The School Of Raphael

The Art Mysteries series examines several highly regarded masterpieces in an attempt to unravel the mysteries that surround them. Edited by Marco Carminati and Stefano Zuffi, they present an up-to-date and spectacular reading of famous paintings, invest

Raphael's "School of Athens" examines one of the masterpieces of the Italian Renaissance and the artist's best known work. Commissioned by Pope Julius II to decorate the walls of his private library, the fresco represents the gathering of the philosophers of the ancient world around the central figures of Plato and Aristotle. Presented in this volume are the early criticism of the fresco along with new interpretations of its iconography in relation to the other frescoes in the Stanza and in the context of the humanism and rhetorical tradition of the papal court.

This book of prints of the human head, showing the range of emotions and expressions, were engraved by the most skilled artists of the day from tracings and drawings made by Nicholas Dorigny from the famous cartoons that Raphael designed in the early 1500s to be made into tapestries for the Sistine Chapel.

Another Fabulous Art History Thriller by the Bestselling Author of Oil and Marble, Featuring the Master of Renaissance Perfection: Raphael! Michelangelo’s Sistine Chapel ceiling is one of the most iconic masterpieces of the Renaissance. Here, in Raphael, Painter in Rome, Storey tells of its creation as never before: through the eyes of Michelangelo’s fiercest rival—the young, beautiful, brilliant painter of perfection, Raphael. Orphaned at age eleven, Raphael is determined to keep the deathbed promise he made to his father: become the greatest artist in history. But to be the best, he must beat the best, the legendary sculptor of the David, Michelangelo Buonarroti. When Pope Julius II calls both artists down to Rome, they are pitted against each other: Michelangelo painting the Sistine Ceiling, while Raphael decorates the pope's private apartments. As Raphael strives toward perfection in paint, he battles internal demons: his desperate ambition, crippling fear of imperfection, and unshakable loneliness. Along the way, he conspires with cardinals, scrambles through the ruins of ancient Rome, and falls in love with a baker’s-daughter-turned-prostitute who becomes his muse. With its gorgeous writing, rich settings, endearing characters, and riveting plot, Raphael, Painter in Rome brings to vivid life these two Renaissance masters going head to head in the deadly halls of the Vatican.

From the New York Times bestselling author of The Name of This Book Is Secret comes a darkly funny story about a boy who wants the world to disappear. This fantastical quest for comfort and belonging was called “a surprisingly powerful, formula-breaking coming-of-age story” by the New York Times. Mickey is angry all the time: at his divorced parents, at his sister, and at his two new stepmoms, both named Charlie. And so he can't resist the ad inside his pack of gum: "Do you ever wish everyone would go away? Buy The Anti-Book! Satisfaction guaranteed." He orders the book, but when it arrives, it's blank—except for one line of instruction: To erase it, write it. He fills the pages with all the things and people he dislikes . . . Next thing he knows, he's wandering an anti-world, one in which everything and everyone familiar is gone. Or are they? His sister soon reappears--but she's only four inches tall. A tiny talking house with wings looks strangely familiar, as does the mysterious half-invisible boy who seems to think that he and Mickey are best buds. The boy persuades Mickey to go find the Bubble Gum King—the king, who resides at the top of a mountain, is the only one who might be able help Mickey fix the mess he's made. From Raphael Simon (a.k.a. beloved author Pseudonymous Bosch!) comes this Phantom Tollbooth for today's generation—a fantastical quest for comfort and belonging that will resonate with many, many readers.

The riveting story of a museum director caught in a web of local and international intrigue while secretly pursuing a forgotten Renaissance painting-the Boston Raphael. On the eve of its centennial celebrations in 1969, the Boston MFA announced the acquisition of an unknown and uncatalogued painting attributed to Raphael. Boston's coup made headlines around the world. Soon, an Italian art sleuth began investigating the painting's export from Italy, challenging the museum's ownership. Simultaneously, experts on both sides of the Atlantic lined up to debate its very authenticity. The museums charismatic director, Perry T. Rathbone, faced the most challenging crossroads of his career. The Boston Raphael was a media sensation in its time, but the full story of the forces that converged on the museum and how they intersected with the challenges of the Sixties is now revealed in full detail by the director's daughter.

The seed of this book was planted in 1941, when Giorgio Spadaro first visited the Vatican Museums with his cousin, the painter Beppe Assenza. A second visit and further conversations in 1945 watered the seed, which germinated and grew over more than half a century. Now it has flowered, in the light of Rudolf Steiner's Anthroposophy, into this profound and accessible meditation on the spiritual significance of three of Raphael's greatest paintings: The School of Athens (shown left), The Disputation (below), and The Transfiguration. By working attentively, patiently, and carefully through its composition and the geometry it embodies, Spadaro's meditation reveals a prophetic Raphael whose paintings have much to teach us about the evolution of consciousness, the role of Christ and Christianity in human evolution, and the path of individual inner development. Spadaro shows how Raphael's paintings depict, with precision and in detail, the spiritual, cosmic, and physical situation of humanity, through which it must grow to fulfillment. Reading his descriptions and following them in the paintings brings to life a spiritual reality all too often ignored or denied by art historians. At the same time, through his deep understanding of the paintings' spiritual content, he is able to identify, in a meaningful way, the figures depicted and their significance. Here is a valuable addition to the growing body of literature on the profound spiritual meaning contained in Rafael's paintings. C O N T E N T S Preface Introduction The Disputa The School of Athens The Transfiguration Final Comments Resources

The selection of drawings demonstrates how Raphael created a specific mode of visual invention and persuasive communication through drawing. He used drawing both as conceptual art (including brainstorming sheets) and as a practice based on attentive observation (such as drawing from the posed model). Yet Raphael's drawings also reveal how the process of drawing in itself, with its gestural rhythms and spontaneity, can be a form of thought, generating new ideas. The Oxford exhibition will present drawings that span Raphael's entire career, encompassing many of his major projects and exploring his visual language from inventive ideas to full compositions. The extraordinary range of drawings by Raphael in the Ashmolean and the Albertina, enhanced by appropriate loans, will enable this exhibition to cast new light on this familiar artist, transforming our understanding of Raphael's art.

Explore Europe's top 100 works of art with America's most trusted travel authority, Rick Steves. Travel through time and discover Europe's most iconic paintings, sculptures, and historic buildings. From Venus to Versailles, Apollo to David, and Mona Lisa to The Thinker, Rick and co-author Gene Openshaw will have you marveling, learning, and laughing, one masterpiece at a time. Whether you're traveling to Europe or just dreaming about it, this book both stokes your wanderlust and kindles a greater appreciation of art, with historical context and information on where to see it for yourself. With Rick's trusted insight and gorgeous, full-color photos throughout, Europe's Top 100 Masterpieces celebrates nearly 20,000 years of unforgettable art.