The Sacred Numbers Of Initiation

Bestselling spiritual author Lars Muhl presents an effective system of numerology based both on secret teachings passed on in the remote Pyrenees and also on his extensive knowledge of the ancient Essenes This book is a guide to using numerology for practical and spiritual guidance. It’s attractive to look at with many diagrams showing how the different numbers relate to each other and where they fit on the Kabbalistic Tree of Life. Beautiful Hebrew letters are used throughout and, once you have worked out your own number, there is a wealth of information on the different nuances of meaning associated with it. Just reading each entry is a profound experience. The basic text for the 22 seed-numbers plus the quotations in this book reflect the numerological outlook and philosophy of the Essenes, the mystical cult in the Holy Land, to which belonged Christ and John the Baptist. Its traces are seen in the Old and New Testaments and in the so-called Gnostic Gospels. The purpose of The Sacred Numbers of Initiation is to inspire you and give you an idea of the spiritual qualities and potentials you are carrying with you in this incarnation. When you are aware of them, you can evolve and manifest them. Simply put, the words attached to the numbers inspire you to “walk the talk”.

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Over the past thirty years, visionary anthropologist Michael Taussig has crafted a highly distinctive body of work. Playful, enthralling, and whip-smart, his writing makes ingenious connections between ideas, thinkers, and things. An extended meditation on the mysteries of color and the fascination they provoke, What Color Is the Sacred? is the next step on Taussig’s remarkable intellectual path. Following his interest in magic and surrealism, his earlier work on mimesis, and his recent discussion of heat, gold, and cocaine in My Cocaine Museum,this book uses color to explore further dimensions of what Taussig calls “the bodily unconscious” in an age of global warming. Drawing on classic ethnography as well as the work of Benjamin, Burroughs, and Proust, he takes up the notion that color invites the viewer into images and into the world. Yet, as Taussig makes clear, color has a history—a manifestly colonial history rooted in the West’s discomfort with color, especially bright color, and its associations with the so-called primitive. He begins by noting Goethe’s belief that Europeans are physically averse to vivid color while the uncivilized revel in it, which prompts Taussig to reconsider colonialism as a tension between chromophobes and chromophiliacs. And he ends with the strange story of coal, which, he argues, displaced colonial color by giving birth to synthetic colors, organic chemistry, and IG Farben, the giant chemical corporation behind the Third Reich. Nietzsche once wrote, “So far, all that has given colour to existence still lacks a history.” With What Color Is the Sacred? Taussig has taken up that challenge with all the radiant intelligence and inspiration we’ve come to expect from him.

Spiritual discovery, Mary Magdalene, and the Holy Grail—this is the O Manuscript trilogy, collected in one volume. International Bestseller: This story of a modern-day mystic’s spiritual apprenticeship in Cathar country of southern France reads like a real-life Gnostic thriller. In the opening scene of The O Manuscript, Lars Muhl is an aging, washed-up rock star who has been lying in bed for three years. Abandoned by doctors and living alone on an island, a friend gives Muhl the phone number of a “seer” in Andalusia. After a single phone call, Muhl is back on his feet and a three-year apprenticeship to the Seer ensues—an adventure that is part history lesson, part Jedi-style initiation. During their time together, the Seer challenges Muhl to abandon his old life, testing both his physical and emotional endurance, so that he may leave the burdens of his past behind. He also initiates Muhl to the mysteries of the Montségur and the Cathars—the medieval religious sect once persecuted by the Roman Catholic Church—in southern France. After years of searching for Montségur’s secret cave, Muhl finds himself in possession of the secret history of Mariam Magdalene, Yeshua, and the Holy Grail. The O Manuscript is not just another book about positive thinking. Throughout his initiation, Muhl was forced to confront his dark side, the shadows that kept him from true health and wellness. “This is my journey,” says Muhl. “Every word of it is true and really happened to me, but it is also meant to be a kind of allegory. The lessons I learned are universal.” Part memoir, part novel, and part spiritual treatise, The O Manuscript will forever change the way you think about life.

This Aramaic study of Yeshua’s spiritual teachings offers profound new insights into the New Testament, the Essenes and Dead Sea Scrolls, Mary Magdalene, and much more. Lars Muhl has had a lifelong burning interest in Jesus, not only as an archetype, savior, bodhisattva, and elder brother, but also in relation to the Essenes from the Dead Sea. The Law of Light is the result of his many years spent studying Aramaic and the techniques of Yeshua (Jesus). Yeshua spoke Aramaic. Through the Aramaic language, his teachings offer not just another interpretation of the New Testament, but the unveiling of a secret message that attempts, once and for all, to settle centuries-old conceptions of sin, and to once again connect man with the heavenly spiritual source. The core of Yeshua’s Aramaic message is intimacy, freedom, selfless awareness, unconditional love, compassion, and forgiveness. In all he says, there exists a hidden invitation to us to be present in, and dedicated to, everything with which we engage. Five minutes of total devotion is worth more than hours of hectic exertion. The aim is to set mankind free and to dismiss everything that is bound up in false notions.

Why is the number seven lucky--even holy--in almost every culture? Why do we speak of the four corners of the earth? Why do cats have nine lives (except in Iran, where they have seven)? From literature to folklore to private superstitions, numbers play a conspicuous role in our daily lives. But in this fascinating book, Annemarie Schimmel shows that numbers have been filled with mystery and meaning since the earliest times, and across every society. In The Mystery of Numbers Annemarie Schimmel conducts an illuminating tour of the mysteries attributed to numbers over the centuries. She begins with an informative and often surprising introduction to the origins of number systems: pre-Roman Europeans, for example, may have had one based on twenty, not ten (as suggested by the English word "score" and the French word for 80, quatrevingt --four times twenty), while the Mayans had a system more sophisticated than our own. Schimmel also reveals how our fascination with numbers has led to a rich cross-fertilization of mathematical knowledge: "Arabic" numerals, for instance, were picked up by Europe from the Arabs, who had earlier adopted them from Indian sources ("Algorithm" and "algebra" are corruptions of the Arabic author and title names of a mathematical text prized in medieval Europe). But the heart of the book is an engrossing guide to the symbolism of numbers. Number symbolism, she shows, has deep roots in Western culture, from the philosophy of the Pythagoreans and Platonists, to the religious mysticism of the Cabala and the Islamic Brethren of Purity, to Kepler's belief that the laws of planetary motion should be mathematically elegant, to the unlucky thirteen. After exploring the sources of number symbolism, Schimmel examines individual numbers ranging from one to ten thousand, discussing the meanings they have had for Judaic, Christian, and Islamic traditions, with examples from Indian, Chinese, and Native American cultures as well. Two, for instance, has widely been seen as a number of contradiction and polarity, a number of discord and antithesis. And six, according to ancient and neo-platonic thinking, is the most perfect number because it is both the sum and the product of its parts (1+2+3=6 and 1x2x3=6). Using examples ranging from the Bible to the Mayans to Shakespeare, she shows how numbers have been considered feminine and masculine, holy and evil, lucky and unlucky. A highly respected scholar of Islamic culture, Annemarie Schimmel draws on her vast knowledge to paint a rich, cross-cultural portrait of the many meanings of numbers. Engaging and accessible, her account uncovers the roots of a phenomenon we all feel every Friday the thirteenth.