The Ritual Of Rights In Japan

The Ritual of Rights in Japan challenges the conventional wisdom that the assertion of rights is fundamentally incompatible with Japanese legal, political and social norms. It discusses the creation of a Japanese translation of the word 'rights', Kenri; examines the historical record for words and concepts similar to 'rights'; and highlights the move towards recognising patients' rights in the 1960s and 1970s. Two policy studies are central to the book. One concentrates on Japan's 1989 AIDS Prevention Act, and the other examines the protracted controversy over whether brain death should become a legal definition of death. Rejecting conventional accounts that recourse to rights is less important to resolving disputes than other cultural forms,The Ritual of Rights in Japan uses these contemporary cases to argue that the invocation of rights is a critical aspect of how conflicts are articulated and resolved.

What to do with the dead? In Imperial Japan, as elsewhere in the modernizing world, answering this perennial question meant relying on age-old solutions. Funerals, burials, and other mortuary rites had developed over the centuries with the aim of building continuity in the face of loss. As Japanese coped with the economic, political, and social changes that radically remade their lives in the decades after the Meiji Restoration (1868), they clung to local customs and Buddhist rituals such as sutra readings and incense offerings that for generations had given meaning to death. Yet death, as this highly original study shows, was not impervious to nationalism, capitalism, and the other isms that constituted and still constitute modernity. As Japan changed, so did its handling of the inevitable. Following an overview of the early development of funerary rituals in Japan,Andrew Bernstein demonstrates how diverse premodern practices from different regions and social strata were homogenized with those generated by middle-class city dwellers to create the form of funerary practice dominant today. He describes the controversy over cremation, explaining how and why it became the accepted manner of disposing of the dead. He also explores the conflict-filled process of remaking burial practices, which gave rise, in part, to the suburban "soul parks" now prevalent throughout Japan; the (largely failed) attempt by nativists to replace Buddhist death rites with Shinto ones; and the rise and fall of the funeral procession. In the process, Bernstein shows how today’s "traditional" funeral is in fact an early twentieth-century invention and traces the social and political factors that led to this development. These include a government wanting to separate itself from religion even while propagating State Shinto, the appearance of a new middle class, and new forms of transportation. As these and other developments created new contexts for old rituals, Japanese faced the problem of how to fit them all together. What to do with the dead? is thus a question tied to a still broader one that haunts all societies experiencing rapid change: What to do with the past? Modern Passings is an impressive and far-reaching exploration of Japan’s efforts to solve this puzzle, one that is at the heart of the modern experience.

In premodern Japan, legitimization of power and knowledge in various contexts was sanctioned by consecration rituals (kanjō) of Buddhist origin. This is the first book to address in a comprehensive way the multiple forms and aspects of these rituals also in relation to other Asian contexts. The multidisciplinary chapters in the book address the origins of these rituals in ancient Persia and India and their developments in China and Tibet, before discussing in depth their transformations in medieval Japan. In particular, kanjō rituals are examined from various perspectives: imperial ceremonies, Buddhist monastic rituals, vernacular religious forms (Shugendō mountain cults, Shinto lineages), rituals of bodily transformation involving sexual practice, and the performing arts: a history of these developments, descriptions of actual rituals, and reference to religious and intellectual arguments based on under-examined primary sources. No other book presents so many cases of kanjō in such depth and breadth. This book is relevant to readers interested in Buddhist studies, Japanese religions, the history of Japanese culture, and in the intersections between religious doctrines, rituals, legitimization, and performance.

Japan is one of the most urbanised and industrialised countries in the world. Yet the Japanese continue to practise a variety of religious rituals and ceremonies despite the high-tech, highly regimented nature of Japanese society. Ceremony and Ritual in Japan focuses on the traditional and religious aspects of Japanese society from an anthropological perspective, presenting new material and making cross-cultural comparisons. The chapters in this collection cover topics as diverse as funerals and mourning, sweeping, women's roles in ritual, the division of ceremonial foods into bitter and sweet, the history of a shrine, the playing of games, the exchange of towels and the relationship between ceremony and the workplace. The book provides an overview of the meaning of tradition, and looks at the way in which new ceremonies have sprung up in changing circumstances, while old ones have been preserved, or have developed new meanings.

National surveys indicate that most Japanese, while professing no religious commitment, frequently perform rituals: They regularly tend their family home altars, look after family graves, participate in neighborhood festivals, and visit Shinto shrines and Buddhist temples. Are these rituals mere formalities? Based on fourteen months of fieldwork in Kamakura city near Tokyo, Satsuki Kawano examines the power of ritual and its relevance for modern urbanites. She reveals the indebtedness of ritual to forms that create an elevated context and infuse the mundane with a sense of moral order. By employing acts and environments common to everyday life, Kawano argues, ritual evokes morally positive values such as purity, gratitude, respect, and indebtedness. Rather than objectify morality in a sacred text or religious doctrine, ritual embodies and emplaces a sense of what it means to be a good person and creates moments of personal significance and engagement. In Kamakura, belief is therefore a consequence and not a prerequisite of ritual engagement. Ritual Practice in Modern Japan effectively challenges the widespread assumption that ritual in non-Western societies has little moral significance and that, with modernization, "traditional" practices inevitably disappear. This is a book that will interest scholars and students of cultural anthropology, ritual studies, and Japanese studies.

Women, Rites, and Ritual Objects in Premodern Japan, edited by Karen M. Gerhart, is a multidisciplinary examination of rituals featuring women, in which significant attention is paid to objects produced for and utilized in these rites as a lens through which larger cultural concerns, such as gender politics, the female body, and the materiality of the ritual objects, are explored. The ten chapters encounter women, rites, and ritual objects in many new and interactive ways and constitute a pioneering attempt to combine ritual and gendered analysis with the study of objects. Contributors include: Anna Andreeva, Monica Bethe, Patricia Fister, Sherry Fowler, Karen M. Gerhart, Hank Glassman, Naoko Gunji, Elizabeth Morrissey, Chari Pradel, Barbara Ruch, Elizabeth Self.

Healing lies at the heart of Zen in the home, as Paula Arai discovered in her pioneering research on the ritual lives of Zen Buddhist laywomen. She reveals a vital stream of religious practice that flourishes outside the bounds of formal institutions through sacred rites that women develop and transmit to one another. Everyday objects and common materials are used in inventive ways. For example, polishing cloths, vivified by prayer and mantra recitation, become potent tools. The creation of beauty through the arts of tea ceremony, calligraphy, poetry, and flower arrangement become rites of healing. Bringing Zen Home brings a fresh perspective to Zen scholarship by uncovering a previously unrecognized but nonetheless vibrant strand of lay practice. The creativity of domestic Zen is evident in the ritual activities that women fashion, weaving tradition and innovation, to gain a sense of wholeness and balance in the midst of illness, loss, and anguish. Their rituals include chanting, ingesting elixirs and consecrated substances, and contemplative approaches that elevate cleaning, cooking, child-rearing, and caring for the sick and dying into spiritual disciplines. Creating beauty is central to domestic Zen and figures prominently in Arai’s analyses. She also discovers a novel application of the concept of Buddha nature as the women honor deceased loved ones as “personal Buddhas.” One of the hallmarks of the study is its longitudinal nature, spanning fourteen years of fieldwork. Arai developed a “second-person,” or relational, approach to ethnographic research prompted by recent trends in psychobiology. This allowed her to cultivate relationships of trust and mutual vulnerability over many years to inquire into not only the practices but also their ongoing and changing roles. The women in her study entrusted her with their life stories, personal reflections, and religious insights, yielding an ethnography rich in descriptive and narrative detail as well as nuanced explorations of the experiential dimensions and effects of rituals. In Bringing Zen Home, the first study of the ritual lives of Zen laywomen, Arai applies a cutting-edge ethnographic method to reveal a thriving domain of religious practice. Her work represents an important contribution on a number of fronts—to Zen studies, ritual studies, scholarship on women and religion, and the cross-cultural study of healing.

In this pioneering study of the shifting status of the emperor within court society and the relationship between the state and the Buddhist community during the Heian period (794–1185), Asuka Sango details the complex ways in which the emperor and other elite ruling groups employed Buddhist ritual to legitimate their authority. Although considered a descendant of the sun goddess, Amaterasu, the emperor used Buddhist idiom, particularly the ideal king as depicted in the Golden Light Sūtra, to express his right to rule. Sango’s book is the first to focus on the ideals presented in the sūtra to demonstrate how the ritual enactment of imperial authority was essential to justifying political power. These ideals became the basis of a number of court-sponsored rituals, the most important of which was the emperor’s Misai-e Assembly. Sango deftly traces the changes in the assembly’s format and status throughout the era and the significant shifts in the Japanese polity that mirrored them. In illuminating the details of these changes, she challenges dominant scholarly models that presume the gradual decline of the political and liturgical influence of the emperor over the course of the era. She also compels a reconsideration of Buddhism during the Heian as “state Buddhism” by showing that monks intervened in creating the state’s policy toward the religion to their own advantage. Her analysis further challenges the common view that Buddhism of the time was characterized by the growth of private esoteric rites at the expense of exoteric doctrinal learning. The Halo of Golden Light draws on a wide range of primary sources—from official annals and diaries written by courtiers and monks to ecclesiastical records and Buddhist texts—many of them translated or analyzed for the first time in English. In so doing, the work brings to the surface surprising facets in the negotiations between religious ideas and practices and the Buddhist community and the state.

Based on extensive fieldwork, Nature’s Embrace reveals the emerging pluralization of death rites in postindustrial Japan. Low birth rates and high numbers of people remaining permanently single have led to a shortage of ceremonial caregivers (most commonly married sons and their wives) to ensure the transformation of the dead into ancestors resting in peace. Consequently, older adults are increasingly uncertain about who will perform memorial rites for them and maintain their graves. In this study, anthropologist Satsuki Kawano examines Japan’s changing death rites from the perspective of those who elect to have their cremated remains scattered and celebrate their return to nature. For those without children, ash scattering is an effective strategy, as it demands neither a grave nor a caretaker. However, the adoption of ash scattering is not limited to the childless. By forgoing graves and lightening the burden on younger generations to care for them, this new mortuary practice has given its proponents an increased sense of control over their posthumous existence. By choosing ash scattering, older adults contest their dependent status in Japanese society, which increasingly views the aged as passive care recipients. As such, this study explores not only new developments in mortuary practices, but also voices for increased self-sufficiency in late adulthood and the elderly’s reshaping of ties with younger generations. Nature’s Embrace offers insightful discussion on the rise of new death rites and ideologies, older adults’ views of their death rites, and Japan’s changing society through the eyes of aging urbanites. This book will engage a wide range of readers interested in death and culture, mortuary ritual, and changes in age relations in postindustrial societies.

Ritual is too often equated with unvarying or repetitive behavior. This impression is encouraged by the ethnographic tendency toward an overly narrow time frame, which highlights current relationships and conditions rather than long-term developments. The Rousing Drum takes a different view. It adopts a historical perspective encompassing several hundred years in exploring the role of ritual as an effective medium for negotiating sociopolitical and economic change. The setting is Furukawa, a town located in Japan's mountainous interior. Every spring the local Shinto shrine festival provides an opportunity for enacting social relationships and attitudes. By day, a portable shrine containing the spirit of the guardian deity is escorted through town in a stately procession. At night, however, a different scenario unfolds. A barrel-shaped drum is borne through the nighttime streets on a massive grid-like platform. Prominent members of the community are obliged to ride upon the platform, while teams of young adults rush out and attack it as it passes through their respective neighborhoods. The action can become quite unruly, and random fights and injuries are accepted as inevitable correlates. In analyzing the festival over time, Schnell reveals a dramatic transformation. The drum ritual, which originated as a minor preliminary to the other events, emerged during the late 1800s as an occasion for airing hostilities and settling scores. As Japan's modernization progressed, the ritual performance came to embody a symbolic challenge to institutionalized authority, and occasionally escalated into politically motivated violence. While the religious ceremonies observed during the day were appropriated by local power holders, the nighttime drum ritual represented a folk response to the officially sanctioned liturgy. The festival as a whole thus represented the clash of competing ideologies within the context of a single public forum. Today's ritual, rather tame by comparison, is being transformed into a tourist attraction aligned with the town's economic development objectives. Schnell's careful examination of the ethnohistorical data offers a valuable new perspective on Japanese festivals as well as the events and conditions that influence their development. His innovative look at ritual behavior over time persuades us that we can grasp the underlying significance of such activities only if we consider them within the context of larger historical patterns.