The Romantic Reviewers

First published in 1969. This study of literary reviewing in the early nineteenth century is concerned with contemporary criticism of the works of the major Romantic poets – Wordsworth, Coleridge, Byron, Shelley and Keats – and of seven other notable Romantic writers including Hazlitt, Lamb and Scott. The criticism of all works in prose and verse, excluding novels, published by these writers between 1802 and 1824 is described and analysed. This study also considers the policies and practices of the reviews, and their political, religious and moral attitudes in literary matters. This title will be of interest to students of literature.

Accompanied by a sound disc (digital; 4 3/4 in.) by the same name which is available in Multimedia : CD 6.

When they face the most baffling missing person's case of their careers, a fiercely ambitious lawyer and a homicide detective have no one to turn to for help except each other, from New York Times bestselling author Laura Griffin. Up-and-coming attorney Leigh Larson fights for victims of sexual extortion, harassment, and online abuse. She is not afraid to go after the sleaziest targets to get payback for her clients. Leigh is laser-focused on her career—to the exclusion of everything else—until a seemingly routine case and a determined cop turn her world upside down. Austin homicide detective Brandon Reynolds is no stranger to midnight callouts. But when he gets summoned to an abandoned car on a desolate road, he quickly realizes he's dealing with an unusual crime scene. A pool of blood in the nearby woods suggests a brutal homicide. But where is the victim? The vehicle is registered to twenty-six-year-old Vanessa Adams. Searching the car, all Brandon finds is a smear of blood and a business card for Leigh Larson, attorney-at-law. Vanessa had hired Leigh just before her disappearance, but Leigh has no leads on who could have wanted her dead. Faced with bewildering evidence and shocking twists, Leigh and Brandon must work against the clock to chase down a ruthless criminal who is out for vengeance.

The Instant New York Times Bestseller and TikTok Sensation! As seen on THE VIEW! A BuzzFeed Best Summer Read of 2021 When a fake relationship between scientists meets the irresistible force of attraction, it throws one woman's carefully calculated theories on love into chaos. As a third-year Ph.D. candidate, Olive Smith doesn't believe in lasting romantic relationships--but her best friend does, and that's what got her into this situation. Convincing Anh that Olive is dating and well on her way to a happily ever after was always going to take more than hand-wavy Jedi mind tricks: Scientists require proof. So, like any self-respecting biologist, Olive panics and kisses the first man she sees. That man is none other than Adam Carlsen, a young hotshot professor--and well-known ass. Which is why Olive is positively floored when Stanford's reigning lab tyrant agrees to keep her charade a secret and be her fake boyfriend. But when a big science conference goes haywire, putting Olive's career on the Bunsen burner, Adam surprises her again with his unyielding support and even more unyielding...six-pack abs. Suddenly their little experiment feels dangerously close to combustion. And Olive discovers that the only thing more complicated than a hypothesis on love is putting her own heart under the microscope.

The cozy comforts of an English village bookstore open up a world of new possibilities for Evie Starling in this charming new romantic comedy from New York Times bestselling author Samantha Young. At thirty-three-years old Evangeline Starling’s life in Chicago is missing that special something. And when she’s passed over for promotion at work, Evie realizes she needs to make a change. Some time away to regain perspective might be just the thing. In a burst of impulsivity, she plans a holiday in a quaint English village. The holiday package comes with a temporary position at Much Ado About Books, the bookstore located beneath her rental apartment. There’s no better dream vacation for the bookish Evie, a life-long Shakespeare lover. Not only is Evie swept up in running the delightful store as soon as she arrives, she’s drawn into the lives, loves and drama of the friendly villagers. Including Roane Robson, the charismatic and sexy farmer who tempts Evie every day with his friendly flirtations. Evie is determined to keep him at bay because a holiday romance can only end in heartbreak, right? But Evie can’t deny their connection and longs to trust in her handsome farmer that their whirlwind romance could turn in to the forever kind of love.

First published in 1969. This study of literary reviewing in the early nineteenth century is concerned with contemporary criticism of the works of the major Romantic poets – Wordsworth, Coleridge, Byron, Shelley and Keats – and of seven other notable Romantic writers including Hazlitt, Lamb and Scott. The criticism of all works in prose and verse, excluding novels, published by these writers between 1802 and 1824 is described and analysed. This study also considers the policies and practices of the reviews, and their political, religious and moral attitudes in literary matters. This title will be of interest to students of literature.

Up-and-coming screenwriter Cara Kennedy has the biggest meeting of her career in two days—but for now, she's on vacation. Her short trip to Ireland is all planned out: See the sites around Dublin Don't think about her jerk of an ex she was supposed to spend this trip with Relax with some Irish whiskey Propose to a sexy Irish musician on Leap Day Wake up married Wait, those last two things weren't on her list... A whirlwind trip to Ireland is supposed to end with a suitcase full of wool sweaters and souvenir pint glasses—not a husband you only just met! After one-too-many whiskeys, fledgling screenwriter Cara Kennedy takes a page out of someone else's script when she gets caught up in the Irish tradition of women proposing on Leap Day. She wakes the next morning with a hot guy in her bed and a tin foil ring on her finger. Her flight is in four hours, and she has the most important meeting of her career in exactly two days—nothing she can do except take her new husband (and his adorable dog) back to LA with her and try to untangle the mess she's made of her life... Perfect for fans of: Friends to lovers romance Sexy Irish brogue Sensual, slow burn romance When everything goes wrong, but it's so right

Stonewall Honor Book * A Time Magazine Best YA Book of All Time "A book for warriors, divas, artists, queens, individuals, activists, trend setters, and anyone searching for the courage to be themselves.”—Mackenzi Lee, New York Times bestselling author of The Gentleman’s Guide to Vice and Virtue It’s 1989 in New York City, and for three teens, the world is changing. Reza is an Iranian boy who has just moved to the city with his mother to live with his stepfather and stepbrother. He’s terrified that someone will guess the truth he can barely acknowledge about himself. Reza knows he’s gay, but all he knows of gay life are the media’s images of men dying of AIDS. Judy is an aspiring fashion designer who worships her uncle Stephen, a gay man with AIDS who devotes his time to activism as a member of ACT UP. Judy has never imagined finding romance...until she falls for Reza and they start dating. Art is Judy’s best friend, their school’s only out and proud teen. He’ll never be who his conservative parents want him to be, so he rebels by documenting the AIDS crisis through his photographs. As Reza and Art grow closer, Reza struggles to find a way out of his deception that won’t break Judy’s heart—and destroy the most meaningful friendship he’s ever known. This is a bighearted, sprawling epic about friendship and love and the revolutionary act of living life to the fullest in the face of impossible odds.

From some of the biggest names in Regency historical romance, 25 wickedly witty, lusciously romantic and sublimely sensual short stories. Stories replete with oversexed aristocrats, posturing courtesans and feuding dukes and duchesses tell of a beautiful lady awakened by a passion more powerful than anything she has ever known, one that could doom or save her; a disgraced rake who, given a final chance to redeem himself, discovers love has rules of its own; and a luscious young beauty fed up with proper tea parties and elegant balls who disguises herself to enjoy a soirée of uninhibited pleasure. As the passion mounts, so do the complications... Includes big name contributors such as Anna Campbell, Lorraine Heath, Barbara Metzger, Deborah Raleigh and Elizabeth Boyle.

Originally published in 1984, Reading the Romance challenges popular (and often demeaning) myths about why romantic fiction, one of publishing's most lucrative categories, captivates millions of women readers. Among those who have disparaged romance reading are feminists, literary critics, and theorists of mass culture. They claim that romances enforce the woman reader's dependence on men and acceptance of the repressive ideology purveyed by popular culture. Radway questions such claims, arguing that critical attention "must shift from the text itself, taken in isolation, to the complex social event of reading." She examines that event, from the complicated business of publishing and distribution to the individual reader's engagement with the text. Radway's provocative approach combines reader-response criticism with anthropology and feminist psychology. Asking readers themselves to explore their reading motives, habits, and rewards, she conducted interviews in a midwestern town with forty-two romance readers whom she met through Dorothy Evans, a chain bookstore employee who has earned a reputation as an expert on romantic fiction. Evans defends her customers' choice of entertainment; reading romances, she tells Radway, is no more harmful than watching sports on television. "We read books so we won't cry" is the poignant explanation one woman offers for her reading habit. Indeed, Radway found that while the women she studied devote themselves to nurturing their families, these wives and mothers receive insufficient devotion or nurturance in return. In romances the women find not only escape from the demanding and often tiresome routines of their lives but also a hero who supplies the tenderness and admiring attention that they have learned not to expect. The heroines admired by Radway's group defy the expected stereotypes; they are strong, independent, and intelligent. That such characters often find themselves to be victims of male aggression and almost always resign themselves to accepting conventional roles in life has less to do, Radway argues, with the women readers' fantasies and choices than with their need to deal with a fear of masculine dominance. These romance readers resent not only the limited choices in their own lives but the patronizing atitude that men especially express toward their reading tastes. In fact, women read romances both to protest and to escape temporarily the narrowly defined role prescribed for them by a patriarchal culture. Paradoxically, the books that they read make conventional roles for women seem desirable. It is this complex relationship between culture, text, and woman reader that Radway urges feminists to address. Romance readers, she argues, should be encouraged to deliver their protests in the arena of actual social relations rather than to act them out in the solitude of the imagination. In a new introduction, Janice Radway places the book within the context of current scholarship and offers both an explanation and critique of the study's limitations.