The Sleeping And The Dead

The Sleeping and The Dead is a tense psychological thriller from Ann Cleeves, author and creator of three astounding TV series: Shetland, Vera and The Long Call. Detective Peter Porteous is called to Cranwell Lake where the body of a teenager has been discovered. After trawling through the missing persons files, he comes to the conclusion that the corpse is Michael Grey, an enigmatic and secretive young man who was reported missing by his foster parents in 1972. The news report that a body has been found leaves prison officer Hannah Morton in shock. Michael had been her boyfriend, and she had been with him the night he disappeared. And now the discovery is bringing back dreaded and long buried memories from her past . . .

Introduces Memphis crime scene photographer Jackie Lyons, whose post-divorce efforts to rebuild her life are complicated by her ability to see ghosts who offer insight into a local serial killer case.

While chasing a giant bat through the forest, Hellboy meets an old man with insider knowledge of the coming vampire apocalypse in the eerie miniseries _Hellboy: The Sleeping and the Dead_. For the first time, Mike Mignola teams up with artist Scott Hampton (_Batman_, _The Books of Magic_) for this gothic tale! First collaboration between Mike Mignola and Scott Hampton. Classic vampire horror!

"Sleep is one of the most important but least understood aspects of our life, wellness, and longevity ... An explosion of scientific discoveries in the last twenty years has shed new light on this fundamental aspect of our lives. Now ... neuroscientist and sleep expert Matthew Walker gives us a new understanding of the vital importance of sleep and dreaming"--Amazon.com.

In this “astonishing and haunting debut” (Publishers Weekly), a young woman searching for her lost brother is willing to risk everything amidst the riots, protests, and uprisings of post-Franco Spain. Spain, 1977. Military rule is over. Bootleg punk music oozes out of illegal basement bars, uprisings spread across towns, fascists fight anarchists for political control, and students perform protest art in the city center, rioting against the old government, the undecided new order, against the universities, against themselves… Mosca is an intelligent, disillusioned university student, whose younger brother is among the “disappeared,” taken by the police two years ago, now presumed dead. Spurred by the turmoil around them, Mosca and her friends commit an act that carries their rebellion too far and sends them spiraling out of their provincial hometown. But the further they go, the more Mosca believes her brother is alive and the more she is willing to do to find him. The Sleeping World is a “searing, beautifully written” (Cristina Garcia, author of Dreaming in Cuban) and daring novel about youth, freedom, and our most visceral need: to keep our loved ones safe.

By the Lake of Sleeping Children explores the post-NAFTA and Proposition 187 border purgatory of garbage pickers and dump dwellers, gawking tourists, and relief workers, fearsome coyotes, and their desperate clientele. In 16 indelible portraits, Urrea illuminates the horrors and the simple joys of people trapped between the two worlds of Mexico and the United States—and ignored by both. The result is a startling and memorable work of first-person reportage.

Traditional thinking on metaphors has divided them into two camps: dead and alive. Conventional expressions from everyday language are classified as dead, while much rarer novel or poetic metaphors are alive. In the 1980s, new theories on the cognitive processes involved with the use of metaphor challenged these assumptions, but with little empirical support. Drawing on the latest research in linguistics, semiotics, philosophy, and psychology, Cornelia Müller here unveils a new approach that refutes the rigid dead/alive dichotomy, offering in its place a more dynamic model: sleeping and waking. To build this model, Müller presents an overview of notions of metaphor from the classical period to the present; studies in detail how metaphors function in speech, text, gesture, and images; and examines the way mixed metaphors sometimes make sense and sometimes do not. This analysis leads her to conclude that metaphors may oscillate between various degrees of sleeping and waking as their status changes depending on context and intention. Bridging the gap between conceptual metaphor theory and more traditional linguistic theories, this book is a major advance for the field and will be vital to novices and initiates alike.

Hellboy is trapped in a dark basement littered with bones and small coffins, and the only way out is through the floating creature of death! For the first time, Mike Mignola teams up with artist Scott Hampton (_Batman_, _The Sandman Presents: Lucifer_) for this gothic tale. Classic vampire horror! The exciting conclusion!

"This book-length essay on the cultural politics of sleep... takes as its starting point Tawfiq al-Hakim's 1933 play, "The People of the Cave." -- page 4 of cover.

A murder-suicide leaves a young boy in a coma. Just another story on the six o’clock news. Just another casualty of an unhappy marriage. The cops have seen it all before. Just not in this neighbourhood . . . Dr. Leah Mallick had a life others could only covet. Beautiful, effortlessly intelligent, irresistibly charming, she stood at the centre of the nation’s influence and power. So when Mallick and her husband are found dead with their cold fingers entwined and their hopelessly damaged son clinging to life, they leave behind a string of baffling questions – including who was victim and who was murderer. Lieutenant Anne Shannon, harbouring her own secret knowledge of heartbreak, begins the investigation by asking what would drive a loving person to murder a spouse and a child. In the midst of the media storm surrounding the case, Shannon forms a reluctant partnership with Susan Shaw, a well-connected bureaucrat who knows more about Leah Mallick than she can afford to admit. As they piece together the shards of the Mallicks’ broken life, the two women come to understand that their everyday world is ruled by the shadowy forces of big business, the medical industry, politics, and tabloid journalism. And they find themselves both pawns and players in a surprising endgame with life-or-death consequences.