The Quarterly Of The Oregon Historical Society

Here on the Edge answers the growing interest in a long-neglected element of World War II history: the role of pacifism in what is often called “The Good War.” Steve McQuiddy shares the fascinating story of one conscientious objector camp located on the rain-soaked Oregon Coast, Civilian Public Service (CPS) Camp #56. As home to the Fine Arts Group at Waldport, the camp became a center of activity where artists and writers from across the country focused their work not so much on the current war, but on what kind of society might be possible when the shooting finally stopped. They worked six days a week—planting trees, crushing rock, building roads, and fighting forest fires—in exchange for only room and board. At night, they published books under the imprint of the Untide Press. They produced plays, art, and music—all during their limited non-work hours, with little money and few resources. This influential group included poet William Everson, later known as Brother Antoninus, “the Beat Friar”; violinist Broadus Erle, founder of the New Music Quartet; fine arts printer Adrian Wilson; Kermit Sheets, co-founder of San Francisco's Interplayers theater group; architect Kemper Nomland, Jr.; and internationally renowned sculptor Clayton James. After the war, camp members went on to participate in the San Francisco Poetry Renaissance of the 1950s, which heavily influenced the Beat Generation of Jack Kerouac, Allen Ginsberg, and Gary Snyder—who in turn inspired Ken Kesey and his Merry Pranksters, leading the way to the 1960s upheavals epitomized by San Francisco's Summer of Love. As camp members engaged in creative acts, they were plowing ground for the next generation, when a new set of young people, facing a war of their own in Vietnam, would populate the massive peace movements of the 1960s. Twenty years in the making and packed with original research, Here on the Edge is the definitive history of the Fine Arts Group at Waldport, documenting how their actions resonated far beyond the borders of the camp. It will appeal to readers interested in peace studies, World War II history, influences on the 1960s generation, and in the rich social and cultural history of the West Coast.

"Hops: Historic Photographs of the Oregon Hopscape is a visual dive into the physical presence of a plant that many people discuss but few could identify. Oregon was once the leading producer of hops in the United States (a title now held by Washington). Kenny Helphand has scoured archives across the state to bring together historic photos of hop pickers in the late nineteenth and early twentieth centuries. Hops brings to life pickers of all backgrounds, through different eras of agricultural practice. Here are children, nuns, families, immigrants, and college students in fields, hop driers, and tent camps. The photos range from the candid to the highly professional - including five images from Dorothea Lange's iconic Farm Service Administration work. The 85 high quality photos are accompanied by captions that provide, variously, historical background, selections from oral histories, and visual guidance. A historical essay gives interested readers a short overview of the plant's history and the world of hop growing and picking"--

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

John Reed was one of America's most dynamic journalists during the World War I decade. An unabashed advocate for the working class and an outspoken critic of capitalism, Reed was a star reporter before his relentless crusade turned him into a target of the U.S. government. Reed set the standard for descriptive writing at labor strikes in New Jersey and Colorado, in Mexico while riding with Pancho Villa, in Germany's trenches, and in Russia. America had no shortage of rebels, socialists, anarchists and revolutionaries at that time--but with his outsized personality and command of language and audiences, Reed may have been the most dangerous rebel of them all. Neither adversaries nor allies expected Reed to go the distance (or to Russia) with his convictions. He seemed to enjoy life and merriment too much to sacrifice everything for a second American revolution. But they all underestimated the anger that fueled him, the memory of a father who sacrificed his reputation to fight white-collar crime. This career biography details Reed's extraordinary decade before his death at age 32--a chaotic period of constant movement and remarkable accomplishment--while placing him in context among those who shaped him and touching upon the people with whom he worked.

For over thirty years, Carol Kammen’s On Doing Local History has been a valuable guide to professional and “amateur” historians alike. First published in 1986, revised in 2003, this book offers not only discussion of practical matters, but also a deeper reflection on local, public history, what it means, and why it is done. It is used in classrooms and found on the shelves of local historians across the U.S. The third edition features: Updates to chapters that focus on the current concerns and situation of local historians A new chapter on how the field of history cooperates with other arts A new chapter on writing a congregational history Updated references With the same passion (and now even more experience) that drove her to write the first edition, Kammen has brought her seminal work into today’s context for the next generation of local historians. The new edition ensures that this classic will continue to move anyone interested in public history towards a better understanding of why they do what they do and how it benefits their communities.