The Quest A Heroic Journey Of Adventure Rescue And Redemption

ESTEEMED ARCHAEOLOGIST CILLIAN McGONEGAL had gone missing. He was onto a discovery that would shake up what we know about ancient Egyptian mythology, its origins, time and our place in the world. Then he vanished. After two years, the McGonegal family had given up ever finding their famous member. Then one day a letter arrived for the other McGonegal brother, Patrick. It was astounding. Cillian was alive and what’s more he had solved the mystery of the Serpent Mound. There is danger in this discovery however, for not all who want answers have the noblest reasons as Cillian and his brother will soon discover. The concept of time and space is relative, and it all begins with a stone artifact given to Cillian by a strange, shadowed figure who has the uncanny ability to appear as he wishes. Throughout their journey, Cillian, Patrick, and their fellow adventurers will be pursued by others who also want to possess the stone. The Quest is the first book of the series that plunges the reader into ancient history and myth presented through a modern tale of adventure, the mystical, honor and loyalty. Follow the McGonegal brothers as they navigate the perils of power and greed in their quest to find the truth.

January 12, 2115, was the day the robots took over. It was not a violent insurrection. In fact, no one actually took notice of it at all. There were no threats of bodily harm. No one died in humanity’s defense. The movies had it all wrong. We walked through that door voluntarily. We abdicated with our increasing reliance on convenience. It was not convenient to read so we submitted to be read to. It was not easy to drive, too much stress, so we invented self-driving vehicles. Finally, we did not have to leave our homes because everything was at the tips of our fingers. We surrendered without a shot. We chose to be slaves because it was easier than thinking.” Tobias Smithwater would not submit and that made him dangerous. The bots will not stop until they have him in the fold and they will use every resource. Together with his half-bot, half-human wife, and adopted son he will dare to escape across the roughest terrain in North America.

The original Star Wars trilogy famously follows Joseph Campbell's model for the hero's journey, making Luke Skywalker's story the new hero quest for a modern age. With the nine-plus film saga complete, however, new story patterns have emerged as the hero's journey is imagined over and over for characters of different ages, genders, and backgrounds. The prequels offer the plot arc of the villain's journey through Anakin. Leia and Padme, while damsels in the men's story, break out to undergo their own ordeals. The heroine's journey is exemplified by Rey and Jyn. Obi-Wan, Yoda, and Vader must accept the loss of power and fade into spirit guardians, perpetuating the lifecycle. By the sequel era, the original trio become mentors to the younger generation and finally must do the same. Meanwhile, the Mandalorian explores a different form of the quest as he transforms from immature warrior to patriarch. This book tracks the journeys of over 20 characters throughout the franchise.

The Virgin's Promise demystifies the complexities of archetypes and clearly outlines the steps of a Virgin's Journey to realize her dream. Audiences need to see more than brave, self-sacrificing Heroes. They need to see Virgins who bring their talents and self-fulfilling joys to life. The Virgin's Promise describes this journey with beats that feel incredibly familiar but have not been illustrated in any other screenwriting book. It explores the yin and yang of the Virgin and Hero journeys to take up their power as individuals, and includes a practical guide to putting this new theory into action.

Voytilla takes the mythic structure developed by Christopher Vogler in "The Writer's Journey" and applies this idea to 50 classic motion pictures. 100 original carts with mythic icons.

Joseph Campbell, arguably the greatest mythologist of our time, was certainly one of our greatest storytellers.

One of the great intellectual achievements of the 20th century, Joseph Campbell's The Hero with a Thousand Faces is an elaborate articulation of the monomyth: the narrative pattern underlying countless stories from the most ancient myths and legends to the films and television series of today. The monomyth's fundamental storyline, in Campbell's words, sees "the hero venture forth from the world of the common day into a region of supernatural wonder: fabulous forces are there encountered and a decisive victory is won: the hero comes back from this mysterious adventure with the power to bestow boons to his fellow man." Campbell asserted that the hero is each of us--thus the monomyth's endurance as a compelling plot structure. This study examines the monomyth in the context of Campbell's The Hero and discusses the use of this versatile narrative in 26 films and two television shows produced between 1960 and 2009, including the initial Star Wars trilogy (1977-1983), The Time Machine (1960), Logan's Run (1976), Escape from New York (1981), Tron (1982), The Terminator (1984), The Matrix (1999), the first 11 Star Trek films (1979-2009), and the Sci Fi Channel's miniseries Frank Herbert's Dune (2000) and Frank Herbert's Children of Dune (2003).

The companion to the Star wars exhibition at the Smithsonian's National Air and Space Museum explores the mythology used as the basis for the Star wars movie trilogy

A study of heroism in the myths of the world - an exploration of all the elements common to the great stories that have helped people make sense of their lives from the earliest times. It takes in Greek Apollo, Maori and Jewish rites, the Buddha, Wotan, and the bothers Grimm's Frog-King.