The Sacrifice Of Isaac

The studies about the background and the history of reception of the Sacrifice of Isaac, published in this volume, bring surprising and oft neglected aspects of the famous narrative to light. How in different times and in different circles Genesis 22 has been interpreted is an encouragement for hermeneutical reflection and a help for exegesis itself.

It is traditional to think we should praise Abraham for his willingness to sacrifice his son as proof of his love for God. But have we misread the point of the story? Is it possible that a careful reading of Genesis 22 could reveal that God was not pleased with Abraham's silent obedience? Widely respected biblical theologian, creative thinker, and public speaker J. Richard Middleton suggests we have misread and misapplied the story of the binding of Isaac and shows that God desires something other than silent obedience in difficult times. Middleton focuses on the ethical and theological problem of Abraham's silence and explores the rich biblical tradition of vigorous prayer, including the lament psalms, as a resource for faith. Middleton also examines the book of Job in terms of God validating Job's lament as "right speech," showing how the vocal Job provides an alternative to the silent Abraham. This book provides a fresh interpretation of Genesis 22 and reinforces the church's resurgent interest in lament as an appropriate response to God.

Combining the best and most recent evangelical Christian scholarship with the highly regarded ESV text, the ESV Study Bible is the most comprehensive study Bible ever published.

Glory and Agony is the first history of the shifting attitudes toward national sacrifice in Hebrew culture over the last century. Its point of departure is Zionism's obsessive preoccupation with its haunting "primal scene" of sacrifice, the near-sacrifice of Isaac, as evidenced in wide-ranging sources from the domains of literature, art, psychology, philosophy, and politics. By placing these sources in conversation with twentieth-century thinking on human sacrifice, violence, and martyrdom, this study draws a complex picture that provides multiple, sometimes contradictory insights into the genesis and gender of national sacrifice. Extending back over two millennia, this study unearths retellings of biblical and classical narratives of sacrifice, both enacted and aborted, voluntary and violent, male and female—Isaac, Ishmael, Jephthah's daughter, Iphigenia, Jesus. Glory and Agony traces the birth of national sacrifice out of the ruins of religious martyrdom, exposing the sacred underside of Western secularism in Israel as elsewhere.

When we rewind history back to Abraham’s era, we encounter people who concocted false superstitions to explain the unexplainable. Powerful kings claimed to be gods, building massive pyramids to achieve immortality. Out of this mass of misunderstandings, one man emerged. The man we know today as Abraham not only claimed that one true Creator existed but also staked his entire life on this belief. Why, thousands of years later, are we still discussing the faith of this desert nomad? One of America’s most popular Bible teachers Pastor Chuck Swindoll answers that question and many more in this compelling and insightful biography that will inspire your own faith.

From the Pulitzer Prize-nominated author of But Where Is the Lamb? comes a grippingly narrated work of history and "edge-of-the-seat reportage" (Chicago Tribune) that tells the story of a case that marked a watershed in American racial justice. To white Southerners, it was "a heinous and unspeakable crime" that flouted a taboo as old as slavery. To the Communist Party, which mounted the defense, the Scottsboro case was an ideal opportunity to unite issues of race and class. To jury after jury, the idea that nine black men had raped two white women on a train traveling through northern Alabama in 1931 was so self-evident that they found the Scottsboro boys guilty even after the U.S. Supreme Court had twice struck down the verdict and one of the "victims" had recanted. This innovative work tells several stories. For out of dozens of period sources, Stories of Scottsboro re-creates not only what happened at Scottsboro, but the dissonant chords it struck in the hearts and minds of an entire nation.

The Sacrifice of Isaac is one of the most well-known stories in the Bible. It is also a shocking account of how Abraham's faith in God was demonstrated by a willingness to sacrifice his long-awaited son at God's command. This story has been a source of fascination for Jews and Christians for many centuries and here, Edward Kessler offers an enthralling account of Jewish and Christian interpretations of this biblical story. For understandable reasons, it has been assumed that Judaism influenced Christian interpretation but relatively little attention has been given to the question of the influence of Christianity upon Judaism. Kessler provides an insight into this absorbing two-way encounter and argues that neither Jewish nor Christian interpretations can be understood properly without reference to the other. As Jews and Christians lived, and continue to live, in a biblically orientated culture, Kessler shows how both were 'bound by the bible'.

This is Volume V of six in the Psychology and Religion series. First published in 1954, this is a religious-psychological study of the father-son relationship. It represents a re-evaluation of the Oedipus Complex and is based on the exposition of the twenty-second chapter of Genesis, the Sacrifice of Isaac. The thesis of the study is that phenomena described in the Bible provide a unique contribution to psychological truth.

In Shakespeare and Abraham, Ken Jackson illuminates William Shakespeare’s dramatic fascination with the story of Abraham’s near sacrifice of his son Isaac in Genesis 22. Themes of child killing fill Shakespeare’s early plays: Genesis 22 informed Clifford’s attack on young Rutland in 3 Henry 6, Hubert’s providentially thwarted murder of Arthur in King John, and Aaron the Moor’s surprising decision to spare his son amidst the filial slaughters of Titus Andronicus, among others. However, the playwright’s full engagement with the biblical narrative does not manifest itself exclusively in scenes involving the sacrifice of children or in verbal borrowings from the famously sparse story of Abraham. Jackson argues that the most important influence of Genesis 22 and its interpretive tradition is to be found in the conceptual framework that Shakespeare develops to explore relationships among ideas of religion, sovereignty, law, and justice. Jackson probes the Shakespearean texts from the vantage of modern theology and critical theory, while also orienting them toward the traditions concerning Abraham in Jewish, Pauline, patristic, medieval, and Reformation sources and early English drama. Consequently, the playwright’s “Abrahamic explorations” become strikingly apparent in unexpected places such as the “trial” of Shylock in The Merchant of Venice and the bifurcated structure of Timon of Athens. By situating Shakespeare in a complex genealogy that extends from ancient religion to postmodern philosophy, Jackson inserts Shakespeare into the larger contemporary conversation about religion in the modern world.

A compilation of 119 poems by fifty-nine writers, including such notables as Primo Levi, Elie Wiesel, Stephen Spender, and Anne Sexton, captures the suffering, courage, and rage of the victims of the Holocaust.