The Slave Poet From Boston Collected Writings On Phillis Wheatley

Phillis Wheatley (c. 1753–1784) was an American freed slave and poet who wrote the first book of poetry by an African-American. Sold into slavery in West Africa at the age of around seven, she was taken to North America, where she served the Wheatley family of Boston. Phillis was tutored in reading and writing by Mary, the Wheatleys' 18-year-old daughter, and was reading Latin and Greek classics from the age of twelve. Encouraged by the progressive Wheatleys who recognised her incredible literary talent, she wrote "To the University of Cambridge" when she was 14. By 20 had found patronage in Selina Hastings, countess of Huntingdon. Her works garnered acclaim in both England and the colonies, and she became the first African American to make a living as a poet. This volume contains a fantastic collection of assorted writings by various authors on the subject of Wheatley, exploring her interesting life and influential work. Contents include: "Introduction from Memoir and Poems of Phillis Wheatley, 1834", "Letter from George Washington to Phillis", "An Address to Miss Phillis Wheatley by Jupiter Hammon", "A Memoir from Memoir and Poems of Phillis Wheatley, 1834", "Phillis Wheatley by William Wells Brown", "Phillis Wheatley by L. Maria Child", "Phillis Wheatley by A. Mott And M. S. Wood", "An Excerpt by George Washington Williams", "Phillis Wheatley by Benjamin Griffith Brawley", "Jupiter Hammon and Phillis Wheatley by Robert Thomas Kerlin", etc. Brilliant Women are proudly publishing this brand new collection of classic essays and excerpts for a new generation of readers.

The extraordinary writings of Phillis Wheatley, a slave girl turned published poet In 1761, a young girl arrived in Boston on a slave ship, sold to the Wheatley family, and given the name Phillis Wheatley. Struck by Phillis' extraordinary precociousness, the Wheatleys provided her with an education that was unusual for a woman of the time and astonishing for a slave. After studying English and classical literature, geography, the Bible, and Latin, Phillis published her first poem in 1767 at the age of 14, winning much public attention and considerable fame. When Boston publishers who doubted its authenticity rejected an initial collection of her poetry, Wheatley sailed to London in 1773 and found a publisher there for Poems on Various Subjects, Religious and Moral. This volume collects both Wheatley's letters and her poetry: hymns, elegies, translations, philosophical poems, tales, and epyllions--including a poignant plea to the Earl of Dartmouth urging freedom for America and comparing the country's condition to her own. With her contemplative elegies and her use of the poetic imagination to escape an unsatisfactory world, Wheatley anticipated the Romantic Movement of the following century. The appendices to this edition include poems of Wheatley's contemporary African-American poets: Lucy Terry, Jupiter Harmon, and Francis Williams. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Carretta offers the first full-length biography of Phillis Wheatley (1753?-1784), who became the first English-speaking person of African descent to publish a book and only the second woman--of any race or background--to do so in America.

At the age of 19, Phillis Wheatley was the first black American poet to publish a book. Her elegies and odes offer fascinating glimpses of the beginnings of African-American literary traditions. Includes a selection from the Common Core State Standards Initiative.

Contains the complete works of the first African-American to publish a book of poetry.

For nearly thirty-five years Julian Mason's The Poems of Phillis Wheatley (1966) has been the standard edition of the poems and letters of this young black poet of eighteenth-century Boston. This new edition has been extensively revised in light of Wheatley scholarship since its publication. It has been expanded to include all of the fifty-six poems and twenty-two letters now known to be by Wheatley, the significant variants of the poems, and the four Proposals for publication of her works, all of them annotated. This edition contains the recently discovered poem "Ocean," new information about Wheatley's library (including a southern connection), a more accurate reading of a letter central to understanding the response to her 1772 Proposals, new variants of two poems, and a new reading of her George Washington poem. By going back to the original manuscripts (and to first printings when the manuscripts are not extant), Mason has provided the fullest and most accurate edition of Wheatley's poems and letters yet produced. The new index and bibliography assure the volume's usefulness for the scholar, the student, and the general reader.

Rev. ed. of: Memoir and poems of Phillis Wheatley, a native African and a slave.

Until fairly recently, critical studies and anthologies of African American literature generally began with the 1830s and 1840s. Yet there was an active and lively transatlantic black literary tradition as early as the 1760s. Genius in Bondage situates this literature in its own historical terms, rather than treating it as a sort of prologue to later African American writings. The contributors address the shifting meanings of race and gender during this period, explore how black identity was cultivated within a capitalist economy, discuss the impact of Christian religion and the Enlightenment on definitions of freedom and liberty, and identify ways in which black literature both engaged with and rebelled against Anglo-American culture.