The Red Stranger

A poignant young adult novel set in the goldfields of Otago during the 1860s goldrush. The story by an award-wining YA writer follows the lives of two young people, both very different, drawn to the goldfields for the same reason - they all hope to strike it rich. One of the main characters is a young Chinese girl, and the other a European boy. As well as being a plot-driven story, this book examines the cultural differences between these two. This provides interesting discussion points for New Zealand society today, where we still grapple with many of these same cultural problems. It shows how people are shaped by struggle and adversity and how the goldfields shaped our society in the nineteenth century, changing people who then went on to change their world.

Malcolm Gladwell, host of the podcast Revisionist History and author of the #1 New York Times bestseller Outliers, offers a powerful examination of our interactions with strangers and why they often go wrong—now with a new afterword by the author. A Best Book of the Year: The Financial Times, Bloomberg, Chicago Tribune, and Detroit Free Press How did Fidel Castro fool the CIA for a generation? Why did Neville Chamberlain think he could trust Adolf Hitler? Why are campus sexual assaults on the rise? Do television sitcoms teach us something about the way we relate to one another that isn’t true? Talking to Strangers is a classically Gladwellian intellectual adventure, a challenging and controversial excursion through history, psychology, and scandals taken straight from the news. He revisits the deceptions of Bernie Madoff, the trial of Amanda Knox, the suicide of Sylvia Plath, the Jerry Sandusky pedophilia scandal at Penn State University, and the death of Sandra Bland—throwing our understanding of these and other stories into doubt. Something is very wrong, Gladwell argues, with the tools and strategies we use to make sense of people we don’t know. And because we don’t know how to talk to strangers, we are inviting conflict and misunderstanding in ways that have a profound effect on our lives and our world. In his first book since his #1 bestseller David and Goliath, Malcolm Gladwell has written a gripping guidebook for troubled times.

A SUNDAY TIMES BESTSELLER Stranger Than Kindness is a journey in images and words into the creative world of musician, storyteller and cultural icon Nick Cave. This highly collectable book invites the reader into the innermost core of the creative process and paves the way for an entirely new and intimate meeting with the artist, presenting Cave’s life, work and inspiration and exploring his many real and imagined universes. It features full colour reproductions of original artwork, handwritten lyrics, photographs and collected personal artefacts along with commentary and meditations from Nick Cave, Janine Barrand and Darcey Steinke. Stranger Than Kindness asks what shapes our lives and makes us who we are, and celebrates the curiosity and power of the creative spirit. The book has been developed and curated by Nick Cave in collaboration with Christina Back. The images were selected from ‘Stranger Than Kindness: The Nick Cave Exhibition’, opening at the Royal Danish Library in Copenhagen in June 2020.

(Book). Stalking the Red Headed Stranger is a guide to the art and history of professional song plugging. But this isn't your run-of-the-mill history book/instruction manual. It is an in-depth, up-close look into the real music business by industry insider and Grammy Award nominee Randy Poe, who has represented literally hundreds of the greatest songs in the history of popular music, including "Stand By Me," "Happy Together," "Jailhouse Rock," "Under the Boardwalk," "Hound Dog," "What a Wonderful World," "Spanish Harlem," "Chapel of Love," "Summer in the City," "Love Potion No. 9," and "Kansas City." But wait! There's so much more! Interwoven throughout this entertaining and enlightening book is the hysterical saga of the author as he chases American icon Willie Nelson across Canada via plane, taxi, rental car, and even ferryboat in an attempt to pitch a single song to the Red Headed Stranger. And what happens on Willie's bus doesn't stay on Willie's bus. Stalking the Red Headed Stranger , or How to Get Your Songs into the Hands of the Artists Who Really Matter Through Show Business Trickery, Underhanded Skullduggery, Shrewdness, and Chicanery, as Well as Various Less Nefarious Methods of Song Plugging: A Practical Handbook and Historical Portrait is the funniest, hippest, longest-titled how-to book you'll read this year.

Just when you'd given up hope, the red-headed stranger, Mary Jane Watson, is back.

Rev. Julian Shay strode into the saloon and pulled out his six shooter and killed his wife and the man she had left him for.

Long recognized as a master teacher at writing programs like VONA, the Loft, and the Stonecoast MFA, with A Stranger's Journey, David Mura has written a book on creative writing that addresses our increasingly diverse American literature. Mura argues for a more inclusive and expansive definition of craft, particularly in relationship to race, even as he elucidates timeless rules of narrative construction in fiction and memoir. His essays offer technique-focused readings of writers such as James Baldwin, ZZ Packer, Maxine Hong Kingston, Mary Karr, and Garrett Hongo, while making compelling connections to Mura's own life and work as a Japanese American writer. In A Stranger's Journey, Mura poses two central questions. The first involves identity: How is writing an exploration of who one is and one's place in the world? Mura examines how the myriad identities in our changing contemporary canon have led to new challenges regarding both craft and pedagogy. Here, like Toni Morrison's Playing in the Dark or Jeff Chang's Who We Be, A Stranger's Journey breaks new ground in our understanding of the relationship between the issues of race, literature, and culture. The book's second central question involves structure: How does one tell a story? Mura provides clear, insightful narrative tools that any writer may use, taking in techniques from fiction, screenplays, playwriting, and myth. Through this process, Mura candidly explores the newly evolved aesthetic principles of memoir and how questions of identity occupy a central place in contemporary memoir.

She wasn't supposed to fall in love with her next door neighbor “Can you hear me?” Adaline Starling needs a new tenant for the flat above her store, and Callum Hague needs somewhere to live. Adaline is a genius, hiding in a magazine store, she has never opened. She is trying to convince the world that she is whole, that there is nothing wrong with her. Callum Hague likes to fix things, preferably thousands of miles away from his hometown. He’s returned from a year long project in Nairobi where he has built a school. They both have hidden imperfections that have shaped their lives from childhood. If they were left to their own devices, they would both become reclusive. Their best friends think they would be perfect for each other and set about fixing them up. It takes a serious incident for them to confess their invisible flaws, but will they accept each other’s hidden imperfection? With supporting characters that include a cheeky apprentice and an overbearing charity chairwoman. Will Adaline turn a deaf ear to everyone’s advice to own her imperfections?

Sing, Stranger is a comprehensive historical anthology of a century of American poetry written in Yiddish and now translated into English for the first time. This anthology reveals both an amazing achievement of Jewish creative work and an important body of American poetry.