The Secret Of Old Mukiwa

Drawing on years of experience of writing, teaching and publishing, this book offers essential tools for writers interested in honing their craft. Whether you're a poet, non-fiction writer, novelist, journalist, student or simply a lover of words, it will take you on an exciting and challenging journey to becoming a sophisticated writer. As in the learning of any true craft or art, first the focus is on specific skills, then on consolidating those skills, which by the end will be innate. Through a variety of exercises and freewriting prompts, Playing with Words will help you develop your writing, trying out new styles and approaches along the way. Use this book in a class, in a group, or alone in a writer's attic.

Sometimes you can't choose your own battles. A memoir of coming of age in Rhodesia explores the author's experiences as a young conscript caught up in the bush war of the late 1970s.

Tincture Journal is a quarterly literary journal based in Sydney, Australia and collecting interesting new works of fiction, poetry and non-fiction from Australia and the world.

Mukiwa opens with Peter Godwin, six years old, describing the murder of his neighbor by African guerillas, in 1964, pre-war Rhodesia. Godwin's parents are liberal whites, his mother a governement-employed doctor, his father an engineer. Through his innocent, young eyes, the story of the beginning of the end of white rule in Africa unfolds. The memoir follows Godwin's personal journey from the eve of war in Rhodesia to his experience fighting in the civil war that he detests to his adventures as a journalist in the new state of Zimbabwe, covering the bloody return to Black rule. With each transition Godwin's voice develops, from that of a boy to a young man to an adult returning to his homeland. This tale of the savage struggle between blacks and whites as the British Colonial period comes to an end is set against the vividly painted background of the myserious world of South Africa.

After his father's heart attack in 1984, Peter Godwin began a series of pilgrimages back to Zimbabwe, the land of his birth, from Manhattan, where he now lives. On these frequent visits to check on his elderly parents, he bore witness to Zimbabwe's dramatic spiral downwards into the jaws of violent chaos, presided over by an increasingly enraged dictator. And yet long after their comfortable lifestyle had been shattered and millions were fleeing, his parents refuse to leave, steadfast in their allegiance to the failed state that has been their adopted home for 50 years. Then Godwin discovered a shocking family secret that helped explain their loyalty. Africa was his father's sanctuary from another identity, another world. When a Crocodile Eats the Sun is a stirring memoir of the disintegration of a family set against the collapse of a country. But it is also a vivid portrait of the profound strength of the human spirit and the enduring power of love.

This concise yet comprehensive study explores innovative practice in the novel and, from the perspective of creative writing, the astonishing resilience of the novel form. It offers a practical guide to the many possibilities available to the writer of the novel, with each chapter offering exercises to encourage innovation and to expand the creative writer's narrative skills. Beginning with early iterations of the novel in the 17th century, this book follows the evocation of innovation in the novel through Realism, Modernism, Postmodernism and into today's dizzying array of digital and interactive possibilities. While guiding the reader through the possibilities available (in both genre and literary fiction), this book encourages both aspiring and established writers to produce novels with imagination, playfulness and gravitas. Dynamic and interactive, this text is distinctive in offering a grounding in the literary history of the novel, while also equipping readers to write in the form themselves. It is an essential resource for any student of creative writing, or anyone with an interest in writing their own novel.

Vicky Unwin had always known her father – an erstwhile intelligence officer and respected United Nations diplomat – was Czech, but it was not until a stranger turned up on her doorstep that she discovered he was also Jewish. So began a quest to discover the truth about his past – one that perhaps would help answer the niggling doubts she had always had about her ‘perfect’ father. Finally persuading him to allow her to open a closely guarded cache of family books and papers, Vicky discovered the identity of her grandfather: the tormented author and diplomat Hermann Ungar, hugely controversial in both life and in death, who was a protégé and possible lover of Thomas Mann, and a friend of Berthold Brecht and Stefan Zweig. How much of her father’s child was Vicky – and how much of his father’s child was he? As Vicky worked to uncover deeply buried family secrets, she would find herself slowly unpicking the lingering power of ‘survivors’ guilt’ on the generations that followed the Holocaust, and would learn, via a deathbed confession, of the existence of a previously unknown sister. Together, the sisters attempted to come to terms with what had made their father into the deeply flawed, complex, yet charismatic man he has always been, journeying together through grief and heartache towards forgiveness.