journey of self-discovery with the apocryphal tale of Tobias and the Archangel Raphael, Miss Garnet's Angel tells a lyrical, incandescent story of love, loss, miracles, and redemption and of one woman's transformation and epiphany.