The Queens Of Innis Lear

Dynasties battle for the crown in Tessa Gratton's debut adult epic fantasy, The Queens of Innis Lear. Three Queens. One crown. All out war. Gaela. Ruthless Commander. I am the rightful heir of Innis Lear. No more will I wait in the shadows and watch my mother’s murderer bleed my island dry. The King’s hold on the crown must end—willingly or at the edge of my sword. Regan. Master Manipulator. To secure my place on the throne, I must produce an heir. Countless times I have fed the island’s forests my blood. Yet, my ambition is cursed. No matter what or whom I must destroy, I will wield the magic of Innis Lear. Elia. Star-blessed Priest. My sisters hide in the shadows like serpents, waiting to strike our ailing king. I must protect my father, even if it means marrying a stranger. We all have to make sacrifices. Love and freedom will be mine. "Amazing. Just Amazing."--Robin McKinley At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Tessa Gratton's latest epic adult fantasy, Lady Hotspur, is a sweeping, heart-stopping Shakespearean novel of betrayal and battlefields and destiny.

An orphan girl must face untold danger and an ancient evil to save her kingdom’s prince in this lush, romantic fantasy perfect for fans of Girls of Paper and Fire and Tess of the Road. How can you live without your heart? In the vast palace of the empress lives an orphan girl called Nothing. She slips within the shadows of the Court, unseen except by the Great Demon of the palace and her true friend, Prince Kirin, heir to the throne. When Kirin is kidnapped, only Nothing and the prince’s bodyguard suspect that Kirin may have been taken by the Sorceress Who Eats Girls, a powerful woman who has plagued the land for decades. The sorceress has never bothered with boys before, but Nothing has uncovered many secrets in her sixteen years in the palace, including a few about the prince. As the empress’s army searches fruitlessly, Nothing and the bodyguard set out on a rescue mission, through demon-filled rain forests and past crossroads guarded by spirits. Their journey takes them to the gates of the Fifth Mountain, where the sorceress wields her power. There, Nothing will discover that all magic is a bargain, and she may be more powerful than she ever imagined. But the price the Sorceress demands for Kirin may very well cost Nothing her heart.

“Gloriously dark and romantic.” —Roshani Chokshi, New York Times bestselling author of The Star-Touched Queen “An alluring and seductive fairy tale.” —Justina Ireland, New York Times bestselling author of Dread Nation “Horrifying, heartbreaking, and heartwarming, a lush fairy tale rooted in a moral quandary.” —Kirkus Reviews (starred review) “An eerie, consuming tale of sacrifice and faith. Haunting and unique.” —Booklist “Evocative.” —BCCB Once, a witch made a pact with a devil. The legend says they loved each other, but can the story be trusted at all? Find out in this lush, atmospheric fantasy novel that entwines love, lies, and sacrifice. Long ago, a village made a bargain with the devil: to ensure their prosperity, when the Slaughter Moon rises, the village must sacrifice a young man into the depths of the Devil’s Forest. Only this year, the Slaughter Moon has risen early. Bound by duty, secrets, and the love they share for one another, Mairwen, a spirited witch; Rhun, the expected saint; and Arthur, a restless outcast, will each have a role to play as the devil demands a body to fill the bargain. But the devil these friends find is not the one they expect, and the lies they uncover will turn their town—and their hearts—inside out.

A variation on the Shakespearian story of the daughters of King Lear. Three sisters; Gaela, Regan and Elia fight to gain control of their ailing father's crown.

A lush new epic historical fantasy series that evokes the ambition and widespread appeal of Patrick Rothfuss and the vivid storytelling of Naomi Novik

With powerful magic that manipulates the natural world, dangerously cunning royalty, and heart-stopping romance, this new sweeping fantasy series is perfect for fans of Sabaa Tahir. "Another fantasy romance in the vein of books by Sabaa Tahir, Renee Ahdieh. . . . Shalia matures from a frightened girl in a foreign land to a woman unwilling to allow her destiny or desires to be controlled by the men around her." - School Library Journal "I will be thinking about Shalia's strength and fearlessness (and swooning over the slow-burn romance) as I anxiously await book two!" - Erin Bowman, author of Vengeance Road Shalia is a proud daughter of the desert, but after years of devastating war with the adjoining kingdom, her people are desperate for an end to the violence that has claimed so many of their loved ones. Willing to trade her freedom to ensure the safety of her family, Shalia becomes Queen of the Bone Lands, a country where magic is outlawed and the Elementae--those that can control earth, air, fire and water--are traitors, subject to torture . . . or worse. Before she is even crowned, Shalia discovers that she can bend the earth to her will. Trapped between her husband's irrational hatred of the Elementae and a dangerous rebellion led by her own brother, Shalia must harness her power and make an impossible choice: save her family, save the Elementae, or save herself.

Is King Lear an autonomous text, or a rewrite of the earlier and anonymous play King Leir? Should we refer to Shakespeare’s original quarto when discussing the play, the revised folio text, or the popular composite version, stitched together by Alexander Pope in 1725? What of its stage variations? When turning from page to stage, the critical view on King Lear is skewed by the fact that for almost half of the four hundred years the play has been performed, audiences preferred Naham Tate's optimistic adaptation, in which Lear and Cordelia live happily ever after. When discussing King Lear, the question of what comprises ‘the play’ is both complex and fragmentary. These issues of identity and authenticity across time and across mediums are outlined, debated, and considered critically by the contributors to this volume. Using a variety of approaches, from postcolonialism and New Historicism to psychoanalysis and gender studies, the leading international contributors to King Lear: New Critical Essays offer major new interpretations on the conception and writing, editing, and cultural productions of King Lear. This book is an up-to-date and comprehensive anthology of textual scholarship, performance research, and critical writing on one of Shakespeare's most important and perplexing tragedies. Contributors Include: R.A. Foakes, Richard Knowles, Tom Clayton, Cynthia Clegg, Edward L. Rocklin, Christy Desmet, Paul Cantor, Robert V. Young, Stanley Stewart and Jean R. Brink

After discovering a dangerous way to bring the demon of the palace with her, Raliel, the heir to the Emperor, sets out on her coming-of-age journey, accompanied by her demon-kissed bodyguard Osian, who secretly plans to act as his mother's weapon against the Empire.

Set in a lushly drawn world inspired by Inquisition Spain, Zoraida Córdova's fantasy is an epic tale of love and revenge perfect for fans of Sabaa Tahir and Sarah J. Maas. As a memory thief, the rarest and most feared of the magical Moria, Renata was used by the crown to carry out the King's Wrath, a siege that resulted in the deaths of thousands of her own people. Now Renata is one of the Whispers, rebel spies working against the crown. The Whispers may have rescued Renata years ago, but she cannot escape their mistrust and hatred—or the overpowering memories of the hundreds of souls she drained during her time in the palace. When Dez, the commander of her unit—and the boy she's grown to love—is taken captive by the notorious Principe Dorado, Renata must return to Andalucia and complete Dez's top secret mission herself. But as Renata grows more deeply embedded in the politics of the royal court, she uncovers a secret in her past that could change the fate of the entire kingdom—and end the war that has cost her everything.