The Saint As Censor Robert Bellarmine Between Inquisition And Index

The opening of the archives of the Roman Inquisition and of the Index of Prohibited Books, in January 1998, enables us to think afresh about the history of two organisations more notorious than understood. Both have been considered, almost exclusively, from the perspective of their victims, such as Galileo Galilei. This book uses hitherto secret sources of the Inquisition and Index to reconstruct the history of Roman censorship in its first, formative years from the standpoint of Galileo's judge. Robert Bellarmine (1542-1621) was a censor for the Index and a consultor to the Holy Office, before becoming cardinal-inquisitor and (three centuries after his death) a saint and Doctor of the Church. His career provides a paradigm of how an intellectual could make his way to the top in Counter-Reformation Rome. Censored by Pope Sixtus V, Bellarmine responded by supressing the pontiff's version of the Vulgate and by repressing the Sistine Index of Prohibited Books. A new interpretation - including a revaluation of Galileo's first "trial"- of Roman censorship is offered in this book. Based on unpublished sources from the archives, which it edits and interprets for the first time, The Saint as Censor will alter our understanding of the Roman Inquisition and the Index.

The opening of the archives of the Roman Inquisition and of the Index of Prohibited Books, in January 1998, enables us to think afresh about the history of two organisations more notorious than understood. Both have been considered, almost exclusively, from the perspective of their victims, such as Galileo Galilei. This book uses hitherto secret sources of the Inquisition and Index to reconstruct the history of Roman censorship in its first, formative years from the standpoint of Galileo's judge. Robert Bellarmine (1542-1621) was a censor for the Index and a "consultor" to the Holy Office, before becoming cardinal-inquisitor and (three centuries after his death) a saint and Doctor of the Church. His career provides a paradigm of how an intellectual could make his way to the top in Counter-Reformation Rome. Censored by Pope Sixtus V, Bellarmine responded by supressing the pontiff's version of the Vulgate and by repressing the Sistine Index of Prohibited Books. A new interpretation - including a revaluation of Galileo's first "trial"- of Roman censorship is offered in this book. Based on unpublished sources from the archives, which it edits and interprets for the first time, "The Saint as Censor" will alter our understanding of the Roman Inquisition and the Index.

Drawing on ongoing research in the archive of the former Roman Inquisition, this volume presents new perspectives for research on the relations between the Catholic Church, Jews and Judaism and places them within the context of the extant scholarship on papal policy, censorship and the Marrano milieu.

Uniquely authoritative and wide-ranging in its scope, The Oxford Dictionary of the Christian Church is the indispensable reference work on all aspects of the Christian Church. It contains over 6,500 cross-referenced A-Z entries, and offers unrivalled coverage of all aspects of this vast and often complex subject, from theology; churches and denominations; patristic scholarship; and the bible; to the church calendar and its organization; popes; archbishops; other church leaders; saints; and mystics. In this new edition, great efforts have been made to increase and strengthen coverage of non-Anglican denominations (for example non-Western European Christianity), as well as broadening the focus on Christianity and the history of churches in areas beyond Western Europe. In particular, there have been extensive additions with regards to the Christian Church in Asia, Africa, Latin America, North America, and Australasia. Significant updates have also been included on topics such as liturgy, Canon Law, recent international developments, non-Anglican missionary activity, and the increasingly important area of moral and pastoral theology, among many others. Since its first appearance in 1957, the ODCC has established itself as an essential resource for ordinands, clergy, and members of religious orders, and an invaluable tool for academics, teachers, and students of church history and theology, as well as for the general reader.

This book—the sixth volume in The Great Cultural Eras of the Western World series—provides information on more than 400 individuals who created and played a role in the era's intellectual and cultural activity. The book's focus is on cultural figures—those whose inventions and discoveries contributed to the scientific revolution, those whose line of reasoning contributed to secularism, groundbreaking artists like Rembrandt, lesser known painters, and contributors to art and music. As the momentum of the Renaissance peaked in 1600, the Western World was poised to move from the Early Modern to the Modern Era. The Thirty Years War ended in 1648 and religion was no longer a cause for military conflict. Europe grew more secularized. Organized scientific research led to groundbreaking discoveries, such as the earth's magnetic field, Kepler's first two laws of motion, and the slide rule. In the arts, Baroque painting, music, and literature evolved. A new Europe was emerging. This book is a useful basic reference for students and laymen, with entries specifically designed for ready reference.

Gives accurate and reliable summaries of the current state of research. It includes entries on philosophers, problems, terms, historical periods, subjects and the cultural context of Renaissance Philosophy. Furthermore, it covers Latin, Arabic, Jewish, Byzantine and vernacular philosophy, and includes entries on the cross-fertilization of these philosophical traditions. A unique feature of this encyclopedia is that it does not aim to define what Renaissance philosophy is, rather simply to cover the philosophy of the period between 1300 and 1650.

Regulating Knowledge in an Entangled World uses case studies from the sixteenth to the eighteenth centuries to study knowledge transfer in early modern knowledge societies. In the early modern period the scale, intensity, and reach of exchange exploded. This volume develops a historicised understanding of knowledge transfer to shed new light on these fundamental changes. By looking at the preconditions of knowledge transfer, it shifts the focus from the objects circulating to the interactions by which they circulate and the way actors cement their relations. The novelty of this approach shows how rules and regulations were enablers of knowledge circulation, rather than impediments. The chapters identify changing patterns of knowledge transfer in cases such as sixteenth-century Venice, the Spanish Empire in the Americas, continental Habsburg, early seventeenth-century Dutch at sea, and the Offices of the Catholic Church. Through the perspective of ‘regulating’, this volume advances the historiography of knowledge circulation by forging a new combination of histories of circulation and of institutions. By bringing together historians from intellectual history, economic history, book history, the history of science, religion, art, and material culture, this volume is useful for students and scholars interested in early modern knowledge societies and changing patterns of knowledge transfer.

The Routledge Hispanic Studies Companion to Early Modern Spanish Literature and Culture introduces the intellectual and artistic breadth of early modern Spain from a range of disciplinary and critical perspectives. Spanning the sixteenth and seventeenth centuries (a period traditionally known as the Golden Age), the volume examines topics including political and scientific culture, literary and artistic innovations, and religious and social identities and institutions in transformation. The 36 chapters of the volume include both expert overviews of key topics and figures from the period as well as new approaches to understudied questions and materials. This invaluable resource will be of interest to advanced students and scholars in Hispanic studies, as well as Renaissance and early modern studies more generally.

In The Censor, the Editor, and the Text, Amnon Raz-Krakotzkin examines the impact of Catholic censorship on the publication and dissemination of Hebrew literature in the early modern period. Hebrew literature made the transition to print in Italian print houses, most of which were owned by Christians. These became lively meeting places for Christian scholars, rabbis, and the many converts from Judaism who were employed as editors and censors. Raz-Krakotzkin examines the principles and practices of ecclesiastical censorship that were established in the second half of the sixteenth century as a part of this process. The book examines the development of censorship as part of the institutionalization of new measures of control over literature in this period, suggesting that we view surveillance of Hebrew literature not only as a measure directed against the Jews but also as a part of the rise of Hebraist discourse and therefore as a means of integrating Jewish literature into the Christian canon. On another level, The Censor, the Editor, and the Text explores the implications of censorship in relation to other agents that participated in the preparation of texts for publishing—authors, publishers, editors, and readers. The censorship imposed upon the Jews had a definite impact on Hebrew literature, but it hardly denied its reading, in fact confirming the right of the Jews to possess and use most of their literature. By bringing together two apparently unrelated issues—the role of censorship in the creation of print culture and the place of Jewish culture in the context of Christian society—Raz-Krakotzkin advances a new outlook on both, allowing each to be examined through the conceptual framework usually reserved for the other.

All Latin texts - from Peter Abelard to Bernard of Clairvaux, from the Archpoet to John of Salisbury and Alan of Lille - are translated into English, and discussed both in terms of their literaty qualities and in relation to the cultural history of the High Middle Ages."--BOOK JACKET.