The Sixties Center Stage

The Sixties, Center Stage offers rich insights into the innovative and provocative political underpinnings of mainstream and popular performances in the 1960s. While much critical attention has been focused on experimental and radical theater of the period, the essays confirm that mainstream performances not only merit more scholarly attention than they have received, but through serious examination provide an important key to understanding the 1960s as a period. The introduction provides a broad overview of the social, political, and cultural contexts of artistic practices in mainstream theater from the mid-fifties to mid-seventies. Readers will find detailed examinations of the mainstream’s surprising attention to craft and innovation; to the rich exchange between European and American theatres; to the rise of regional theaters; and finally, to popular cultural performances that pushed the conceptual boundaries of mainstream institutions. The book looks afresh at productions of Hair, Cabaret, Raisin in the Sun, and Fiddler on the Roof, as well as German theater, and performances outside the Democratic National Convention of 1968.

The Decades of Modern American Drama series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wide-ranging and thorough survey of theatres, companies, dramatists, new movements and developments in response to the economic and political conditions of the day. The work of the four most prominent playwrights from the decade receives in-depth analysis and re-evaluation by a team of experts, together with commentary on their subsequent work and legacy. A final section brings together original documents such as interviews with the playwrights and with directors, drafts of play scenes, and other previously unpublished material. The major playwrights and their plays to receive in-depth coverage in this volume include: * Edward Albee: The American Dream (1960), Who's Afraid of Virginia Woolf? (1962), A Delicate Balance (1966) and Tiny Alice (1964 ); * Amiri Baraka: Dutchman (1964), The Slave (1964) and Slaveship (1967); * Adrienne Kennedy: Funnyhouse of a Negro (1964), Cities in Bezique (The Owl Answers and A Beast's Story, 1969), and A Rat's Mass (1967); * Jean-Claude van Itallie: American Hurrah (1966), The Serpent (1968) and War (1963).

Even at the start of the new millennium the American Sixties continue to fascinate many scholars as one of the pivotal decades of the 20th Century. During those years the United States seemed to be strifing for new frontiers at home and abroad, driven by a generation of eager and idealistic young Americans: Civil Rights, Women's Liberation, Pop-Art, Flower Power, Postmodernism, Woodstock, the landing on the moon. Everything seemed possible. But the decade that had begun with the hopeful words of President John F. Kennedy and Martin Luther King, Jr. ended with the bloody nightmare of the Vietnam War, summers of violence in Northern black ghettos, and a rising tide of conservatism. To explore some of these contradictions, this collection of essays takes a fresh look at American's most turbulent years from a multidisciplinary perspective. Dealing with the Arts and Media, Literature and Society as well as History and Politics, the contributions offer a broad approach to a contemporary understanding of the Sixties and their legacy.

A stunning visual chronicle of New York's iconic performance venue

Explores the turbulent decade of the 1960s with hundreds of compelling photographs that capture the drama and emotions of the era, both domestic and abroad.

Each essay in this volume sheds light on an important aspect of the decade--actually a decade and half--known as the Sixties. The Sixties are famous for the diverse social movements that threatened the essence of American public policy and mainstream society and changed those very entities in fundamental ways. These essays juxtapose the dramatic narratives of social movements, including civil rights, women's liberation, and antiwar protest, and the Cold War liberalism that spawned them. The contributors are two political scientists, several historians influenced by the social sciences, and the senior staff attorney for the NOW Legal Defense and Education Fund. Contributors are Brian Balogh, Hugh Hečlo, Martha Derthick, Daryl Michael Scott, W. J. Rorabaugh, Martha F. Davis, and Louis Galambos.

Salsa Rising provides the first full-length historical account of Latin Music in this city guided by close critical attention to issues of tradition and experimentation, authenticity and dilution, and the often clashing roles of cultural communities and the commercial recording industry in the shaping of musical practices and tastes. Author Juan Flores brings a wide range of people in the New York Latin music field into his work, including musicians, producers, arrangers, collectors, journalists, and lay and academic scholars, enriching Salsa Rising with a unique level of engagement with and interest in Latin American communities and musicians themselves.

A dynamic exploration of eight radical theater collectives from the 1960s and 70s, and their influence on contemporary performance

Yale Law School and the Sixties: Revolt and Reverberations