The Rapids

The Rapids is a cultural history of manic depression twinned with a personal narrative told through an innovative approach to writing memoir.

DigiCat Publishing presents to you this special edition of "The Rapids" by Alan Sullivan. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

9-12 yrs.

The Rapids is an exploration of manic depression (also known as bipolar disorder). With reflections on artists such as Carrie Fisher, Kanye West, Saul Bellow, Paul Thomas Anderson, and Spalding Gray, Sam Twyford-Moore takes readers on a literary and cultural tour of mania and what it means to live with a diagnosis of "bipolarity" in contemporary society. He also looks at the condition in our digital world, where someone’s manic episode can unfold live in real time, watched by millions. His own story, told unflinchingly, is shocking and sometimes darkly comic. It gives the book an edge that is not always comfortable but full of insight and empathy. Smart, lively, and well-researched, The Rapids manages to be both a wild ride and introspective at once, exploring a condition that touches thousands of people, directly or indirectly.

Presents advice, backed with studies and the author's own experience as a family counselor, for parents navigating the difficult waters of adolescence.

"Blanchet blends fact and fiction as he weaves together the official history of the town and snapshots of the quotidian life of its residents. ... Intended as an incentive to lure workers to the remote and inaccessible region, Rapide Blanc provided its residents with all the luxuries of middle-class modern life in a pastoral setting until the town was abruptly shut down in 1971 when the company changed hands."--Back cover.

This illustrated history, rich in detail, provides an account of the impact of the Anglican Church on the nineteenth century Red River parish of St. Andrew's, as well as an examination of the origins and development of the Metis community settled near the forks of the Red and Assiniboine Rivers. Robert Coutts focuses his historical eye upon the character of the Church's evangelical approach within the settlement, its attitudes towards the indigenous peoples there, and the relationship between the Church Missionary Society and the Hudson's Bay Company. Within these broader themes, The Road to the Rapids also traces the development of St. Andrew's from frontier mission to rural Anglican outpost, as well as the changing nature of economic and social life within the parish as the century progressed. Accessible and well-researched, this book contributes a fresh interpretation of a historically important subject.