The Shroud At Court

"The Shroud at the Court analyses, through various essays characterized by a multidisciplinary and diachronic perspective, the strict ties created between the Shroud and the Savoy court from the fifteenth to twentieth centuries. Presented as proof of the divine legitimacy of Savoy lineage, the Shroud (of which the Savoy dynasty came into possession in 1453, keeping it first in Chambéry and then from 1578 in Turin) was central to their propagandistic strategies. The court--its spaces, protagonists, and rituals--became the natural setting for a relationship reinforced over time through customs, ceremonies, and images intended to celebrate the excellence of the Savoy, both within their own state and in Europe's 'society of princes.' Contributors are Paola Caretta, Paolo Cornaglia, Paolo Cozzo, Davide De Franco, Bernard Dompnier, Laura Gaffuri, Pierangelo Gentile, Luisella Giachino, Andrea Merlotti, Frédéric Meyer, Andrea Nicolotti, Almudena Pérez de Tudela, Laurent Ripart, Alessandro Serra and Franca Varallo"--

The Shroud at the Court analyses the ties between the Shroud and the Savoy court from the fifteenth to twentieth centuries, when rituals, ceremonies, and images made the relic an essential source of legitimacy and propaganda for the Savoy dynasty.

Ewen's powerful suspense novel uses the Shroud of Turin and the extensive investigations into its authenticity to explore and illuminate God's truth.

The famed linen cloth preserved in Turin Cathedral has provoked pious devotion, scientific scrutiny, and morbid curiosity. Imprinted with an image many faithful have traditionally believed to be that of the crucified Christ "painted in his own blood," the Shroud remains an object of intense debate and notoriety yet today. In this amply illustrated volume, John Beldon Scott traces the history of the unique relic, focusing especially on the black-marble and gilt-bronze structure Guarino Guarini designed to house and exhibit it. A key Baroque monument, the chapel comprises many unusual architectural features, which Scott identifies and explains, particulary how the chapel's unprecedented geometry and bizarre imagery convey to the viewer the supernatural powers of the object enshrined there. Drawing on early plans and documents, he demonstrates how the architect's design mirrors the Shroud's strange history as well as political aspirations of its owners, the Dukes of Savoy. Exhibiting it ritually, the Savoy prized their relic with its godly vestige as a means to link their dynasty with divine purposes. Guarini, too, promoted this end by fashioning an illusionary world and sacred space that positioned the duke visually so that he appeared close to the Shroud during its ceremonial display. Finally, Scott describes how the additional need for an outdoor stage for the public showing of the relic to the thousands who came to Turin to see it also helped shape the urban plan of the city and its transformation into the Savoyard capital. Exploring the mystique of this enigmatic relic and investigating its architectural and urban history for the first time, Architecture for the Shroud will appeal to anyone curious about the textile, its display, and the architectural settings designed to enhance its veneration and boost the political agenda of the ruling family.

In this New York Times–bestselling study, the co-author of Holy Blood, Holy Grail explores further mysteries surrounding Jesus Christ. What if everything we have been told about the origins of Christianity is a lie? What if a small group had always known the truth and had kept it hidden . . . until now? What if there is evidence that Jesus Christ survived the crucifixion? In Holy Blood, Holy Grail Michael Baigent and his co-authors Henry Lincoln and Richard Leigh stunned the world with a controversial theory that Jesus Christ and Mary Magdalene married and founded a holy bloodline. The book became an international publishing phenomenon and was one of the sources for Dan Brown’s novel The Da Vinci Code. Now, with two additional decades of research behind him, Baigent’s The Jesus Papers presents explosive new evidence that challenges everything we know about the life and death of Jesus. Praise for The Jesus Papers “An explosive book.” —The Today Show “Fascinating.” —CNN’s American Morning

An Ancient Enigma Wrapped in a Web of Deceit Immerse yourself in the riveting world of Peter Tremayne's Shroud for the Archbishop, a masterful tale of intrigue and suspense set against the atmospheric backdrop of 7th century Rome. The novel centers on the sharp-witted Sister Fidelma, an Irish nun and advocate of the ancient Brehon Law. This brave female sleuth dives headfirst into the dangerous political undercurrents of Rome's Lateran Palace when Wighard, Archbishop designate of Canterbury, is found brutally murdered. With a trail of bodies, labyrinthine motives, and stolen treasures, Fidelma must unravel the seemingly impenetrable knot of intrigue before the killer strikes again. This gripping story will transport you back to the Dark Ages, a world where religious tensions simmer beneath the surface. With a setting that extends from ancient Ireland to old England, this absorbing tale artfully combines elements of religion, crime, suspense, and history.

This volume presents a critical edition of Laurens Pignon's treatise Contre les devineurs (1411) and examines its literary and historical context of courtly magic and astrology in Burgundy and France during the reign of Charles VI.

Shrouds have long held a special place among the sacred relics of Christendom. In the Middle Ages, shrouds, like holy relics, were the prize possessions of churches and cities. Cloaked in mystery, these artifacts have long been objects of reverence and awe, as well as sources of debates, quarrels, thefts, and excommunications. Shrouds--so some claim--provide visible testimony to faith. One in particular has drawn the interest of scholars, clergy, and the public alike: the Shroud of Turin. In The Shroud of Turin, Andrea Nicolotti chronicles the history of this famous cloth, including its circuitous journey from the French village of Lirey to its home in the Italian city of Turin, as well as the fantastical claims surrounding its origin and modern scientific efforts to prove or disprove its authenticity. Full of intrigue and mystery, The Shroud of Turin dismantles hypotheses that cannot survive the rigors of historical analysis. Nicolotti directly addresses the thorny problem of the authenticity of the relic and the difficult relationship between history, faith, and science.

Winner of the 2022 Roland H. Bainton Book Prize from the Sixteenth Century Society & Conference In 1578, a fourteen-foot linen sheet bearing the faint bloodstained imprint of a human corpse was presented to tens of thousands of worshippers in Turin, Italy, as one of the original shrouds used to prepare Jesus Christ’s body for entombment. From that year into the next century, the Shroud of Turin emerged as Christianity’s preeminent religious artifact. In an unprecedented new look, Andrew R. Casper sheds new light on one of the world’s most famous and controversial religious objects. Since the early twentieth century, scores of scientists and forensic investigators have attributed the Shroud’s mysterious images to painterly, natural, or even supernatural forces. Casper, however, shows that this modern opposition of artifice and authenticity does not align with the cloth’s historical conception as an object of religious devotion. Examining the period of the Shroud’s most enthusiastic following, from the late 1500s through the 1600s, he reveals how it came to be considered an artful relic—a divine painting attributed to God’s artistry that contains traces of Christ’s body. Through probing analyses of materials created to perpetuate the Shroud’s cult following—including devotional, historical, and theological treatises as well as printed and painted reproductions—Casper uncovers historicized connections to late Renaissance and Baroque artistic cultures that frame an understanding of the Shroud’s bloodied corporeal impressions as an alloy of material authenticity and divine artifice. This groundbreaking book introduces rich, new material about the Shroud’s emergence as a sacred artifact. It will appeal to art historians specializing in religious and material studies, historians of religion, and to general readers interested in the Shroud of Turin.