The Quest For Utopia In Twentieth Century America 1900 1960 Introduction The Persistence Of Community The Continuing Tradition Art Colonies New Communes 1900 1920 The Quiet Twenties And The Roaring Thirties New Communities In The 1940s And 1950s 1960 And Beyond

Volume 1, chronicles intentional communities in the 20th century. The chronological account first studies the older groups that were operating until 1900, it then explores the impact of the early 19th-century art colonies, before discussing decade-by-decade the new groups formed up to 1960. -- Volume 2, details the greatest wave of communal living in American history crested in the tumultuous 1960s era including the early 1970s. To the fascination and amusement of more decorous citizens, hundreds of thousands of mostly young dreamers set out to build a new culture apart from the established society. Widely believed by the larger public to be sinks of drug-ridden sexual immorality, the communes both intrigued and repelled the American people. The intentional communities of the 1960s era were far more diverse than the stereotype of the hippie commune would suggest. A great many of them were religious in basis, stressing spiritual seeking and disciplined lifestyles. Others were founded on secular visions of a better society. Hundreds of them became so stable that they survive today. This book surveys the broad sweep of this great social yearning from the first portents of a new type of communitarianism in the early 1960s through the waning of the movement in the mid-1970s. Based on more than five hundred interviews conducted for the 60s Communes Project, among other sources, it preserves a colorful and vigorous episode in American history. The book includes an extensive directory of active and non-active communes, complete with dates of origin and dissolution. -- Volume 3, Communes in America: 1975–2000 is the final volume in Miller’s trilogy on the history of American intentional communities. Providing a comprehensive survey of communities during the last quarter of the twentieth century, Miller offers a detailed study of their character, scope, and evolution. Between 1975 and 2000, the American communal experience evolved dramatically in response to social and environmental challenges that confronted American society as a whole. Long-accepted social norms and institutions―family, religion, medicine, and politics―were questioned as the divorce rate increased, interest in spiritual teachings from Asia grew, and alternative medicine gained ground. Cohousing flourished as a response to an increasing sense of alienation and a need to balance community and private lives. At the same time, Americans became increasingly concerned with environmental protection and preservation of our limited resources. In the face of these social changes, communal living flourished as people sought out communities of like-minded individuals to pursue a higher purpose. Organized topically, each chapter in the volume provides basic information about various types of communities and detailed examples of each type, from ecovillages and radical Christian communities to pagan communes and cohousing experiments. Miller also takes a step back to look at the prevalence of communal living in American life over the twentieth century. Based on exhaustive research, Miller’s final volume provides an indispensable survey and guide to understanding utopianism’s enduring presence in American culture.

This book is the long-anticipated first volume of a two-volume work that will chronicle intentional communities in the twentieth century. Timothy Miller's chronological account is likely to be the standard work on the subject. Communities of the early twentieth century were often obscure and short-lived enterprises that left little trace of themselves. Historical accounts of them are few, and the ephemera such ventures produced have rarely been collected. Miller first looks at the older groups that were operating until I 900. He explores their impact of the early twentieth-century art colonies, and then turns to a decade-by-decade discussion of many dozens of new groups formed up to 1960. His comprehensive perspective—a synopsis of the first sixty years of this century—has never before been undertaken in the study of communal groups.

The book describes the ways in which American thinkers and artists in the first two decades of the twentieth century challenged notions that a single principle explained all relevant phenomena, opting instead for a pluralistic world in which many truths, goods, and beauties coexisted. It argues that the bracketing of the idea that all knowledge was integrated allowed for a new appreciation of the importance of context and contingency.

An insightful look at the long tradition of communal societies in the United States from colonial times to the present, examining their ideological foundations, daily life, and relationships to mainstream American society. With this volume, a fascinating, yet often overlooked, part of the American story is brought to the forefront. In Utopias in American History, independent scholar Jyotsna Sreenivasan makes the case that from the founding of the American colonies to the hippie communes of the 1960s to the cohousing movement, which started in the 1990s, the United States has the most sustained tradition of utopianism of any modern country. Accessible yet authoritative and highly informative, Utopias in American History offers dozens of alphabetically organized entries covering all aspects of communal societies from colonial times to the present. Featured are descriptions of over 40 major utopian communities, both religious and secular. Entries are organized in terms of their histories, belief systems, leadership, economics, daily life, and the reactions they drew from mainstream society.

"I too am not a bit tamed—I too am untranslatable / I sound my barbaric yawp over the roofs of the world."—Walt Whitman, "Song of Myself," Leaves of Grass The American Yawp is a free, online, collaboratively built American history textbook. Over 300 historians joined together to create the book they wanted for their own students—an accessible, synthetic narrative that reflects the best of recent historical scholarship and provides a jumping-off point for discussions in the U.S. history classroom and beyond. Long before Whitman and long after, Americans have sung something collectively amid the deafening roar of their many individual voices. The Yawp highlights the dynamism and conflict inherent in the history of the United States, while also looking for the common threads that help us make sense of the past. Without losing sight of politics and power, The American Yawp incorporates transnational perspectives, integrates diverse voices, recovers narratives of resistance, and explores the complex process of cultural creation. It looks for America in crowded slave cabins, bustling markets, congested tenements, and marbled halls. It navigates between maternity wards, prisons, streets, bars, and boardrooms. The fully peer-reviewed edition of The American Yawp will be available in two print volumes designed for the U.S. history survey. Volume I begins with the indigenous people who called the Americas home before chronicling the collision of Native Americans, Europeans, and Africans.The American Yawp traces the development of colonial society in the context of the larger Atlantic World and investigates the origins and ruptures of slavery, the American Revolution, and the new nation's development and rebirth through the Civil War and Reconstruction. Rather than asserting a fixed narrative of American progress, The American Yawp gives students a starting point for asking their own questions about how the past informs the problems and opportunities that we confront today.

Like music, art is a universal language. Although looking at works of art is a pleasurable enough experience, to appreciate them fully requires certain skills and knowledge." --Carol Strickland, from the introduction to The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern * This heavily illustrated crash course in art history is revised and updated. This second edition of Carol Strickland's The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern offers an illustrated tutorial of prehistoric to post-modern art from cave paintings to video art installations to digital and Internet media. * Featuring succinct page-length essays, instructive sidebars, and more than 300 photographs, The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern takes art history out of the realm of dreary textbooks, demystifies jargon and theory, and makes art accessible-even at a cursory reading. * From Stonehenge to the Guggenheim and from Holbein to Warhol, more than 25,000 years of art is distilled into five sections covering a little more than 200 pages.