The Sentimental Moor In Spanish Literature Before 1600

In the Western imagination, Spain often evokes the colorful culture of al-Andalus, the Iberian region once ruled by Muslims. Tourist brochures inviting visitors to sunny and romantic Andalusia, home of the ingenious gardens and intricate arabesques of Granada's Alhambra Palace, are not the first texts to trade on Spain's relationship to its Moorish past. Despite the fall of Granada to the Catholic Monarchs in 1492 and the subsequent repression of Islam in Spain, Moorish civilization continued to influence both the reality and the perception of the Christian nation that emerged in place of al-Andalus. In Exotic Nation, Barbara Fuchs explores the paradoxes in the cultural construction of Spain in relation to its Moorish heritage through an analysis of Spanish literature, costume, language, architecture, and chivalric practices. Between 1492 and the expulsion of the Moriscos (Muslims forcibly converted to Christianity) in 1609, Spain attempted to come to terms with its own Moorishness by simultaneously repressing Muslim subjects and appropriating their rich cultural heritage. Fuchs examines the explicit romanticization of the Moors in Spanish literature—often referred to as "literary maurophilia"—and the complex, often silent presence of Moorish forms in Spanish material culture. The extensive hybridization of Iberian culture suggests that the sympathetic depiction of Moors in the literature of the period does not trade in exoticism but instead reminded Spaniards of the place of Moors and their descendants within Spain. Meanwhile, observers from outside Spain recognized its cultural debt to al-Andalus, often deliberately casting Spain as the exotic racial other of Europe.

A wide-ranging, accessible reference for students of Spanish or Spanish American literature covering fiction, poetry, drama, anonymous classics, and more. In Dictionary of Spanish Literature, Maxim Newmark presents a concise yet informative overview of significant authors and works in Spanish literature, as well as important topics and terminology. Outstanding Spanish literary critics, the major movements, schools, genres, and scholarly journals are also included. An essential resource for any Spanish literature scholar, this volume provides an expansive overview of the topic, spanning both centuries and continents.

Islam in Spanish Literature is a sweeping reinterpretation of Spanish literature, taking as its given the enormous debt to Arab culture that Spain incurred through the eight centuries of Islamic presence on the Iberian Peninsula. This volume takes up the thread of the work of the Arabist Miguel Asín Palacios, the first to comment extensively upon the marked Islamic features in many Spanish classics. After an initial survey of the presence of Islam and Judaism in Spanish history and culture, succeeding chapters explore the Muslim context of Juan Ruiz, the author of the Libro de buen amor; St John of the Cross; St Teresa de Jesus; the anonymous sonnet "No me mueve, mi Dios"; aljamiado-morisco literature and then "official" Moorophile literature, standing in such dramatic contrast to one another; and last, the novelist Juan Goytisolo, who, writing today, continues to reflect upon the impact of the East on Spanish culture. It is no exaggeration to state that this book redefines the ground of the study of Spanish literature; it will be hard for the contemporary reader ever again to read it with innocence, as a literature exclusively "European."

Vols. for 1921-1969 include annual bibliography, called 1921-1955, American bibliography; 1956-1963, Annual bibliography; 1964-1968, MLA international bibliography.

A Mexican literary and political figure of the early nineteenth century whose writings present the best existing portrayal of Spanish colonial society.