The Rivals Of Versailles

"And you thought sisters were a thing to fear. In this scandalous follow-up to Sally Christie's clever and absorbing debut, we meet none other than the Marquise de Pompadour, one of the greatest beauties of her generation and the first bourgeois mistress ever to grace the hallowed halls of Versailles. I write this before her blood is even cold. She is dead, suddenly, from a high fever. The King is inconsolable, but the way is now clear. The way is now clear. The year is 1745. Marie-Anne, the youngest of the infamous Nesle sisters and King Louis XV's most beloved mistress, is gone, making room for the next Royal Favorite. Enter Jeanne-Antoinette Poisson, a stunningly beautiful girl from the middle classes. Fifteen years prior, a fortune teller had mapped out young Jeanne's destiny: she would become the lover of a king and the most powerful woman in the land. Eventually connections, luck, and a little scheming pave her way to Versailles and into the King's arms. All too soon, conniving politicians and hopeful beauties seek to replace the bourgeois interloper with a more suitable mistress. As Jeanne, now the Marquise de Pompadour, takes on her many rivals--including a lustful lady-in-waiting; a precocious fourteen-year-old prostitute, and even a cousin of the notorious Nesle sisters--she helps the king give himself over to a life of luxury and depravity. Around them, war rages, discontent grows, and France inches ever closer to the Revolution. Enigmatic beauty, social climber, actress, trendsetter, patron of the arts, spendthrift, whoremonger, friend, lover, foe. History books may say many things about the famous Marquise de Pompadour, but one thing is clear: for almost twenty years, she ruled France and the King's heart. Told in Christie's witty and modern style, this second book in the Mistresses of Versailles trilogy will delight and entrance fans as it once again brings to life the world of eighteenth century Versailles in all its pride, pestilence and glory"--

In the final installment of Sally Christie’s “tantalizing” (New York Daily News) Mistresses of Versailles trilogy, Jeanne Becu, a woman of astounding beauty but humble birth, works her way from the grimy back streets of Paris to the palace of Versailles, where the aging King Louis XV has become a jaded and bitter old philanderer. Jeanne bursts into his life and, as the Comtesse du Barry, quickly becomes his official mistress. “That beastly bourgeois Pompadour was one thing; a common prostitute is quite another kettle of fish.” After decades of suffering the King's endless stream of Royal Favorites, the princesses of the Court have reached a breaking point. Horrified that he would bring the lowborn Comtesse du Barry into the hallowed halls of Versailles, Louis XV’s daughters, led by the indomitable Madame Adelaide, vow eternal enmity and enlist the dauphine Marie Antoinette in their fight against the new mistress. But as tensions rise and the French Revolution draws closer, a prostitute in the palace soon becomes the least of the nobility’s concerns. Told in Christie’s witty and engaging style, the final book in The Mistresses of Versailles trilogy will delight and entrance fans as it once again brings to life the sumptuous and cruel world of eighteenth century Versailles, and France as it approaches irrevocable change.

Court intriguers are beginning to sense that young King Louis XV, after seven years of marriage, is tiring of his Polish wife. The race is on to find a mistress for the royal bed. The King's scheming ministers push Louise, the eldest of the aristocratic Nesle sisters, into the arms of the King. Over the following decade, of the five Nesle sisters-- Louise, Pauline, Diane, Hortense, and Marie-Anne-- four will become mistresses to King Louis XV. All will conspire, betray, suffer, and triumph in a desperate fight for both love and power.

This book brings vividly to life the courtiers and servants of the imperial court in Vienna and the royal court at Paris-Versailles. Drawing on a wealth of material masterfully set in a comparative context, the book makes a unique contribution to the field of court studies. Staff, numbers, costs and hierarchies; daily routines and ceremonies; court favourites and the nature of rulership; the integrative and centripetal forces of the central courtly establishment: all are seen in a long-term, comparative perspective that highlights both the similarities and the distinctiveness of developments in France and the Habsburg lands. In the process, most conventional views of each court - and of court life in general - are challenged, and an alternative interpretation emerges. Finally, by relocating the household in the heart of the early modern state, Vienna and Versailles forces us to rethink the process of statebuilding and the notion of 'absolutism'.

Versailles is the story of an expansive spirit locked in a pretty body and an impossible moment in history. As the novel begins, fourteen-year-old Marie Antoinette is traveling from Austria to France to meet her fiancé, the mild, abstracted Louis. He will become the sixteenth Louis to reign in France, and Antoinette will be his queen, hemmed in by towering hairdos, the xenophobic suspicion of her subjects, the misogyny of her detractors, the larger-than-life figures of Mirabeau, Du Barry, Robespierre, and the manifold twists and turns of the palace she calls home. The novel moves from room to room, from garden to fountain, occasionally breaking into playlets in which we glimpse characters struggling to mind their step in the great ballroom of the world. Driving our tour is the relentless engine of time, that friend to youth, for whom anything is possible. Antoinette gives birth to four children, two of whom will outlive her; she falls in love; she dies at the guillotine. A meditation on time and the soul’s true journey within it, Versailles is at once wittily entertaining and astonishingly wise.

The vivid story of the creation, renovation, and enduring legacy of the most famous building in France: the palace of Versailles Nothing represents the glorious and fraught history of France quite like the Palace of Versailles. Made famous by the absolutist king Louis XIV, Versailles became legendary for the splendor of its revels-but then, after the Revolution of 1789, it fell into disrepute as a reminder of royal excess and abuse of power. Subsequent French governments struggled with how to handle the opulent palace and grounds-should the site be memorialized, trivialized, rehabilitated, or even destroyed outright? Drawing on a new wave of recent research, historian Colin Jones masterfully traces the evolution of Versailles as a space of royal politics and aristocratic pleasures, a building of mythic status, and one of the world's great tourist destinations. Accessible and compelling, this book is a must-read for all Francophiles.

An eye-opening narrative of how geometric principles fundamentally shaped our world On a cloudy day in 1413, a balding young man stood at the entrance to the Cathedral of Florence, facing the ancient Baptistery across the piazza. As puzzled passers-by looked on, he raised a small painting to his face, then held a mirror in front of the painting. Few at the time understood what he was up to; even he barely had an inkling of what was at stake. But on that day, the master craftsman and engineer Filippo Brunelleschi would prove that the world and everything within it was governed by the ancient science of geometry. In Proof!, the award-winning historian Amir Alexander traces the path of the geometrical vision of the world as it coursed its way from the Renaissance to the present, shaping our societies, our politics, and our ideals. Geometry came to stand for a fixed and unchallengeable universal order, and kings, empire-builders, and even republican revolutionaries would rush to cast their rule as the apex of the geometrical universe. For who could doubt the right of a ruler or the legitimacy of a government that drew its power from the immutable principles of Euclidean geometry? From the elegant terraces of Versailles to the broad avenues of Washington, DC and on to the boulevards of New Delhi and Manila, the geometrical vision was carved into the landscape of modernity. Euclid, Alexander shows, made the world as we know it possible.