The Sky Is Gray

A poor African American boy and his mother experience both discrimination and kindness during a trip to town to see the dentist.

A poor African American boy and his mother experience both discrimination and kindness during a trip to town to see the dentist.

An ecologist reflects on the natural wonders of the Pacific Northwest as he describes the lives of plants, animals, and humans through every season of the year during his thirty years in the village of Gray's River, near the mouth of the Columbia River--long out of print, this classic of nature writing is being given a new life in trade paperback with a new afterword by the author. Sky Time in Gray's River is an elegant meditation on life in the rural Northwest. Although Robert Michael Pyle is a lepidopterist, and southwestern Washington is notable for its lack of butterflies, something about the Gray's River Valley spoke to him when he visited more than forty years ago. Since then he has lived near the village of Gray's River, one of the first to be established near the mouth of the Columbia River and only tenuously connected to the world of the twenty-first century. Pyle brings Gray's River to life by compressing those forty years into twelve chapters, following the lives of the people, plants, and animals that make this valley their home, month by month through the seasons. Through his loving portrait of one riverside village, Pyle illustrates how a special place can transform anyone lucky enough to find it. He shows that you don't have to travel far to see something new every day--if you know how to look.

“A satire of writerly ambition wrapped in a psychological thriller . . . An homage to Patricia Highsmith, Oscar Wilde and Edgar Allan Poe, but its execution is entirely Boyne’s own.”—Ron Charles, The Washington Post NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST AND MINNEAPOLIS STAR TRIBUNE Maurice Swift is handsome, charming, and hungry for fame. The one thing he doesn’t have is talent—but he’s not about to let a detail like that stand in his way. After all, a would-be writer can find stories anywhere. They don’t need to be his own. Working as a waiter in a West Berlin hotel in 1988, Maurice engineers the perfect opportunity: a chance encounter with celebrated novelist Erich Ackermann. He quickly ingratiates himself with the powerful – but desperately lonely – older man, teasing out of Erich a terrible, long-held secret about his activities during the war. Perfect material for Maurice’s first novel. Once Maurice has had a taste of literary fame, he knows he can stop at nothing in pursuit of that high. Moving from the Amalfi Coast, where he matches wits with Gore Vidal, to Manhattan and London, Maurice hones his talent for deceit and manipulation, preying on the talented and vulnerable in his cold-blooded climb to the top. But the higher he climbs, the further he has to fall. . . . Sweeping across the late twentieth century, A Ladder to the Sky is a fascinating portrait of a relentlessly immoral man, a tour de force of storytelling, and the next great novel from an acclaimed literary virtuoso. Praise for A Ladder to the Sky “Boyne's mastery of perspective, last seen in The Heart's Invisible Furies, works beautifully here. . . . Boyne understands that it's far more interesting and satisfying for a reader to see that narcissist in action than to be told a catchall phrase. Each step Maurice Swift takes skyward reveals a new layer of calumny he's willing to engage in, and the desperation behind it . . . so dark it seems almost impossible to enjoy reading A Ladder to the Sky as much as you definitely will enjoy reading it.”—NPR “Delicious . . . spins out over several decades with thrilling unpredictability, following Maurice as he masters the art of co-opting the stories of others in increasingly dubious ways. And while the book reads as a thriller with a body count that would make Highsmith proud, it is also an exploration of morality and art: Where is the line between inspiration and thievery? To whom does a story belong?”—Vanity Fair

Simon Gray is the ideal teenager — smart, reliable, hardworking, trustworthy. Or is he? After Simon crashes his car into The Liberty Tree, another portrait starts to emerge. Soon an investigation has begun into computer hacking at Simon’s high school, for it seems tests are being printed out before they are given. Could Simon be involved? Simon, meanwhile, is in a coma — but is this another appearance that may be deceiving? For inside his own head, Simon can walk around and talk to some people. He even seems to be having a curious conversation with a man who was hung for murder 200 years ago, in the branches of the same tree Simon crashed into. What can a 200-year-old murder have to do with Simon’s accident? And how do we know who is really innocent and who is really guilty?

Ernest J. Gaines, the author of many acclaimed works of fiction, including The Autobiography of Miss Jane Pittman and A Gathering of Old Men, was born in 1933 in the small south Louisiana town of Oscar. In his childhood the center of his world was the old slave quarters on the River Lake Plantation, where five generations of his family lived. All of Gaines’s books have been set in this general area of Louisiana, and though none of his work is strictly autobiographical, his writing bears the distinctive stamp of the rural folk culture amid which he was raised. Marcia Gaudet and Carl Wooton’s Porch Talk with Ernest Gaines is a collection of interviews conducted on the porch of Gaines’s home in Lafayette, Louisiana, where he is writer-in-residence at the University of Southwestern Louisiana. Gaines talks about a variety of topics, including the influence of other writers—among them Faulkner, Hemingway, and Mark Twain—on his style and the importance of oral tradition and folk culture to his writing. He discusses the major themes of his work, such as survival with dignity and the search for manhood, and he describes the relationships among the black, Creole, and Cajun communities of south Louisiana and how they have been portrayed in his fiction. Gaines also comments on the craft of writing, his role as a teacher, the film versions of some of his books, his relationships with his agent and editors, and his work in progress. This is the first book-length work on Gaines to be published. It will be of importance to scholars and students of American literature, particularly southern and Afro-American literature, because it gives the reader valuable insights into Gaines’s life and writing. The format and conversational tone of the book will also appeal to the audience drawn to Gaines’s fiction.

NOW A NETFLIX FILM STARRING RYAN GOSLING, CHRIS EVANS, AND ANA DE ARMAS The first Gray Man novel from #1 New York Times bestselling author Mark Greaney. To those who lurk in the shadows, he’s known as the Gray Man. He is a legend in the covert realm, moving silently from job to job, accomplishing the impossible and then fading away. And he always hits his target. Always. But there are forces more lethal than Gentry in the world. Forces like money. And power. And there are men who hold these as the only currency worth fighting for. In their eyes, Gentry has just outlived his usefulness. But Court Gentry is going to prove that, for him, there’s no gray area between killing for a living and killing to stay alive....

Richard Serrano, Pulitzer Prize-winning journalist for the Los Angeles Times, pens a story of two veterans. In the late 1950s, as America prepared for the Civil War centennial, two very old men lay dying. Albert Woolson, 109 years old, slipped in and out of a coma at a Duluth, Minnesota, hospital, his memories as a Yankee drummer boy slowly dimming. Walter Williams, at 117 blind and deaf and bedridden in his daughter's home in Houston, Texas, no longer could tell of his time as a Confederate forage master. The last of the Blue and the Gray were drifting away; an era was ending. Unknown to the public, centennial officials, and the White House too, one of these men was indeed a veteran of that horrible conflict and one according to the best evidence nothing but a fraud. One was a soldier. The other had been living a great, big lie.

This powerful, sweeping novel continues the saga of Dshurukawaa, the Tuvan shepherd boy introduced in The Blue Sky. Torn between the onset of visions and pressure from his family to attend a state boarding school, the adolescent attempts to mediate the pull of spirituality and pragmatism, old ways and new. Taken from his ancestral home, he reunites with his siblings at a boarding school, where his brother also serves as principal. Soon he comes to understand that the main purpose of the school is to strip the Tuvans of their language and traditions, and to make them conform to party ideals. When tragedy strikes, Dshurukawaa begins to sense the larger import of his visions, and with it a possible escape. Tschinag's lyrical language, his striking characterizations, and his evocation of a singular way of life make The Gray Earth an unforgettable read and a worthy follow-up to The Blue Sky.

Jandy Nelson's beloved, critically adored debut is now an Apple TV+ and A24 original film starring Jason Segel, Cherry Jones, Grace Kaufman, and Jacques Colimon. “Both a profound meditation on loss and grieving and an exhilarating and very sexy romance." —NPR Adrift after her sister Bailey’s sudden death, Lennie finds herself torn between quiet, seductive Toby—Bailey’s boyfriend who shares Lennie's grief—and Joe, the new boy in town who bursts with life and musical genius. Each offers Lennie something she desperately needs. One boy helps her remember. The other lets her forget. And she knows if the two of them collide, her whole world will explode. As much a laugh-out-loud celebration of love as a nuanced and poignant portrait of loss, Lennie's struggle to sort her own melody out of the noise around her makes for an always honest, often uproarious, and absolutely unforgettable read.