The Rat Eater

'I was born on a bloody road. The blood was my mother's. My sisters couldn't find a midwife in time. There was no way my mother could get relief from the upper-caste well, and so they tell me, that my sisters ran to some puddles to fill their little mouths up and then ran back to where my mother was almost dying of pain and then spat out some water on her face and the rest down below on mine. That is how I came into this world.' Someone is disposing of politicians one by one. And the murderer has borrowed from the genius of Agatha Christie. When a local Mumbai politician is found wrapped in a plastic bag behind a park bench, the dashing and capable DIG Ajay Biswas is told to take over the case. Ajay arrives in Mumbai along with his wife Aparajita and soon discovers he is being misled by his Mumbai compatriots who are determined to save their own skin. Someone is deliberately providing false leads; his presence is not wanted. While in Mumbai, Ajay and Aparajita meet up with their old college friend Akhil Sukumar. Akhil and Aparajita have had a tortuous history, and it appears that the one-time lovers now want nothing more than to let bygones be bygones. Easier said. From the barren lands of rural India to the immaculate lawns of Cambridge, The Rat Eater is a book whose uninhibitedness may offend purists as it lays bare a few uncomfortable truths about India-a country entangled in a web of caste, corruption and cover-ups. The privileged flourish at the cost of the oppressed. The price has to be paid, and someone has decided that it needs to be paid in blood.

“For fans of The Handmaid’s Tale...a debut novel with a dark setting and an unforgettable heroine...is a riveting depiction of hard-won female empowerment” (The Washington Post). The Sin Eater walks among us, unseen, unheard Sins of our flesh become sins of Hers Following Her to the grave, unseen, unheard The Sin Eater Walks Among Us. For the crime of stealing bread, fourteen-year-old May receives a life sentence: she must become a Sin Eater—a shunned woman, brutally marked, whose fate is to hear the final confessions of the dying, eat ritual foods symbolizing their sins as a funeral rite, and thereby shoulder their transgressions to grant their souls access to heaven. Orphaned and friendless, apprenticed to an older Sin Eater who cannot speak to her, May must make her way in a dangerous and cruel world she barely understands. When a deer heart appears on the coffin of a royal governess who did not confess to the dreadful sin it represents, the older Sin Eater refuses to eat it. She is taken to prison, tortured, and killed. To avenge her death, May must find out who placed the deer heart on the coffin and why. “Very much reminiscent of The Handmaid’s Tale…it transcends its historical roots to give us a modern heroine” (Kirkus Reviews). “A novel as strange as it is captivating” (BuzzFeed), The Sin Eater “is a treat for fans of feminist speculative fiction” (Publishers Weekly) and “exactly what historical fiction lovers have unknowingly craved” (New York Journal of Books).

"A father tells outlandish stories while trying to get his young son, who is a very picky eater, to eat foods he thinks he will not like."--Title page verso.

This in-depth look at the science of decomposition showcases how and why living things are recycled by the planet and its creatures after death. Full color.

"I had always imagined that my life story...would have a great first line: something like Nabokov's 'Lolita, light of my life, fire of my loins;' or if I could not do lyric, then something sweeping like Tolstoy's 'All happy families are alike, but every unhappy family is unhappy in its own way.'... When it comes to openers, though, the best in my view has to be the first line of Ford Madox Ford's The Good Soldier: 'This is the saddest story I have ever heard.'" So begins the remarkable tale of Firmin the rat. Born in a bookstore in a blighted 1960's Boston neighborhood, Firmin miraculously learns how to read by digesting his nest of books. Alienated from his family and unable to communicate with the humans he loves, Firmin quickly realizes that a literate rat is a lonely rat. Following a harrowing misunderstanding with his hero, the bookseller, Firmin begins to risk the dangers of Scollay Square, finding solace in the Lovelies of the burlesque cinema. Finally adopted by a down-on-his-luck science fiction writer, the tide begins to turn, but soon they both face homelessness when the wrecking ball of urban renewal arrives. In a series of misadventures, Firmin is ultimately led deep into his own imaginative soul--a place where Ginger Rogers can hold him tight and tattered books, storied neighborhoods, and down-and-out rats can find people who adore them. A native of South Carolina, Sam Savage now lives in Madison, Wisconsin. This is his first novel.

The “Garbage Eater” of the title poem in Brett Foster’s provocative collection is a member of a religious sect (some would say cult) in the Bay Area who lives an ascetic life eating scraps from dumpsters. Just as this simple way of life exists within the most technologically advanced region in the world, Foster’s poems are likewise animated by the constant tension between material reality and an unabashed yearning for transcendence. The titles of Foster’s poems—“Like as a ship, that through the Ocean wyde,” “Meditation in an Olive Garden,” “Little Flowers of Dan Quisenberry” —nod to the poems of the classical, medieval, and Renaissance masters he studies as a scholar. In Foster’s vivid imagination, however, they point to the surprises hidden in the quotidian: a trip to the DMV, a visit to a chain restaurant, and the saintly reflections of the Kansas City Royals’ best closer. A lesser, more faddish writer would then tend toward ironic distance, but Foster fearlessly raises such unfashionable subjects as joy, doubt, gratitude, and grief without losing a sly sense of humor, even (as the sample poem shows) about poetry itself. Given its ambition, The Garbage Eater hardly seems a debut work. Foster’s universal subject matter and approachable style will win fans among both the most experienced poetry readers and those easily intimidated by contemporary verse.

Seventeen-year-old Twylla lives in the castle. But although she's engaged to the prince, Twylla isn't exactly a member of the court. She's the executioner. As the Goddess embodied, Twylla instantly kills anyone she touches. Each month, she's taken to the prison and forced to lay her hands on those accused of treason. No one will ever love a girl with murder in her veins. Even the prince, whose royal blood supposedly makes him immune to Twylla's fatal touch, avoids her company.But then a new guard arrives, a boy whose easy smile belies his deadly swordsmanship. And unlike the others, he's able to look past Twylla's executioner robes and see the girl, not the Goddess. Yet Twylla's been promised to the prince, and knows what happens to people who cross the queen. However, a treasonous secret is the least of Twylla's problems. The queen has a plan to destroy her enemies, a plan that requires a stomach-churning, unthinkable sacrifice. Will Twylla do what it takes to protect her kingdom? Or will she abandon her duty in favor of a doomed love?

Arthur the Aardvark and his little sister, D.W., are off to a wedding. Arthur is going to be a page-boy and to hold the wedding ring, but D.W. is too small to be a bridesmaid. However, when the ring rolls away, it takes D.W. and her own big idea to save the day.

King among the mice and eater of all the cheese. Regulus, the lord of all squeaking feuds within the wall, is betrayed by those closest to him for the ego he holds so high. Struggles between the just and wicked come to pass in this paramount tale of the darkest and brightest sights in our lives.

Illustrations by Scott Hampton, Bo Hampton, Rand Holmes and Sandy Plunkett Rob Maisch has lived an amazing life. He grew up in a small to medium-sized town, went to college, became a mall manager, has been married several times... And he's lived an amazing life. Because he remembers... All those little gems in life that we each encounter but most of us forget, here Rob confesses them all, each story illustrated in full colour and b/w by some of the most dynamic artists on the popular and underground comics scene. 'Exceptionally well-observed tales' - Booklist